Introducing Nextcloud Hub 26 Winter: Reclaim your digital autonomy 🎯 Nextcloud Spotlight


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What’s new in Nextcloud Hub 26 Winter:

🌐 Growing sovereignty: new federation features, improved data export and import
💬 Nextcloud Talk: live translations, pinned messages, scheduling
🔎 Office document comparison
🧑‍🎨 Whiteboard: comments, reactions, timers
✨ Nextcloud Assistant performance upgrade and AI labeling
🔐 Powerful E2EE in the web interface
💪 Speed up with ADA engine
... and many more improvements in all apps!

Watch the full release video Nextcloud Hub 26 Winter Keynote:
youtu.be/DhCYe1-ZPks

Read more about Nextcloud Hub 26 Winter in the release blog post:
nextcloud.com/blog/nextcloud-h…

Experience Nextcloud Hub 26 Winter with a live demo:
nextcloud.com/blog/event/nextc…

Experience the brand new Nextcloud Hub — get it now:
nextcloud.com/instant-trial/

Chapters

00:00 Introduction: How Nextcloud helps you take back control over your data
02:50 What does data ownership really mean?
06:06 Federation: Secure file sharing and collaboration across organizations
11:25 How Nextcloud offers Enterprise-grade security and compliance
14:16 Why an integrated platform saves your time and money
16:51 Nextcloud: Designed for accessibility, simplicity, and customization
19:19 The offline working feature: Productivity at its best
20:24 New features in Nextcloud Whiteboard: Better brainstorming, sharper presentations
22:31 What’s new in the Nextcloud Assistant: your ethical AI solution
27:39 How Nextcloud will keep innovating and growing: Introducing the ADA engine
31:01 Easy switching in Nextcloud All-in-One: Your data, your choice
31:39 The Nextcloud ecosystem: Easy migration, secure hosting, powerful integrations, and more
34:11 Examples of real-world adoption of Nextcloud: from the public sector to Enterprise
37:10 Getting started with Nextcloud
38:11 A thank you to the Nextcloud community!

Featuring:

Frank Karlitschek — CEO and Founder of Nextcloud
Heike Radtke — Vice President Marketing
Jos Poortvliet — Vice President Communications and Co-Founder

#Nextcloud #NextcloudHub #Privacy #Collaboration #Productivity #AI #LocalAI #GovTech #Security #PrivateCloud #Digitalization #DigitalSovereignty

This entry was edited (3 weeks ago)

Introducing Nextcloud Hub 26 Winter: Reclaim your digital autonomy 🔑 Nextcloud Keynote


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Introducing Nextcloud Hub 26 Winter: Reclaim your digital autonomy

What’s new in Nextcloud Hub 26 Winter:

🌐 Growing sovereignty: new federation features, improved data export and import
💬 Nextcloud Talk: live translations, pinned messages, scheduling
🔎 Office document comparison
🧑‍🎨 Whiteboard: comments, reactions, timers
✨ Nextcloud Assistant performance upgrade and AI labeling
🔐 Powerful E2EE in the web interface
💪 Speed up with the ADA engine
... and many more improvements in all apps!

Read more about Nextcloud Hub 26 Winter in the release blog post: nextcloud.com/blog/nextcloud-h…

Experience Nextcloud Hub 26 Winter with a live demo on February 25: nextcloud.com/blog/event/nextc…

Experience the brand new Nextcloud Hub — get it now: nextcloud.com/instant-trial/

Chapters:

00:00 Intro
02:36 Introducing Nextcloud Hub 26 Winter
03:35 Nextcloud’s design principles
06:10 Performance and ADA engine
08:50 Modular monolith architecture
16:34 Security
20:36 Maintenance work
21:04 Nextcloud Files: File sync & share
22:10 Improved E2EE in browser
24:33 Who controls your data: new migration tools
25:55 Federation in Nextcloud
28:52 Performance and scalability
29:06 Nextcloud Files: Clients for desktop and mobile
30:50 Nextcloud Talk: chat and meetings
31:45 Federation in Nextcloud Talk
32:35 Pinned and scheduled messages
33:55 Live translations in calls
34:38 Nextcloud Mail: Email in Nextcloud
36:11 Favorite threads
37:00 Nextcloud Calendar: Event scheduling and planning
37:50 Nextcloud Office: Collabora integration
39:05 Design and usability updates
39:55 Document Comparison
41:42 Sheet Views
43:58 Nextcloud Whiteboard for brainstorming and learning
47:09 Nextcloud Text: Markdown editor
49:15 Easy switching between office options
50:04 Nextcloud Assistant and AI
53:34 AI content labeling
54:41 Nextcloud Flow: Automation tools
57:13 Nextcloud Tables: Data organization
58:20 Nextcloud Platform: Ecosystem, API and apps
59:55 API updates
1:01:45 New apps and integrations
1:05:07 Nextcloud Hub 26 Winter: Summary
1:05:50 How to deploy and migrate
1:09:11 Closing remarks

Featuring:

Frank Karlitschek — CEO and Founder of Nextcloud
Jos Poortvliet — Vice President Communications and Co-Founder
Dereck Castellon — Marketing Manager
Greta Doçi — Support Team Lead
Simon Lindner — Software Engineer
Camila San Martin Ayres — Software Engineer
Michael Meeks — CEO of Collabora Productivity

#Nextcloud #NextcloudHub #Privacy #Collaboration #Productivity #GovTech #Security #PrivateCloud #Digitalization #DigitalSovereignty

This entry was edited (9 hours ago)

Self-host or managed? 🏠 Nextcloud setup guide: home user to enterprise in minutes


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How do you get started with Nextcloud? Watch our walkthrough to see how you can use Nextcloud as a home user, a small business, or an enterprise, from free signup to scaled enterprise deployment.

What you'll learn:
✅ Private cloud options: with provider, in a data center, on-premises
✅ Nextcloud All-in-One using Docker for self-hosted deployment
✅ Enterprise-scale options using Kubernetes clusters
✅ Managed service options: partner-assisted deployment, full hosting package
✅ Free instant signup at nextcloud.com/signup

Want to see more?

🔑 Rewatch the Nextcloud Keynote: See how the new Hub expands your choices, strengthens your control, and protects your digital autonomy: peertube.nextcloud.com/w/kHaPa…

🎯 Short on time? Rewatch the Nextcloud Spotlight for a more focused look at the latest updates to reclaim your digital autonomy: peertube.nextcloud.com/w/ktnS7…

👀 Prefer reading? Discover our release blog: nextcloud.com/blog/nextcloud-hub26-winter

#NextcloudHub #DataSafety #DigitalSovereignty

This entry was edited (2 hours ago)

Got banned as a "fascist sympathizer" from games@hexbear.net for discussing the Ukrainian perspective of the STALKER developers who made changes to the game trilogy


My first months on Lemmy were spent on Lemmy.world, which was the biggest instance at the time. I had no experience with Hexbear because .world had defederated that instance. I sometimes saw it being described as a "tankie" instance, but it was nothing specific.

After I moved to .zip, I came across !games@hexbear.net, which seemed to be free from anything overtly political and reminded me of r/Gamingcirclejerk, so I subscribed to it and occasionally made comments related to gaming.

Today I made multiple comments to a post about an article on the STALKER game developers having removed the Soviet symbols and the Russian audio in the remastered edition of the game. I would argue that in the thread, there were no comments from me that could be construed by a reasonable person as defensive of Nazism, fascism, or even hinting at it. For example, in one of the comments, I linked a Ukrainian law that prohibits the use of Nazi symbols, though I highly advise looking through all my ten comments as to avoid any misunderstanding or false impressions.

Conversely, one comment posted by another user dismissed Holodomor as Nazi propaganda, which I reported, but a moderator of that community just ended up calling me out for that and taking no action, followed by them banning me.

The thread containing all of my untouched posts is still available via lemmy.zip. My comments are also available for viewing via my user page. They are not available on hexbear due to the ban.

in reply to PugJesus

It's a strong signal of pure dogmatism when they pick a fringe view about a region that wasn't even treated seriously by the Soviet Union and make it one of the core tenets of their ideology. The "Holodomor is Nazi propaganda" point still being made years after that post is like the far-right's obsession with trans women in sports. Too specific and inconsequential for an ideology for someone to just land on by chance when they think critically. All they do is regurgitate.

DIY FOSS cyborg (powered by Guix and Emacs)


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At DWeb Camp 2024 I meet Zacchae Scheffer, a DIY cyborg running his own Guix + Emacs based wearable computing setup. dustycloud.org/blog/the-diy-fo…

You can read more about Zacchae's setup here: zacchae.us/hardware.html

This entry was edited (15 hours ago)

Bulletins and International News Discussion from May 18th to May 24th, 2026 - Stuck In A (Thucydides) Bear Trap


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more like thucydideez nuts, gottem

A reminder that as the US continues to threaten countries around the world, fedposting is to be very much avoided (even with qualifiers like "in Minecraft") and comments containing it will be removed.

Image is of a satellite image from MizarVision, a Chinese firm that has recently shown pride in being sanctioned for showing uncensored images of the Middle East. The West is not allowing up-to-date satellite imagery of the region to hide destruction.


As always, my weekly summary/preamble is in spoilers below.

::: spoiler preamble
Military news remained relatively subdued last week, with the main front continuing to be the Lebanon border. With dozens of vehicles destroyed and many more Zionist casualties, they are now desperately searching for a solution to the FPV drone threat, with certain analysts characterizing the whole situation as the entity stumbling foot-first into a bear trap (hence the megathread title). Unfortunately for them, two better and more resourceful militaries have spent the last year or two also searching for a solution and have generally failed - with anti-drone strategies consisting mainly of 1) build your own cheap drones designed to physically intercept their cheap drones and 2) separate your forces up rather than conducting large frontal assaults WW2-style and accept that you're gonna have to fight for many months to gain substantial ground. This also explains why they're so eager to kickstart a civil war in Lebanon, although as I've stated before, I don't personally know whether that would be a silver bullet given how the Lebanese army has been deliberately not allowed to become a threatening force due to Zionist fears, and indeed, I don't know how many Lebanese citizens and soldiers would fight against the only force in their country fighting against an army trying to annex their territory and which murders hundreds of people at a time in aerial bombings on their cities.

Aside from the ever-worsening global economic catastrophe, the main event has been the US visiting China. Trump clearly intended to time the summit such that it took place after subjugating Iran and perhaps also Cuba. However, with the former goal not even remotely achieved, and the latter goal delayed - hopefully indefinitely, though the US still seems pretty intent on it - it all amounted to a big nothingburger. Marxist economist Michael Roberts has written up a great piece on the current state of the US-China economic conflict, stating among things that, despite the last decade of US sanctions and economic warfare, the Chinese economy has done extremely well, building up their own domestic industries to replace commodities lost from sanctions. China has, up to this point, refused to withdraw its aid from Iran, and seems to be looking to start moving its tankers through the Strait via Iran's new tolling mechanism.

China obviously continues to maintain its position on Taiwan, and Trump has continued the US tradition of respecting this in words and disrespecting it in actions, but it's becoming clear to everybody but the most delusional diehards that the US will not be fighting China in and around the Pacific for at least a couple decades, and likely never will. There is little choice. The Ramadan War has definitively proven that the US has been severely militarily and logistically weakened over the decades despite skyrocketing military budgets, and much of their equipment, strategies, and tactics are woefully outdated for the modern battlefield. The prospect of the US fighting a war against China and not immediately losing has gone from "almost implausible" to "hilariously absurd". Unable to meaningfully impede China, the US will have to content itself to increasingly ineffective sanctions campaigns and bullying/overthrowing nations that do not currently have much of a capacity to resist. In that vein, one hopes that Iran and friends will share their expertise in drone technology and underground fortification around the world. The age of the tunnel is upon us.
:::


Last week's thread is here.
The Imperialism Reading Group is here.

Please check out the RedAtlas!

The bulletins site is here. Currently not used.
The RSS feed is here. Also currently not used.

::: spoiler The Zionist Entity's Genocide of Palestine

If you have evidence of Zionist crimes and atrocities that you wish to preserve, there is a thread here in which to do so.

Sources on the fighting in Palestine against the temporary Zionist entity. In general, CW for footage of battles, explosions, dead people, and so on:

UNRWA reports on the Zionists' destruction and siege of Gaza and the West Bank.

English-language Palestinian Marxist-Leninist twitter account. Alt here.
English-language twitter account that collates news.
Arab-language twitter account with videos and images of fighting.
English-language (with some Arab retweets) Twitter account based in Lebanon. - Telegram is @IbnRiad.
English-language Palestinian Twitter account which reports on news from the Resistance Axis. - Telegram is @EyesOnSouth.
English-language Twitter account in the same group as the previous two. - Telegram here.

Mirrors of Telegram channels that have been erased by Zionist censorship.

:::

::: spoiler Russia-Ukraine Conflict

Examples of Ukrainian Nazis and fascists
Examples of racism/euro-centrism during the Russia-Ukraine conflict

Sources:

Defense Politics Asia's youtube channel and their map. Their youtube channel has substantially diminished in quality but the map is still useful.
Moon of Alabama, which tends to have interesting analysis. Avoid the comment section.
Understanding War and the Saker: reactionary sources that have occasional insights on the war.
Alexander Mercouris, who does daily videos on the conflict. While he is a reactionary and surrounds himself with likeminded people, his daily update videos are relatively brainworm-free and good if you don't want to follow Russian telegram channels to get news. He also co-hosts The Duran, which is more explicitly conservative, racist, sexist, transphobic, anti-communist, etc when guests are invited on, but is just about tolerable when it's just the two of them if you want a little more analysis.
Simplicius, who publishes on Substack. Like others, his political analysis should be soundly ignored, but his knowledge of weaponry and military strategy is generally quite good.
On the ground: Patrick Lancaster, an independent and very good journalist reporting in the warzone on the separatists' side.

Unedited videos of Russian/Ukrainian press conferences and speeches.

Pro-Russian Telegram Channels:

Again, CW for anti-LGBT and racist, sexist, etc speech, as well as combat footage.

https://t.me/aleksandr_skif ~ DPR's former Defense Minister and Colonel in the DPR's forces. Russian language.
https://t.me/Slavyangrad ~ A few different pro-Russian people gather frequent content for this channel (~100 posts per day), some socialist, but all socially reactionary. If you can only tolerate using one Russian telegram channel, I would recommend this one.
https://t.me/s/levigodman ~ Does daily update posts.
https://t.me/patricklancasternewstoday ~ Patrick Lancaster's telegram channel.
https://t.me/gonzowarr ~ A big Russian commentator.
https://t.me/rybar ~ One of, if not the, biggest Russian telegram channels focussing on the war out there. Actually quite balanced, maybe even pessimistic about Russia. Produces interesting and useful maps.
https://t.me/epoddubny ~ Russian language.
https://t.me/boris_rozhin ~ Russian language.
https://t.me/mod_russia_en ~ Russian Ministry of Defense. Does daily, if rather bland updates on the number of Ukrainians killed, etc. The figures appear to be approximately accurate; if you want, reduce all numbers by 25% as a 'propaganda tax', if you don't believe them. Does not cover everything, for obvious reasons, and virtually never details Russian losses.
https://t.me/UkraineHumanRightsAbuses ~ Pro-Russian, documents abuses that Ukraine commits.

Pro-Ukraine Telegram Channels:

Almost every Western media outlet.
discord.gg/projectowl ~ Pro-Ukrainian OSINT Discord.
https://t.me/ice_inii ~ Alleged Ukrainian account with a rather cynical take on the entire thing.


:::


A note on fedposting / threats of violence


While I hope that I’m wrong, there is at least a very real possibility that in the immediate future, the US empire will launch an unprovoked and immoral attack on a socialist state (Venezuela) in order to secure that country’s resources. It is understandable that, should that happen, many of you will be feeling extreme anger at these acts and post about it here.

In light of that, the admins and mods of Hexbear figured we’d remind everyone:

No fedposting

That includes, but is not limited to, talking about threats of violence against people or groups of people; including if you add “in minecraft” or “[redacted]”.

We really don’t need to come under fed scrutiny (or worse). Ultimately, fed posting doesn’t even serve much purpose other than “blowing off steam” – and that comes at the cost of potentially putting the site and its users in legal jeopardy. There are more productive ways to vent that anger.

Also, if you end up having a comment removed for fed posting, I’d urge you to not take it personally.

And saying this as a user, not an admin: a little revolutionary optimism never hurt anyone. We must have clear eyes about reality, but as socialists we also should have faith in the power of people to resist oppression.

(Edited for grammar)


This entry was edited (1 week ago)
in reply to SeventyTwoTrillion [he/him]

The fascist Kiev regime carried out a massive drone attack on a college dormitory in Starobelsk, in the Lugansk People's Republic (which is in the Donbass). At least six people, including students, were massacred in the attack. 15 more people are missing under the rubble.

sputnikglobe.com/20260522/ukra…

tass.com/politics/2135325

Oreshnik Shocks Ukrainian Capital: Kiev on Fire After Largest Ballistic Attack of War


in reply to qcop [none/use name]

21 students confirmed dead now: lemmygrad.ml/comment/8237185

And judging by the footage of the strikes on Kiev somehow Russia is still pulling its punches. A dangerous game. The Kremlin will not be able to contain the fury of the Russian population forever. Many Russians want much harsher retaliation for the crimes of the Banderite terrorist regime.

This entry was edited (1 day ago)
in reply to Sanctus

Ya know, I'm somewhat convinced that leftist infighting isn't really a thing irl. I've been to leftist socials and meetups and whatnot and we're all talking about how much we agree. Even if we have differing ideologies, we all agree that the rise of fascism is the main threat. I think the fighting only really exists online where algorithms and anonymity get people frothing at the mouth. If the "Republicans" and "Democrats" of the future are anarchists and MLs, we've already made a ton of progress. In person, I think most leftists are most interested in getting to the point where our different ideologies are actually relevant.

🦏 Moins clivante, toujours navrante : à quoi sert la "gauche" non-mélenchoniste ?


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Soutenez Blast, nouveau média indépendant : blast-info.fr/soutenir

"Aujourd’hui on va parler de la gauche parce que ça y est on connaît enfin le nom du candidat de la France Insoumise : c’est Jean-Luc ! Eh oui, la campagne va pouvoir démarrer, on va redécouvrir le Mélenchon calme et souriant qu’on aime, le Mélenchon qui va sur TF1 et qui est gentil avec Anne-Claire Coudray. Bon ce lancement de campagne il était plutôt réussi puisque les Insoumis ont récolté leurs fameux 150 000 parrainages citoyens en 24h, maintenant ils en sont à 275 000 ils visent les 300 000. C’est pas mal, il y a un enthousiasme. Les partisans d’une primaire de la gauche ont lancé de leur côté une pétition : déconne pas la gauche, pour l’instant elle en est à 20 000 signataires."

Nouvel épisode de Rhinocéros, par Usul et Lumi.

Chroniqueurs : Lumi, Usul
Montage : Harkiadel
Images : Hamza Benkirane
Production : Kathleen Brun - RED POP
Graphisme : Thibault Inglebert, Morgane Sabouret
Directeur du développement des collaborations extérieures : Mathias Enthoven
Co-directrice de la rédaction : Soumaya Benaïssa
Directeur de la publication : Denis Robert

Le site : blast-info.fr/
Facebook : facebook.com/blastofficiel
Twitter : twitter.com/blast_france
Instagram : instagram.com/blastofficiel/
Mastodon : mamot.fr/web/@blast_info
Peertube : video.blast-info.fr/
Twitch : twitch.tv/blastinfo
Bluesky : bsky.app/profile/blast-info.fr

#Rhinocéros
#Mélenchon
#gauche

This entry was edited (21 hours ago)

FRANÇOIS RUFFIN, UN HÉROS QUI S'AIME BEAUCOUP


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⚠️ SAUVEZ LE MÉDIA, DEVENEZ DONATEUR MENSUEL : 👉 capsur10k.lemediatv.fr

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⚠️ Le Média est également diffusé sur le canal 165 de la Freebox, sur le canal 235 de la Livebox (Orange) et sur le bouquet GRATUIT de l'application Molotov TV.

Retrouvez aussi Gwên sur sa chaîne d'analyses politiques : youtube.com/@analysespolitique…

La bande dessinée de François Ruffin a créé la polémique, notamment pour le racisme systémique qu’elle contribue à entretenir et aussi du fait de la mise en avant démesurée de son auteur. Cette œuvre s'inscrit toutefois dans un long continuum de films, de livres et d'engagements politiques. Dans cet épisode de C'était pas mieux avant, Gwên retrace le parcours politique, artistique et journalistique de François Ruffin : de Fakir à sa candidature à l'élection présidentielle.

Musiques : Ryan Gold, Sid Sonic, Peter-Henry-Mayne

BIBLIOGRAPHIE

BENHAÏDA Sarah, DEJEAN Mathieu, « François Ruffin, un député en lévitation politique », Mediapart, 2025
BEAUGÉ Julien, Compte-rendu de l’ouvrage Quartier Nord de François Ruffin, Politix, 2007
GAROT Blandine, « Les déclarations de François Ruffin passent mal au sein de la nébuleuse Nuit debout », Le Monde, 2016
MEYER Clémentine, « Le peuple et moi. François Ruffin cinéaste », Revue des livres et des idées, 2026
MHAMDI Yanis, « Mélenchon/Ruffin : l’histoire qui a failli faire exploser la gauche », Blast, 2024
PAVLEC Yoann, DEBOWSKI Nina, « Et si Ruffin avait raison ? | RALL », Le Canard Réfractaire, 2025
ROBINET Alice, « François Ruffin : "je n’exclus pas de me présenter à une élection" », France 3 Hauts-de-France, 2016
RUFFIN François, Merci patron !, 2015
RUFFIN François, PERRET Gilles, Au boulot !, 2024
« François Ruffin », Wikipédia

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Rejoignez la communauté des Socios !

This entry was edited (21 hours ago)

New German list of symbols conflates anti-genocide advocacy with antisemitism


cross-posted from: lemmy.ml/post/47821892

The German government last week published a new brochure on what it believes to be antisemitic codes and symbols.

Over 80 pages, the brochure catalogues a list of concepts, terms and images ranging from Nazi-era propaganda to contemporary symbols against Israel's genocide of Palestinians in Gaza.

Intended audiences for the brochure include teachers, "who can use the booklet as supplementary material in the classroom", and other educational staff, who can use it as a "guideline to help recognise any anti-Semitic remarks in the working environment".

Germany is one of the key supporters of Israel's genocide, despite its own history of committing genocide against Jews, Slavs and Roma during the Second World War, and in Namibia in the early 20th century.

3 interventions magistrales sur le smartphone et le numérique - Dupontel, Stéphant, Barrau


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Dans cette vidéo percutante, trois voix engagées — le philosophe et astrophysicien Aurélien Barrau, l'ingénieure en géoressources Aurore Stéphant, et le réalisateur Albert Dupontel — livrent une analyse lucide et critique du numérique contemporain.

Ils dénoncent les dérives du monde virtuel, les effets nocifs des réseaux sociaux sur nos liens sociaux, ainsi que les conséquences écologiques et humaines liées à la fabrication et à l’usage des smartphones. Cette intervention croisée met en lumière l'impact réel d'une technologie omniprésente, souvent perçue comme un progrès, mais porteuse de dépendances et de destructions invisibles.
Un éclairage puissant sur les enjeux sociétaux et écologiques de notre époque.

00:00 intro
00:20 Albert Dupontel
02:19 Aurélien Barrau
07:12 Aurore Stéphant

Réduire la qualité de la vidéo.

Pour changer le système :
Réclamer le RIC constituant : petitions.assemblee-nationale.… mouvement-constituant-populair…
Changer de banque: lanef.com/ change-de-banque.org/particuli…
Passer à l'action militante: extinctionrebellion.fr/ ripostealimentaire.fr/
Changer de travail : jobs.makesense.org/fr

Source:
Albert Dupontel: youtube.com/watch?v=KtLvAGtz2B…
Aurélien Barrau : youtube.com/watch?v=l8g0YHIMRh…
Aurore Stéphant: youtube.com/watch?v=LXuE0mg6NB…

Musique: Invisible Beauty - Aakash Gandhi

Montage: lakl42

Réponses au quiz de fin :

/!\ Description à ne pas lire avant d'avoir vu la vidéo entièrement
/!\

/!\

/!\
/!\

Quelles sont, pour Albert Dupontel, les trois choses qui contribuent à enlaidir notre réalité ?
La consommation, la publicité et le discours politique

Selon Aurélien Barrau, qu’est-ce qui relève de l’addiction plutôt que du progrès ?
Les réseaux sociaux / le téléphone

Que signifie l'acronyme DEEE (D3E) ?
Déchets d'équipements électriques et électroniques

#Barrau #Dupontel #Stéphant #écologie #NumériqueResponsable #ÉcologieDigitale #extrait #ethiquettac

This entry was edited (1 day ago)

California's AB‑1856 would exempt most open‑source Linux distributions from the state's upcoming age‑verification requirements, though proprietary platforms like Steam would still be covered.


GNOME is VERY customizable


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01:20 GNOME Extensions
03:53 Extension Exemples
03:57 Dash To Panel
05:05 AppIndicators
05:31 Dash To Dock
06:20 Night Theme Switcher
06:55 Burn My Windows
07:32 Desktop Icons NG
08:07 Blur My Shell
08:33 Themes, Icons, and Cursors
10:17 GNOME Tweaks
11:02 GNOME IS very customizable
12:41 Sponsor: Get a Linux laptop or Desktop!
13:24 Support the channel

GNOME can be transformed entirely thanks to extensions. The easiest way to get to these is to install the app called "Extension manager". If you don't want an app to do that, you can also just head over to extensions.gnome.org and look at them this way.

One of the most widely seen is dash to panel. It's perfect if you want to replicate a familiar windows-like, or KDE-like layout. It's also super customizable itself, with options like changing the position of the panel itself. It can also be combined with other extensions, like different menus, or the all important AppIndicator extension.

It does what it says: it just lets you add support back for these nasty looking icons in your top bar.

Don't like a bottom bar? Why not get a dock, always visible? Dash to dock does just that.

You'll get the "Activities" dock from GNOME, but always visible on the bottom, with running app indicators, launchers, separated from apps you haven't pinned, and even a trashcan, the plugged in storage devices, and the applications menu.

You can also switch to dark or light mode automatically,, thanks to Night Theme switcher. It will simply switch your desktop to dark mode depending on the time of day, or on a manual schedule.

If you're more into eye candy and a nostalgic of the COmpiz days, you also have the burn my windows extension.

It lets you pick various animations for opening or closing your applications, and even apply them to dialogs. Ranging from actually making your windows catch fire and disappear, to being shredded by claws. If you can't decide, you can pick multiple effects, and have them randomized, and each effect can be tweaked in terms of duration and scale.

What about these desktop icons? For that, why not use Deskop Icons NG? It basically rehabilitates your desktop as an icon and files folder, so you can finally hide that wonderful wallpaper with all sorts of crap you'll never sort through or remember is there.

For fans of eye candy, there's also a nice option, called blur my shell. It will add some nice blur on the background of the activities view, based on your wallpaper. Your search view, activities view, or apps list will definitely look snazzier with this one.

Of course, you might also want to change the look of your GNOME applications. All you need to do is install GNOME Tweaks, and then look for a theme you like. For that, GNOME Look is your friend.

Once you've downloaded a theme, all you have to do is extract it, and place the resultant folder inside one of 2 directories. Themes go into the .themes folder in your user directory, and icons in the .icons directory.

These are hidden folders, and you might need to create them. Don't forget the "." at the beginning of the name. Showing or hiding hidden folders in Nautilus can be done with the press of COntrol + H.

Once your themes are placed there, open GNOME Tweaks, hit the appearance tab, and choose the theme you want!

Cursors work in the same way, and can be placed in the .icons folder as well.

This entry was edited (1 year ago)

Elevating Your Bath with a Framed Mosaic Feature


Framing a mosaic feature revolves around meticulous attention to transitional details. Edge refinement matters. Surface flushness matters. Illumination quality matters.

When you set out to transform a bathroom, one design question rises above the rest. Where do you weave in genuine character? Standard tiles serve their purpose. They clean up with minimal effort. Yet they often produce spaces feeling impersonal and flat. Homeowners consistently reach for something more. A vibrant color statement. A textured surface that catches the light. Mosaic tiles emerge as the go-to solution.

However, measured application remains essential. Excessive patterning compresses a room visually. It introduces unwelcome visual static. The remedy involves confining the mosaic to a deliberately bounded zone. Subsequently, framing execution becomes critical. A feature lacking perimeter definition appears accidental. It suggests incomplete installation or material shortage. Proper framing establishes structural clarity. It choreographs visual attention with precision.

The following methodology delineates correct framing protocols for mosaic features. These principles apply comprehensively, whether addressing shower recesses or vanity wall treatments.

Establishing the Optimal Position


Initially, identify the most advantageous placement. Within any mosaic tiles bathroom composition, restraint consistently produces superior outcomes. One compelling feature surpasses multiple diluted attempts.

The shower recess endures as the preferred selection. It benefits from natural shielding against direct spray impact. Its elevation at standard viewing height proves ideal. These characteristics render it exceptionally suited for elaborate tile compositions. Another viable candidate is the wall surface immediately behind the vanity. This functions comparably to a culinary splashback. It naturally channels focus toward the basin and mirror assembly.

Exercise caution when considering mosaics for the principal shower floor unless drainage slope requirements mandate such application. The resulting grout multiplication creates substantial maintenance obligations. Preserve floor simplicity. Maintain unadorned primary wall surfaces. Allow your feature to command exclusive attention. This equilibrium sustains an impression of spaciousness and serenity.

Specifying the Border Assembly


A definitive perimeter must demarcate the mosaic from adjacent field tile. Simply terminating the mosaic and resuming with larger format tile proves inadequate. The exposed boundary appears crude and unfinished. The underlying mesh substrate risks visibility. A refined edge treatment becomes mandatory.

Three established techniques address this requirement effectively.

Metallic Profile Systems


This approach represents contemporary industry standard. Aluminum or stainless steel extrusions accommodate diverse cross-sectional configurations. They safeguard the mosaic's susceptible perimeter. They generate precise, rectilinear boundaries. Metallic edging withstands mechanical impact. It resists chipping and fracture. It integrates seamlessly with modern design vocabularies.

Rounded Liner Elements


This method maintains classical associations. These slender, curved tiles coordinate with your principal wall covering. They produce a gentler, more gradual visual transition. They complement traditional or heritage-inspired bathrooms appropriately. The compromise involves the curved geometry, which tends to accumulate deposits over time.

Field Tile Perimeter


Your existing large-format tile can itself constitute the framing element. Carefully sectioned pieces surround the mosaic sheet, forming a tailored boundary. This achieves a unified, integrated visual statement. Grout joints can align through meticulous advance coordination. This technique demands elevated cutting precision and expertise.

Harmonize your selection with established hardware finishes. Brushed nickel fixtures pair naturally with corresponding metallic edging. Such coherence signals deliberate, considered design intention.

Calibrating Color Relationships


Evaluate how the frame should visually engage with the mosaic itself. Two strategic orientations present themselves: harmonization or opposition.

Harmonization signifies the frame reproducing the mosaic's chromatic identity. The feature dissolves subtly into its surroundings. It merges with the wall plane. This benefits compact bathrooms where visual fragmentation proves undesirable.

Opposition signifies the frame asserting independent visual presence. A dark perimeter surrounding a light mosaic evokes a picture frame. The eye travels there instantaneously. This succeeds when the mosaic itself remains understated. Conversely, if the mosaic already exhibits complex patterning, maintain frame neutrality. An already busy mosaic combined with an assertive frame descends into visual chaos.

Grout selection profoundly influences this dynamic. High-contrast grout amplifies the mosaic's pattern intensity. Grout closely matched to tile color renders the mosaic more monolithic. Finalize grout strategy before committing to frame specifications.

Executing Installation and Surface Preparation


This phase separates exemplary executions from disappointing outcomes. Mosaic tiles frequently measure thinner than conventional wall tiles. A glass mosaic might register 4mm in thickness. A standard ceramic wall tile could reach 8mm.

Installation without thickness compensation produces a pronounced lip. The larger tile projects outward noticeably. This generates undesirable shadow lines. More critically, it forms a ridge where residue accumulates relentlessly.

Your installer must elevate the underlying substrate beneath the mosaic. Supplementary mortar bed or leveling compound achieves necessary elevation. The objective: a perfectly flush finished surface. When you glide your palm across the transition, no step should register.

This demands genuine craftsmanship. Interrogate your contractor specifically regarding thickness management protocols. If their solution involves merely increasing adhesive quantity, proceed cautiously. Excessive adhesive thickness risks sagging and unevenness. Methodical substrate preparation remains non-negotiable.

Achieving Grout Line Continuity


Grout configurations should communicate deliberate intentionality. When field tile features vertical grout runs, attempt to align the mosaic perimeter with these established rhythms. This cultivates visual order and coherence.

For recess installations, side-wall grout should ideally extend the exterior wall pattern. This proves technically demanding. Mosaics arrive pre-mounted on sheets. Individual tesserae resist repositioning. The installer must section the sheet to conform to existing geometry.

Never force alignment when dimensions prove incompatible. A robust, well-defined frame outweighs mismatched joints. Metallic trim excels here by concealing discrepancies. It interrupts visual continuity between dissimilar tile types. This liberates you from obsessive grout alignment concerns.

Strategically Illuminating the Feature


A feature cannot fulfill its purpose without adequate illumination. A magnificent mosaic languishing in shadow remains essentially invisible. Within shower recesses, consider integrating waterproof LED ribbon lighting. This reveals dimensional tile texture. It causes glass or mineral elements to radiate luminously.

For vanity wall applications, verify that wall sconces or overhead fixtures directly illuminate the feature. Shadows obliterate fine detail. Uniform, consistent lighting becomes paramount. This belongs in preliminary planning stages. Electrical infrastructure must precede tile installation.

General ambient illumination proves insufficient. A dedicated light source transforms the installation dramatically. It elevates tilework to artistic status. This consideration becomes especially critical in bathrooms lacking natural fenestration.

Confronting Maintenance Obligations


A feature attracts admiration. Consequently, it demands consistent maintenance attention. Yet mosaics multiply grout surface area substantially. Grout absorbs stains far more readily than glazed tile surfaces.

Shower installations accumulate soap film and mineral deposits. Vanity applications collect toothpaste spatters and cosmetic residue. Establish regular cleaning protocols. Soft-bristled implements access grout lines most effectively.

Avoid aggressive acidic formulations. These compromise grout integrity and can etch certain mineral mosaics. pH-neutral products offer safer, more sustainable performance. Epoxy grout simplifies ongoing maintenance considerably. Its stain resistance exceeds conventional cementitious alternatives. The initial investment runs higher. For a compact feature area, this premium delivers worthwhile long-term returns.

Procuring Harmonious Components


Never source mosaic and framing tile from separate vendors. Chromatic consistency between manufacturers remains problematic. One supplier's white rarely corresponds to another's equivalent designation.

Consolidate purchases through a single supplier. This safeguards tonal harmony. It also ensures production batch uniformity. All materials should originate from identical manufacturing runs.

When visiting showrooms, inquire specifically about mosaic tiles bathroom collections. Many retailers offer coordinated trim and field tile packages. This eliminates compatibility uncertainty. Transport your primary tile sample for direct comparison. Evaluate the mosaic alongside it. Verify thickness compatibility. Assess color accuracy beneath natural daylight conditions.

Concluding Reflections


Framing a mosaic feature revolves around meticulous attention to transitional details. Edge refinement matters. Surface flushness matters. Illumination quality matters.

Success in these elements adds tangible value. The bathroom communicates intentional, professional design. Failure renders the installation an obvious improvisation.

Dedicate adequate time to perimeter planning. Engage your installer in detailed leveling discussions. Select appropriate illumination. Maintain surrounding surfaces in quiet restraint. Allow the feature to perform unchallenged. A properly framed mosaic constitutes a lasting enhancement. It transcends ephemeral trends. It endures daily wear. And it bestows distinctive identity upon your bathroom without overwhelming the overall spatial experience.

Accent colors standard & Linux performance boosts: Linux & Open Source News


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#Linux #OpenSource #TechNews

00:00 Intro
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01:34 Accent colors are added to the XDG desktop portal
03:04 Linux Kernel 6.5 was released
04:41 Kernel 6.6 will have big performance boosts
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09:51 France pushes another censorship law
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Accent colors are added to the XDG desktop portal

phoronix.com/news/XDG-Desktop-…

github.com/flatpak/xdg-desktop…

Linux Kernel 6.5 was released

omgubuntu.co.uk/2023/08/linux-…

Kernel 6.6 will have big performance boosts

phoronix.com/news/Linux-6.6-Sy…

phoronix.com/news/Linux-6.6-IO…

phoronix.com/news/Linux-6.6-EE…

phoronix.com/news/Linux-6.6-Ea…

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Sponsor: Thunderbird

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GNOME will get more UI updates

omglinux.com/nautilus-split-pa…

feborg.es/gnome-settings-updat…

KDE weekly updates

pointieststick.com/2023/09/01/…

France pushes another censorship law

techradar.com/computing/cyber-…

foundation.mozilla.org/fr/camp…

Gaming News: Starfield on Steam Deck, Wine + Wayland

gamingonlinux.com/2023/08/robl…

winehq.org//announce/8.15

gamingonlinux.com/2023/09/stea…

phoronix.com/news/Wine-Wayland…

This entry was edited (1 year ago)

Firefox DYING is TERRIBLE for the Web


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00:00 Intro
00:47 Sponsor: 100$ free credit off your Linux or Gaming server
01:37 The decline of Firefox
05:20 Why that's a problem
08:13 Why is Firefox important?
11:43 How can we solve this?
13:23 Sponsor: Get your Linux laptop or desktop with Slimbook
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There is no denying that Firefox has been progressively losing ground in the web browser race. It's highest peak was at the end of 2009, at almost 32% market share, when Internet Explorer has about 55%, and Chrome was barely edging out the 5% market share.

Fast forward to 11 years later, and Chrome now has 62.7% of the market, where Firefox only has 4.2%. How did that happen? Why did the browser that basically started the work to take IE down, that introduced tabs to the masses, and that made sure web standards were respected, why did THAT browser fall so low?

First, Mozilla completely missed the mobile market. There's also the fact that Google pushed CHROME very aggressively. Firefox also kinda rested on their laurels for a while, while Chrome worked tirelessly on their engine.

Now you might think: that's a free market. People use what's best, and if Firefox gets better, people will flock back. And while that's a possibility, as it stands, it still creates an issue.

The web relies on being open and on evolution. These evolutions, to be beneficial to everyone, need to be decided collectively, by independent organisms, supported by all browsers, and implemented freely.

What I mean is that the browser engine shouldn't control how the web runs, looks, or what it can do. The browser engine is just there to ensure that websites and webapps just run like they should.

The rise of Chrome and chromium based browsers, just like any other monopoly, turns that on its head. Developers, you see, can only implement features, if they know that their users will be able to make use of them. If everyone uses the same engine, and that engine decides to NOT implement a feature, then it's just not going to be used at all, because why make something that no user will ever be able to take advantage of?

This is a problem. Not right now, but it might become one in the future. See, Chromium is open source, as is Blink, the rendering engine used in Chromium and every browser using it. It's open source, but decisions are made by Google. In 2019, 92% of commits to the code base were made by Google employees. So let's not kid ourselves: Google has total control over what goes in and what they don't want to see in Chromium.

You might say, someone would fork chromium or Blink and start their own browser, and that would solve it. Except no one would move to that browser.

What's important isn't Firefox specifically, it's having rendering engine diversity. Having 2 or 3 engines that have almost equal market share is crucial to avoid that situation, because in that case, the one that doesn't implement a new technology doesn't hold back the whole web.

So how can we solve this? How can we make sure that Chromium doesn't start deciding how the web should run? Well, as users, apart from not using chromium based browsers, and supporting other engines financially, there isn't much we can do.

The other option would be to try and take governance of Chromium away from Google, but I don't see that happening any time soon.

This entry was edited (3 months ago)

No, Flathub IS NOT turning EVIL and corporate


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#flathub #linux #opensource

00:00 Intro
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01:25 Why are people worried?
03:44 User accounts: not an issue if done right
05:40 Concentration of power in one single repo
09:09 Flathub will need App Stores
10:25 Companies are BAD
13:19 There are still questions
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What is starting to worry people is the direction flathub is going in: they want to add payments, donations, and subscriptions so users can adequately compensate developers for their work.

This creates multiples issues: one is the user accounts, the other is the power it might give flathub, and the third is the commercial / corporate aspect of it. Let's look at all of that.

To handle payments, Flathub needs to implement user accounts. At the very least, they need to have accounts for developers, so they can publish their applications in their own name, and collect the money they make from these sales or donations. User accounts are also in the cards, to handle user payments

And some people seem to fear that these accounts would be an issue. Because you're centralizing data about Linux users in a single place.

And I can understand the issue here, but these accounts don't have to have personal information. If payment is handled by a third party solution, as it's planned with Stripe, then that account could basically just be a login and a password, and that's it. You don't have to use a real name, you don't have to use your everyday email address if you don't want to, and all the personal info used for payments would be stored by the third party.

The more worrying aspect would be the power Flathub could gain. If Flathub's payment solution works well, and developers start actually making decent money from it, then it means they'll be more motivated to use flathub as a platform to distribute their applications.

This could lead to software being centralized on Linux, with developers ignoring other packaging formats, and other repos, and Flathub becoming THE only app store on Linux.

First, let's not forget that applications on Flathub are 99% free and open source software. Even if the developer decides to only use flathub from now on, you still have the source code available.

Second, Flathub is open source. All the code for that platform is open, and they don't seem to plan to change that either. Which means that anyone who wants to set up a competitor remote.

Centralization is a problem when it also creates lockdown. Here, escaping a potential flathub centralization would be a no brainer, and super easy.

Now, of course, Flathub will have to create some form of legal entity to handle payments, money, and user / developer data if collecting that is required somehow. And if you've been hanging out in the Linux or open source community for a while, you probably know that companies and money are EVIL.

Jokes aside, what's to stop Flathub from creating a corporation, and then change licenses on their work once developers are hooked, and start charging high margins on what users pay, and basically get fat off the backs of Linux users and open source developers?

Well, first, that would mean you basically have 0 trust in GNOME, or KDE, because the governance of Flathub is being set up by people from GNOME and KDE, and some flathub people.

Second, if Flathub ever turned into some kind of Apple or Microsoft clone, do you really think they'd still get the funding they need to run?

This entry was edited (1 year ago)

Open Source Software has a funding problem.


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00:00 Intro
00:44 Sponsor : 100$ credit on your Linux or gaming server
01:56 Open Source doesn't mean "free of charge"
03:51 The Web runs on Free and Open Source Software
05:35 LOG4J, Faker and Colors
08:25 Who needs to pay?
10:56 The status quo isn't sustainable
12:13 150€ off your next ultrabook!
12:34 Support the channel

A lot of people assume that open source, or free software is free of charge, but while that's generally the case, it's not an obligation.

This ends up with a paradox: user facing software that has a GUI and is used by regular users tends to have easier access to funding than server-side libraries that are used by giant companies that make billions each year, because basic users will part more easily with their cash, one dollar at a time, than a company that doesn't really know what they use to make their own stuff work.

And this brings us to the second major point of the video: the modern web is heavily dependent on free and open source software.

hostingtribunal.com/blog/linux…

Linux isn't the only open source project underpinning the web. For a long while, the default stack for a server was LAMP: Linux, Apache, MySQL, and PHP. All open source projects. It's less true nowadays, with tons of new technologies being used to replace these various components, but most of these new technologies are open source.

With the rise of NPM, the Node Package Manager, it's easier than ever to access hundreds of thousands of libraries for your projects, most of them open source.

Recent issues have showcased all of that. Let's begin with log4j.

It's one of the most popular logging libraries used online. It gives software developers a way to build a record of activity to be used for anything from troubleshooting to auditing, data tracking, whatever else.
Companies such as Apple, IBM, Oracle, Cisco, Google and Amazon, all run Log4j. Except THIS library had a huge vulnerability that affected almost the entire web a few months ago.

Another recent issue with a very different outcome was with the very, very popular libraries colors, and faker.

“Colors" enables users to “get color and style in their node.js console.” It is downloaded over 23 million times per week and has nearly 19,000 projects that depend on it. “Faker,” creates fake, realistic data for testing purposes, and it's downloaded over 2.4 million times per week and has over 2,500 projects depending on it.

Except their developer got fed up of having super successful projects that didn't turn in any money, and were used by fortune 500 companies, so one day, he decided to push an update that borked the output of both libraries.

First it would have been easier to spot the issue in log4j had companies that used that library implemented a code review process for open source code they want to use, and maybe contribute to improving said code.

Second, if companies decided that they wanted to make their own work depend on smaller open source projects, a monetary contribution doesn't seem so crazy.

The current model of web giants basing their own offerings on the shoulders of unpaid volunteers, and expecting all of that to work flawlessly without ever contributing to it, with code, or money, isn't really sustainable. As a project is used by bigger companies, it becomes a target for malicious hackers, and making sure that this code is secure can become a full time job that no one can expect an unpaid volunteer to do.

This entry was edited (1 year ago)

Linux is NOT about choice


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00:00 Intro
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01:33 Linux OFFERS choice
03:15 Developers have choices too
05:42 Choice is a byproduct, not a core value
07:57 The cost of choices
09:39 Parting Thoughts
10:41 Sponsor: 150€ off your Slmbook Executive Ultrabook
11:07 Support the channel

Linux desktops have traditionally offered a lot of choice. On the one hand, it means that virtually anyone can end up with the exact system they love, that works exactly how they want it, down to the smallest detail.

On the other hand, it also means that beginners don't know where to start when trying to move to Linux.

Finally, that huge amount of choice also means that maintaining our desktops is an increasingly complex task: as you add features and options for everything, your number of test cases increases, and the possibility of breakage and bugs skyrockets.

Which leads us to developer choice.

Let's get this out of the way: developers can do whatever they want. They're the ones creating the software we use. Whether they work on an application, on a desktop environment, on a small subsystem, or on the Linux kernel, they're the ones that make our experience with Linux possible.

Which also gives them a lot more power over all of this than us, regular users.

In any case, the time they spent is allocated however they please. If they don't want to fix a specific bug, or implement a feature they don't like, they don't HAVE to. They don't owe us, the users, anything.

Developers also have choices: the choice to work on a new option, that has to work with every other option there is, and that will have to be maintained with each refactoring of the code, each update, each library change. They have the choice to support themes or not. To support dark mode or not, to fix a very annoying bug, or not.

Linux desktops offer tons of choices. But these choices are byproducts of the free and open source nature of our programs, kernels, and apps. They're not an inherent part of the Linux experience.

We have choices because everyone can contribute some code, fork a project, create their own version of an application, or a desktop environment, and with each new project or fork, the number of possible combinations increase.

We don't have all these choices because there is an ethical obligation for them to exist., or because Linux mandates that people have every choice available to them. Nowhere has it ever been written, or agreed, that if a developer makes something based on Linux, they HAVE to implement each option that everyone wants, or thinks they need.

Projects that refuse to implement certain features are not "going against the Linux philosophy". They're not "ignoring their users", they don't "disrespect Linux" or whatever else. They just make choices, as developers, as UX designers, as project leaders. They make the choices they want, to reach the goal they have.

When a developer team decides to add a preference or a feature, it's not just a "set it and forget it" act. As everyone who has ever worked on software will tell you, each preference has a cost.

Adding more preferences make testing and QA more complicated. Each option multiplies the number of cases you have to test for. Certain option combos can result in bugs, and each time you fix something on another preference, or change how something behaves, that's one more potential point of failure.

This entry was edited (1 year ago)

Ultherapy PRIME: A Guide to Non-Invasive Skin Lifting


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For individuals seeking to address visible signs of ageing without surgery, non-invasive skin lifting technologies offer a practical solution. These treatments use targeted energy to stimulate the body’s natural repair processes, resulting in gradual improvements in firmness and contour. One such advancement is Ultherapy PRIME, the latest generation of ultrasound-based skin lifting. This guide explains how the procedure works, what results to expect, and why it has become a popular choice for those considering a sagging skin treatment in Singapore.

Ultherapy PRIME: A Guide to Non-Invasive Skin Lifting

Ultherapy PRIME is designed for people with mild to moderate skin laxity who wish to avoid the risks and recovery time associated with surgical facelifts. By delivering focused ultrasound energy to precise depths beneath the skin, it triggers collagen and elastin production. Over several months, this natural regenerative process lifts and tightens the skin on the brow, neck, chin, and décolletage. The treatment is non-invasive, requires little to no downtime, and is suitable for most skin tones.

Key Takeaways:


  • Ultherapy PRIME is the latest generation of ultrasound skin lifting, offering a 20% faster treatment session compared with legacy Ultherapy.
  • It uses real-time ultrasound imaging to personalise energy delivery to the deeper skin layers.
  • The procedure stimulates new collagen and elastin, producing gradual lifting and tightening over three to six months.
  • Most patients require only one session, with results lasting up to 12 to 18 months.
  • Side effects are generally mild and temporary, including redness, swelling, or slight discomfort.


What Is Ultherapy PRIME?


Ultherapy PRIME is an FDA-cleared, non-invasive procedure that uses micro-focused ultrasound energy to lift the skin on the neck, under the chin, and on the brow. Unlike legacy versions, this updated treatment is faster and more efficient, with session times ranging from 30 to 90 minutes. It targets the deeper layers of the skin and the underlying superficial muscular aponeurotic system (SMAS) – the same tissue layer addressed during a surgical facelift.

Beyond lifting, Ultherapy PRIME also improves skin tone and texture. Stimulating collagen production, it helps smooth uneven texture, reduces the appearance of fine lines and wrinkles, and contributes to a more radiant complexion. The energy is delivered through a handheld device that allows practitioners to see the tissue layers on a screen, ensuring precise and safe treatment. Because there are no incisions, patients can typically return to their normal activities immediately after the session.

How Does Ultherapy PRIME Work?


The procedure involves applying a handheld transducer to the skin, which delivers focused ultrasound energy to specific depths beneath the surface. This energy heats the targeted tissues to a controlled temperature, creating a thermal injury that triggers the body’s natural healing response. In response, fibroblasts produce fresh collagen and elastin – the proteins responsible for skin firmness and elasticity.

Results are not immediate. The initial effect is a subtle contraction of existing collagen fibres, but the true lifting occurs gradually as new collagen forms over the following months. Most patients notice visible improvements within two to three months, with optimal results appearing around the six-month mark. This gradual change produces a natural-looking enhancement, avoiding the sudden or "overdone" appearance that can sometimes follow more invasive procedures.

Benefits and Treatment Areas


Ultherapy PRIME offers several advantages for those seeking a non-surgical sagging skin treatment. It is non-invasive, requiring no incisions or stitches. There is minimal downtime, so patients can resume work or social activities on the same day. The results are long-lasting, typically holding for 12 to 18 months, and maintenance sessions can extend this further.

The treatment is effective for lifting and tightening various areas of the face and body. Common treatment zones include the brow (to lift drooping eyelids), the jawline (to reduce jowls), the neck and submental area (to address a double chin or turkey neck), and the décolletage (to smooth chest wrinkles). It also improves overall skin texture and firmness, minimising fine lines around the eyes, forehead, and mouth.

What Results Can You Expect?


After a single session of Ultherapy PRIME, you may notice some immediate tightening due to collagen contraction. However, the most significant lifting and toning will develop over three to six months as new collagen builds. The results are subtle and natural-looking – friends and colleagues may comment that you look more rested or refreshed without being able to pinpoint why.

The duration of results depends on individual factors such as age, skin condition, and lifestyle habits. On average, the effects last between 12 and 18 months. For patients who wish to maintain their outcome, an annual touch-up session is often recommended. Because the procedure stimulates your body’s own regenerative capacity, the improvements integrate seamlessly with your natural facial expressions and contours.

How Many Sessions Are Needed?


Most patients achieve noticeable results with just one treatment session of Ultherapy PRIME. However, the exact number of sessions can vary based on the degree of skin laxity, the areas being treated, and your personal aesthetic goals. Some individuals with more significant sagging may benefit from an additional session after several months, while others opt for a yearly maintenance treatment to prolong the effects.

During your consultation, a qualified doctor will assess your skin and create a personalised treatment plan. They will explain the recommended number of sessions and the expected timeline for results. This tailored approach ensures that you receive the appropriate level of energy for your specific concerns, whether you are addressing early signs of ageing or more established laxity.

FAQs


1. What is the difference between Ultherapy and Ultherapy PRIME?
Ultherapy PRIME is the latest generation of the technology. It is approximately 20% faster than legacy Ultherapy, uses a smaller transducer for more precise targeting of delicate areas, and offers enhanced customisation with improved patient comfort.

2. Is Ultherapy PRIME painful?
Most patients experience only mild discomfort during the procedure, often described as a warm or tingling sensation. Topical numbing cream can be applied to improve comfort. The sensation is brief and stops as soon as the energy delivery ceases.

3. Who is a good candidate for Ultherapy PRIME?
Good candidates are individuals with mild to moderate skin laxity who want a non-surgical option for lifting the brow, neck, or chin. The treatment is safe for most skin types and tones. A consultation with a doctor will confirm your suitability.

4. Are there any risks or side effects?
Ultherapy PRIME is generally safe with minimal risks. Possible side effects include temporary redness, mild swelling, or slight tenderness in the treated area. Serious complications are rare when the procedure is performed by an experienced medical professional.

5. How long do the results last?
Results typically last between 12 and 18 months, depending on your age, skin condition, and lifestyle. Maintenance sessions can help extend the benefits. The gradual collagen-building process means improvements look natural and develop over time.

Read another Article: How to Plan Your Profhilo Treatment Singapore Journey

More HDR work for Linux, Ubuntu revamps PPAs, KeePass security flaw: Linux & Open Source News


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Check out TuxCare's newsletter for news about Linux security: bit.ly/3If3kn0

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#Linux #OpenSource #TechNews

00:00 Intro
00:33 Sponsor: Check out TuxCare's newsletter for news about Linux security
01:19 More HDR work on Linux
03:14 Ubuntu makes PPAs more secure
04:42 KeePass is vulnerable to an exploit
06:19 Cinnamon joins the official variants of AlmaLinux
07:46 Rhino Linux makes its own XFCE based desktop
09:23 GNOME has some big updates
11:42 Gaming News: Big Picture on Nvidia, Roblox on Linux, Wine 8.8
13:51 Sponsor: Get a PC that runs Linux perfectly
14:50 Support the channel

More HDR work on Linux

zamundaaa.github.io/wayland/20…

Ubuntu makes PPAs more secure

omgubuntu.co.uk/2023/05/signif…

KeePass is vulnerable to an exploit

helpnetsecurity.com/2023/05/17…

Cinnamon joins the official variants of AlmaLinux

linuxiac.com/cinnamon-can-join…

Rhino Linux makes its own XFCE baed desktop

rhinolinux.org/unicorn/index.h…

GNOME has some big updates

thisweek.gnome.org/posts/2023/…

Codeweavers moves to an Employee Trust to manage the company

codeweavers.com/blog/jwhite/20…

Gaming News: Valve sued, Big Picture on Nvidia, Wine 8.8...

gamingonlinux.com/2023/05/robl…

winehq.org/announce/8.8

gamingonlinux.com/2023/05/valv…

This entry was edited (1 year ago)

The Critical Link Between Genuine Parts and Job Site Survival


Experience teaches where economizing destroys value. Heavy machinery offers no mercy. Defective welds, compromised seals, or migrated fasteners remain indifferent to budget pressures.

Construction zones operate as controlled chaos. Steel booms sweep through their arcs. Hydraulic buckets tear into compacted earth. Heavy haulers navigate congested corridors. Workers divide their attention between the terrain underfoot and the loads tracking overhead.

Yet the most dangerous variables often remain unseen, locked within the mechanical systems powering every operation.

When a structural fastener fails without warning or a pressure boundary ruptures, the cost transcends repair schedules. Gravity claims its due without discrimination. Every suspended load represents a potential tragedy awaiting a single component failure. Uncertainty becomes unacceptable. Machine integrity transforms from a maintenance metric into a non-negotiable safety covenant.

Those responsible for Kobelco fleet maintenance must look past procurement invoices. The essential inquiry centers on whether a replacement element will deliver engineered performance when loads maximize and safety margins compress. Seasoned professionals recognize this distinction implicitly. When you invest in Kobelco crane parts, you aren't conducting routine commerce. You're purchasing assurance that the equipment will perform when performance means the difference between life and death.

I've observed machines functioning adequately on non-specified components—for extended periods. Then the facade crumbles without prelude. The root cause traces to design fidelity. Original equipment specifications govern how parts interface under extreme loading. Any deviation from these specifications rewrites the risk equation in dangerous ways.

The Engineering Reality of Tolerance Windows


Every manufactured component operates within defined tolerance envelopes. Consider hydraulic seals: two units may share identical external dimensions while harboring fundamentally different material DNA. One polymer blend endures the thermal assault of continuous friction. Another surrenders to identical thermal profiles with alarming speed.

Installing that inferior seal into a high-pressure circuit seeds catastrophic failure into an otherwise healthy system.

Thermal oscillation is inescapable in working hydraulics. Genuine formulations accommodate dimensional breathing with structural grace. Budget alternatives typically fracture at thresholds well below their claims. Crack formation opens escape routes for pressurized fluid. System pressure collapses. Response times lag. An operator facing production deadlines may push the system harder. That push frequently marks the final moment before disaster.

Metal characteristics carry parallel significance. Structural bolts maintain clamping force under dynamic vibration. Minute tensile strength variations accelerate vibrational fatigue. Fatigued fasteners yield to pin displacement. Pin displacement enables load migration. Load migration triggers geometric instability. The entire destructive sequence germinates from a single purchasing compromise.

Precision-Critical Subsystems


Certain crane functions operate at the razor's edge of safety. Ironically, these precision-critical systems attract the most substitution pressure when financial controllers scrutinize every expenditure.

Load Moment Indicator Networks


Advanced cranes deploy electronic sensing arrays measuring boom attitude, working radius, and payload mass. Substandard sensor fabrication corrupts the data pipeline. The operator interprets reassuring figures while actual conditions diverge toward structural limits. Genuine transducers synchronize precisely with OEM software. Bogus units inject dangerous latency or fabricated readings.

Hoist Cable and Sheave Interfaces


Rope and sheave assemblies experience continuous tensile punishment. Replacement cable must mirror original diameter and strength grade exactly. Dimensional mismatch invites drum groove escape. Sheave rotation must remain frictionless under working loads. Profile incompatibilities abrade armor wires. Progressive fiber destruction accumulates until strand separation. Under tension, parting strands become ballistic hazards.

Hydraulic Brake Circuits


Braking systems arrest rotational momentum. Uneven friction material wear extends stopping distances. Emergency intervention capability degrades proportionally. Genuine brake pads incorporate friction coefficients validated through exhaustive manufacturer testing. Generic alternatives may skid unpredictably or seize violently—either behavior compromising load stability.

Ground Support Structures


Outrigger pads and beams channel structural loads to foundation soils. Beam deflection beneath rated capacity initiates overturning. The steel alloys specified in Kobelco crane parts receive proprietary heat treatment. Unprocessed materials lack this metallurgical enhancement. They yield rather than resist. On irregular terrain, this characteristic proves lethal.

The True Cost Equation


Procurement math usually halts at purchase price comparison. A $500 OEM item against a $200 clone feels economically obvious. This analysis is willfully blind to downstream devastation.

Idle time generates exponential losses. When a power unit fails, the entire operation flatlines. Subcontractors bill standby hours. Customer relationships fracture. Market standing erodes. Yet financial impacts pale beside human consequences.

Post-incident investigations reconstruct failure genealogy. Analysts trace causal chains to component quality. Non-compliant installations expose ownership to liability and insurance recalibration.

Carriers examine maintenance records with forensic intensity. Discovery of unapproved parts after accidents can void coverage entirely. Policies assume manufacturer compliance. Violation nullifies this assumption. Sourcing Kobelco crane parts preserves this protective framework.

Annual inspections verify equipment conformance. OSHA enforces standards without negotiation. Failures generate fines and mandatory shutdowns. Revenue ceases during remediation. Genuine components ship with specification certificates. This documentation streamlines inspections and prevents interruptions.

Detecting Counterfeit Components


Counterfeit sophistication advances disturbingly. Packaging replicates faithfully. Typography appears legitimate. Serial numbers populate labels—though potentially recycled. Buyers need systematic verification.

Provenance verification anchors defense. Use only authorized distributors with direct manufacturer relationships. Gray-market operators may disguise used inventory as new. Worse, they may distribute counterfeit production from unregulated shops.

Anti-counterfeiting technologies enable rapid screening. Manufacturers deploy holographic seals and tamper-evident features. These expose imitations immediately. Examine casting marks on metal parts. Brand identifiers should appear crisp. Ragged edges indicate unauthorized finishing.

Database checks provide confirmation. Batch tracking enables serial verification. Unrecognized numbers signal counterfeit origin. Part number diligence remains essential. Subtle differences often mask application incompatibilities.

Pricing signals require interpretation. Offers dramatically below market demand skepticism. Authentic logistics costs frequently explain apparent savings. Quality engineering warrants appropriate investment.

Institutionalizing Vigilance


Safety culture transcends policy manuals. Personnel need authorization to reject questionable materials. Technical staff should feel protected challenging component legitimacy.

Inspection rituals precede every installation. Compare new and retired parts directly. Mass differences reveal material substitutions. Surface variations prove visually apparent. Correct fits achieve seating without force. Excessive insertion force indicates dimensional errors.

Documentation builds institutional memory. Record vendor identities and batch numbers. Future investigation achieves precise traceability. This transparency strengthens accountability.

Training targets authentic material failure modes. Thermal overload produces characteristic discoloration. Premature corrosion indicates plating inadequacy. Genuine coatings demonstrate superior oxidation resistance. Degraded surfaces suggest improper storage or inferior substrates.

The Final Word


Experience teaches where economizing destroys value. Heavy machinery offers no mercy. Defective welds, compromised seals, or migrated fasteners remain indifferent to budget pressures.

Specifying Kobelco crane parts ensures operational parameters stay within design envelopes. This alignment preserves safety margins. It protects every person in the operational radius.

Weather defies control. Site traffic resists management. Equipment condition, however, remains entirely subject to human decision. Choose paths minimizing risk. Commit to verified quality. Monitor suppliers continuously. Develop workforce capability in anomaly detection.

Safety lives in parts cage selections and purchase orders. Never gamble lives on durability speculation. Remain faithful to proven performance.

A New Dawn of the Human Experience: Artificial Sentience and Fabricated Empathy in Cognitive Computing — DevTalks, 2018


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In what is being called the “third era of computing,” cognitive computing is revolutionizing the relationship between humans and computers. Internet of Things is only the beginning. Artificial Intelligence is finally sprouting out of science fiction, and blossoming into fully-functional, modern technologies. Cognitive systems are able to learn independently, build upon pre-programmed knowledge, understand natural language, and interact with human beings using reasoning and logic.

In this session we will explore how, through the anthropomorphizing of machines, we are creating an environment of fabricated empathy that will change the human experience, and how we are asking machines to make ethical decisions that they’re grossly ill-prepared to do. We will also explore why Artificial Intelligence won’t create an apocalypse of robots who take over the world. Maybe.

This entry was edited (2 weeks ago)

RUN DMC - Walk This Way ft. Aerosmith


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"Walk This Way" is a groundbreaking collaboration between hip-hop legends RUN DMC and rock icons Aerosmith, released in 1986. This iconic track blends rap and rock elements, featuring a catchy chorus and powerful guitar riffs that helped bridge the gap between the two genres. The official HD video showcases the dynamic energy of both bands, with memorable performances and a playful narrative that highlights the fusion of their musical styles. "Walk This Way" became a massive hit, revitalising Aerosmith's career and solidifying RUN DMC's place in music history as pioneers of rap-rock.

Lyric:
Now there's a backseat lover, that's always undercover
And I talked to my dad, he say
He said, "Ya ain't seen nothin' 'til you're down on a muffin
And there's sure to be a change in way"

I met a cheerleader, that's a big young breeder
As far as I could reminisce
And the best thing lovin' was a sister and a cousin
And it started with a little kiss, like this

She start swingin' with the boys in school
And her feet are flyin' up in the air
Singin' hey diddle diddle with the kitty in the middle
And you swingin' like you just don't care

So I took a big chance at the high school dance
With a lady who was ready to play
It wasn't me she was foolin' 'cause she knew what she was doin'
When she told me how to walk this way, she told me to

Walk this way, talk this way
Walk this way, talk this way
She told me to
Walk this way, talk this way
Walk this way, talk this way
Just give me a kiss
Like this

School girl sleazy with a classy kinda sassy
Little skirt hangin' way up her knee
There were three young ladies in a school gym locker
And I find there were lookin' at D

I was a high school loser, never made it with a lady
'Til the boys told me somethin' I miss
That my next door neighbor had a daughter, had a favor
And I gave it a little kiss, like this
Break!

She start swingin' with the boys in the school
With your feet flyin' up in the air
Singin' hey diddle diddle with the kitty in the middle
I was swingin' like I didn't care

So I took a big chance at the high school dance
With the missy who was ready to play
Wasn't me she was foolin', cause she knew what she was doin'
When she told me how to walk this way, she told me to

Walk this way, talk this way
Walk this way, talk this way
She told me to
Walk this way, talk this way
Walk this way, talk this way
Well, just give me some head
Like this

#HipHop #Rock #RUNDMC #Aerosmith #WalkThisWay #OfficialHDVideo #googleFree #youtubeFree #musicVideo #Lyrics

Watch the official music video for "Walk This Way" by Run DMC feat. Aerosmith

This entry was edited (1 day ago)

Can't display HEIC pictures in file explorer in Fedora Silverblue and Pop!_OS 24.04 LTS (Solved)


Hi everyone!

Everything is in the title. I can't open pictures taken from my work iPhone (HEIC and also used for family pictures) on Fedora Silverblue 44 and Pop!_OS 24.04 LTS.

For Silverblue I've tried a lot of stuff like:

rpm-ostree install libheif-tools
rpm-ostree libheif-freeworld (getting unknown command)
rpm-ostree install \
https://download1.rpmfusion.org/nonfree/fedora/rpmfusion-nonfree-release-$(rpm -E %fedora).noarch.rpm
rpm-ostree install https://mirrors.rpmfusion.org/free/fedora/rpmfusion-free-release-$(rpm -E %fedora).noarch.rpm
rpm-ostree update --uninstall rpmfusion-free-release --install rpmfusion-free-release
rpm-ostree install libheif-freeworld libheif-tools

For Pop!_OS:

I've added HEIF image decoder in Kodi and tried other things that I don't remember for the file explorer. I've found an application (ImageFan Reloaded if I remember correctly) which can open them, but it's not so user friendly and it's not suitable a family gathering where you wanna watch pictures.

I have an installation of Fedora Workstation 44 and the pictures can be perfectly displayed on this one.

I'd really want to avoid converting all my HEIC pictures to another format as it would be a hassle and the pictures would take more storage space.

If someone could help, it would be nice

Solved: Getting the Flathub version instead of the system version of image viewer solved all my issues. I guess the Fedora and PopOS version are shipping without the codecs for HEIC.

This entry was edited (1 day ago)
in reply to anamethatisnt

Gosh, thanks it worked! I already had the application, but the Fedora version (also a Flatpak) instead of the Flathub one.

It even worked in PopOS. Just installing this image viewer instead of the system one, allowed me to open HEIC pictures in the file explorer and in Kodi.

Now the only thing I can't do is change the default image viewer. Even uninstalling the system one doesn't allow me to do it, but I guess it's because Cosmic is clearly "work in progress". Huge thanks!

This entry was edited (1 day ago)

Comment le gouvernement veut détruire l’agence de l’environnement


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Soutenez Blast, nouveau média indépendant : blast-info.fr/soutenir

L’ADEME, acteur clé de la transition écologique en France, est aujourd’hui dans le viseur d’une partie de la classe politique. Attaques répétées, désinformation sur son coût, projet de loi controversé… Gaël Bizet, chargé de plaidoyer, décrypte ici comment son rôle pourrait être affaibli, voire complètement menacé.

Journaliste : Clara Menais
Montage : Anaïs Albanese, Camille Drapier
Son : Baptiste Veilhan, Théo Duchesne
Graphisme : Morgane Sabouret, Thibault Inglebert
Production : Hicham Tragha
Directeur du développement des collaborations extérieures : Mathias Enthoven
Co-directrice de la rédaction : Soumaya Benaïssa
Directeur de la publication : Denis Robert

Le site : blast-info.fr/
Facebook : facebook.com/blastofficiel
Twitter : twitter.com/blast_france
Instagram : instagram.com/blastofficiel/
Mastodon : mamot.fr/web/@blast_info
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Bluesky : bsky.app/profile/blast-info.fr

#Ademe
#Environnement
#Ecologie

This entry was edited (2 days ago)

The Making of SINGULARITY - Blender Open Movie


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Join Blender Studio team in this making-of video about SINGULARITY – a story of cosmic scale painted in watercolour brushstrokes.

The full journey of this Blender Open Movie, from early story beats to final grade, is documented on Blender Studio website in production logs, articles, and downloadable production files. Learn more at studio.blender.org/projects/si…

Subscribe to Blender Studio to access invaluable production knowledge, while securing Blender's future. Learn more at studio.blender.org/welcome/

Camera, Editing and Soundtrack: Harukaze Legouge

--

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This entry was edited (2 hours ago)

Linux fights back on AI slop, More Adobe on Linux, big browser redesigns - Linux Weekly News


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Secure your passwords and logins with Proton Pass: proton.me/pass/TheLinuxEXP

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Timestamps:
00:00 Intro
00:42 Sponsor: Proton Pass
01:55 Torvalds talks about AI reports
04:25 Torvalds merges guidelines for Linux security and AI reports
07:04 Wine now runs Adobe Lightroom CC on Linux
09:34 Vivaldi & Firefox revamp their whole user interface
13:20 Greg Koah Hartman says Rust could eliminate 80% of CVEs
15:00 Fedora removes Deepin Desktop packages
17:02 Changes for Bitwarden have the community worried
18:54 New Module Jail tool to mitigate Linux flaws
21:05 Microsoft uses Fedora as its base for Azure
22:40 HP sponsors LVFS
24:23 Fedora surveys contributors over "verified" status
26:51 Sponsor: Tuxedo Computers
27:40 Support the channel

Links:
Torvalds talks about AI reports
phoronix.com/news/Torvalds-AI-…

Torvalds merges guidelines for Linux security and AI reports
linuxiac.com/linus-torvalds-me…

Wine now runs Adobe Lightroom CC on Linux
github.com/sander110419/lightr…

Vivaldi & Firefox revamp their whole user interface
vivaldi.com/blog/vivaldi-on-de…
blog.mozilla.org/en/firefox/ne…

Greg Koah Hartman says Rust could eliminate 80% of CVEs
itsfoss.com/news/linux-kernel-…

Fedora removes Deepin Desktop packages
security.opensuse.org/2025/05/…
pagure.io/fesco/issue/3409
lists.fedoraproject.org/archiv…

Changes for Bitwarden have the community worried
linuxiac.com/bitwarden-faces-q…

New Module Jail tool to mitigate Linux flaws
linuxiac.com/modulejail-blocks…

Microsoft uses Fedora as its base for Azure
itsfoss.com/news/azure-linux-4…
github.com/microsoft/azurelinu…

HP sponsors LVFS
blogs.gnome.org/hughsie/2026/0…

Fedora surveys contributors over "verified" status
fedoramagazine.org/fedora-veri…

#linuxnews #linuxdistro #linuxdesktop

This entry was edited (48 minutes ago)

FEP-baf5: Administrator Collection


This is the discussion thread for the draft FEP-baf5: Administrator Collection [quote]This FEP introduces a mechanism for discovering the administrators of an ActivityPub instance. It extends the "Group Moderator" pattern from [FEP 1b12][1b12] and the "Application Actor" concept from [FEP 2677][2677] by defining an [code]OrderedCollection[/code] of administrators referenced from the instance's application actor.[/quote] [url=https://codeberg.org/devnull/feps/src/branch/instance-admins/fep/baf5

This is the discussion thread for the draft FEP-baf5: Administrator Collection

> This FEP introduces a mechanism for discovering the administrators of an ActivityPub instance. It extends the "Group Moderator" pattern from [FEP 1b12][1b12] and the "Application Actor" concept from [FEP 2677][2677] by defining an OrderedCollection of administrators referenced from the instance's application actor.

The full draft can be read here.

elementary OS 7: is it enough for me to switch back?


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Download Safing's Portmaster and take control of your network traffic: safing.io

Grab a brand new laptop or desktop running Linux:tuxedocomputers.com/en#

👏 SUPPORT THE CHANNEL:
Get access to a weekly podcast, vote on the next topics I cover, and get your name in the credits:

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#elementaryos #linux #linuxdistro

00:00 Intro
00:32 Sponsor: Secure and monitor your internet connection with Safing
01:37 The basics
02:30 Installation and First Run Changes
03:57 Look & Feel Changes
05:50 AppCenter: looks good, but it's been surpassed
09:15 Sideloading Flathub, and app integration
10:40 Apps updates: evolutionary changes
15:07 Settings: power profiles and more configuration
16:31 Is it enough for me to switch back?
18:43 Sponsor: Get a device that runs Linux perfectly
19:38 Support the channel

First, the store now works better on small sizes. The headerbar was redone, with a permanent "updates" button, and a settings icon to enable auto updates.

In application pages, you now get bigger screenshots, and they're surrounded by bright accent colors, and even captions to describe what the app can do.

OS 7 adds a few mentions on app pages as well, like an "outdated" tag if an app hasn't been updated for OS 7, and you also get more update notes, with up to 5 versions.

Now, let's look at the updates to the applications!

First, you get GNOME Web, ported to GTK4, with a much faster webkit engine. It supports creating webapps, that will show up in your elementary OS Menu.

The mail client also received a refreshed UI, that should make its way to other elementary apps as well: the icons are now part of the content, and not split in a separate headerbar. Office 365 accounts will now also appear in the unified inbox. The app is also a lot more stable.

The tasks app is much improved. You can create new task lists offline, and they'll sync to your caldav account when you get back online, and tasks that reach their due date can now send notifications.

The file manager now lets you select folders by clicking on them, when before a single click would open them. You can turn that option on in the context menu.

The Music app is the one that changed the most. It's been rewritten, and it's no longer a music collection manager: it's just a player, with a queue. You just add songs, and they play, and that's it.

Code, the text editor / small IDE also got a few updates, with a full height project bar. It also now supports your system wide dark preference instead of only having manual options for light and dark theme, they added the find tools to the application's menu, and they now support regular expressions, and selecting some text in a file will pre-fill the find tool with that text.

Hiding and showing panels is also now done from the app's menu, and hidden folders will appear in your project tree automatically.

The Terminal also now can follow your system wide dark or light mode, but it lost its transparency by default, which I'm sad about, but it gained the ability to create custom color profiles, which is pretty great.

Now let's finish this with the settings! First, you now get power profiles, with a performance mode, powersave mode, and balanced. Hotcorners are also more configurable, in the multitasking preferences. You can now execute a custom command when activating one of these.

The keyboard shortcuts panel lets you reset something to the default easily. More importantly, though, you can now easily set the super key to open the multitasking view, instead of either the shortcuts or the application menu.

You also get cleaner printer settings with the ability to clear the print queue per printer, and it shows ink levels much more legibly.

You also get a new option in the security panel to prevent new USB devices from being mounted when the computer is locked.

This entry was edited (3 days ago)
in reply to Da Oeuf

Brother has great drivers, and cheap printers, but if you need an inkjet for colour printing, make sure you get one with an ink-tank instead of a cartridge system.

Ink bottles are DRM free so you can always use third-party ink, and even the manufacturers own ink bottles are typically much, much, much cheaper per ml than cartridges, although the upfront cost of the printer can be quite a bit higher because of that.

Personally, I have an Epson ET-8550, which I mainly use for photography. Its been fairly reliable, and I've had no issues using it with Linux. I filled it up with ink when I bought it, and even after a little more than year of use, its still got a over a quarter of its original ink remaining. I probably spent multiple times more for stationary paper than I do in ink for it.

The Voice of UX: How Speech Technologies Will Change the UX Landscape — UX New Zealand, 2017


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Seasoned UX designers have worked in an array of landscapes: physical products, website UIs, mobile applications, and more. Much of what we apply to one medium, we can apply to the next. Yet each presents its own unique challenges and opportunities. With the introduction of voice-based UX, we are facing a very new landscape that presents an abundance of unexplored territory.

In this session Mark will explore many of the elements of voice-based UX environments related to personalities, empathy, cognitive load, memory processes, accessibility, and Artificial Intelligence. He will share some of his related experiences working in wearable/ automotive spaces, outline some of his ideas about how we can apply what we know from other UX landscapes, and exhibit some real-world examples of successful and failed UX in the aural landscape. He will also share his experience as a father in a home abundant with new technologies, many with aural UX.

This entry was edited (2 weeks ago)

Katy Perry - Dark Horse ft. Juicy J


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"Dark Horse" is a captivating track by Katy Perry featuring Juicy J, blending pop and hip-hop elements to create a unique sound. The official music video is visually stunning, showcasing a mystical theme that complements the song's intriguing lyrics. This hit has become a staple in Katy Perry's discography, celebrated for its catchy hook and powerful message.

Lyrics:
I knew you were
You were gonna come to me
And here you are
But you better choose carefully
'Cause I am capable of anything
Of anything and everything
Make me your Aphrodite
Make me your one and only
But don't make me your enemy
Your enemy, your enemy

(Pre-Chorus)
So you wanna play with magic
Boy, you should know what you're fallin' for
Baby, do you dare to do this
'Cause I'm coming atcha like a dark horse

(Chorus)
Are you ready for, ready for
A perfect storm, perfect storm
'Cause once you're mine, once you're mine
There's no going back

Mark my words
This love will make you levitate
Like a bird
Like a bird without a cage
But down to earth
If you choose to walk away
Don't walk away
It's in the palm of your hand now, baby
It's a yes or a no, no maybe
So just be sure
Before you give it all to me
All to me
Give it all to me

(Pre-Chorus)
So you wanna play with magic
Boy, you should know what you're fallin' for
Baby, do you dare to do this
'Cause I'm coming atcha like a dark horse

(Chorus)
Are you ready for, ready for
A perfect storm, perfect storm
'Cause once you're mine, once you're mine
There's no going back

(Juicy J)
She's a beast
I call her Karma
She'll eat your heart out
Like Jeffrey Dahmer

Be careful
Try not to lead her on
Shorty heart is on steroids
'Cause her love is so strong

You may fall in love when you meet her
If you get the chance, you better keep her
She's sweet as pie, but if you break her heart
She'll turn cold as a freezer

That fairy tale ending with a knight in shining armor
She can be my Sleeping Beauty
I'm gon' put her in a coma

Now I think I love her
Shorty so bad, sprung and I don't care
She ride me like a roller coaster
Turned the bedroom into a fair

Her love is like a drug
I was tryna hit it and quit it
But lil' mama so dope
I messed around and got addicted

(Pre-Chorus)
So you wanna play with magic
Boy, you should know what you're fallin' for
Baby, do you dare to do this
'Cause I'm coming atcha like a dark horse

(Chorus)
Are you ready for, ready for
A perfect storm, perfect storm
'Cause once you're mine, once you're mine
There's no going back

#katyperry #PRISM #GoogleFree #YoutubeFree #MusicVideo #PopMusic #Lyric

Music video by Katy Perry performing Dark Horse. (C) 2014 Capitol Records, LLC

Directed by Matthew Cullen & Produced by Dawn Rose, Danny Lockwood, Javier Jimenez, and Derek Johnson

Album Artist: #KatyPerry #JuicyJ
Album(s): Prism
Written by: Katy Perry, Juicy J, Dr. Luke, Max Martin, Sarah Hudson
Music genre(s): #Pop #HipHop
Released: #2013
Decade for first release: #2010s
Meta tags: #DarkHorse #MysticalVibes

Thank you for watching! This video is brought to you by My Privacy DNS on PeerTube, dedicated to protecting your right to online privacy.

#katyperry #juicyj #prism #darkhorse #2010s #trap #hiphop #poprap #electropop #mysticalvibes

This entry was edited (1 month ago)

1 Toilet Flush = 1 Full Motorhome Shower


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It is astonishing to think that I can take a full shower with less water than it takes to flush a toilet.

I consume around 4-5L of water for the shower, and to flush it takes 6-8L. One pee, one flush, and you consume more water than it takes me to have a 20 minutes shower.

In Spain, where I am, people use 128L of water per day, per person. As much as I use in almost 3 weeks.

Sources:

The other video we did about our shower videos.trom.tf/w/o7qh8y49JXELg…


Water Heater broke so we Reinvented the Shower


When our water heater stopped working we felt like it was a big big deal. Of course not having hot running water is a very uncomfortable situation. But we reinvented our shower to have hot running water. A better system that is 100 times more reliable than the water heater.

Funny enough when we started to make the video about the new solution, our water heater came back from dead and started working. Even so I, Tio, still prefer our new shower solution that anyone can actually setup in any van probably.

It costs 50 Euros and you need a water pump, a collapsible bucket, and a kettle.


This entry was edited (4 days ago)

He Was Jailed Over a Charlie Kirk Post. The Sheriff Now Owes Him $835,000.


A Tennessee man who was jailed for 37 days over a Facebook post he shared after the killing of Charlie Kirk has agreed to a $835,000 settlement with the sheriff who detained him, his lawyers said on Wednesday.

The fatal shooting of Mr. Kirk, the conservative activist, last September set off an avalanche of social media commentary across the country. With it came firings, resignations and a debate about the boundaries of free speech. But Larry Bushart, the man arrested in Tennessee, was perhaps the only person charged with a felony after his posts about Mr. Kirk’s death.

In the posts, he shared memes that accused Mr. Kirk’s organization, Turning Point USA, of perpetrating hate and another that included past comments from President Trump about moving past a school shooting. The sheriff’s office in Perry County, Tenn., claimed that with those posts, he had threatened violence.

Hi! What do you like watching on Dropout and why?


Hi! I made this post because of seeing the other post on asklemmy.

I exclusively have watched Dimension 20 (D20) because I started out listening to all of Not Another DND Podcast (NADDPod) and couldn't get enough. I don't really get the On A Bus variant except it is somebody DMing who is taking the piss out of Brennan and the other DMs? But who is the elf lady and how do they know her?

Also I heard that the latest Critical Roll has Brennan as the DM, is that approachable if you've never watched Critical Roll? I tried to get into it years ago but couldn't deal with the huge cast.

If you've never seen D20, this 6 minute overview is super entertaining and is also a great overview of the energy and talent Brennan brings to every episode. youtube.com/watch?v=4zZzsB0VBs…

Is there a video like this to help people get into the rest of Dropout?

What do you watch, and why?

in reply to sem

I think, like a lot of people, my first exposure to Dropout's stuff was on youtube. There's a lot of stuff you can watch for free before paying for it, and Sam makes a point of keeping everything affordable and customer-friendly.

For Game Changer, watch the first Sam Says episode to get a sense for the tone.

For Make Some Noise, you can just check out their clip channel and look at... Any of them. There's no continuity to worry about.

For Um Actually, there's an episode about D&D that, as a D20 fan, you should be able to play along with.

This entry was edited (4 days ago)
in reply to sem

who is the elf lady and how do they know her?


That's Katie Marovich, who has been a writer for Dropout since it was CollegeHumor. She's easily one of the funniest people they employ.

Edit to add: one of Droput's MOs is to piss Brennan off. Sam Reich does everything in his little mischievous power to get a rise out of that poor, poor man.

Personally I don't like watching liveplay ttrpg shows, so my favorites to watch are Gamechanger and Make Some Noise. I also love Smartpants and Gastronauts, and occasionally we'll catch Um, Actually.

This entry was edited (5 days ago)

Single-Click Code Execution Exploit for Evince, Atril, and Xreader


rsync command for mirroring drives


I wanted a sanity check on my current rsync flags. Posts on Reddit seem to highlight the use of rsync -avz for most use cases, for some instances even for when someone asks for mirroring a drive: reddit.com/r/DataHoarder/comme… This has not worked for me for the following case:

Drive #1:

file1.txt
file2.txt

Drive #2:
file1.txt
file2.txt
file3.txt

With -avz, file3 on the destination would not be deleted. With experimenting, I ended up now using rsync -havziP --delete-after --info=progress2 dir1/ dir2/, which actually ended up mirroring the drives for me. My question is: is this the best rsync approach for mirroring drives or was there a better option that works better?

Side note: it is interesting that rclone sync from rclone (rclone.org/commands/rclone_syn…) claims to delete by default, while with rsync it seems to be something you have to distinctly mention.

in reply to Harisfromcyber

There's also --delete-before which might help if your destination is tight on available space. And, as usual with 'traditional' tools, man-page is pretty good, there's a ton of parameters which might be helpful. And, as @hades@feddit.uk already mentioned, compression (-z) may actually hurt performance if you have a lot of bandwidth or if you're copying over already compressed data like JPGs.

Why are Flathub downloads so slow sometimes? (Blog Post)


This is a follow up to: barthalion.blog/flathub-intern…

The blog was not loading for me earlier, so here's a copy:

It's probably not your fault.

On a cache miss, there are two things a reverse proxy (which Fastly is to us) can do. It can make the client wait until the proxy itself fetches the requested content and then serve it, with subsequent requests being served from the cache. From a user's perspective, it means staring at "hung" process, and people tend not to be understanding when a program is stuck seemingly doing nothing.

Instead, the proxy can stream the response from the origin, caching it at the end. This makes the client receive the data right away, although it's not without drawbacks.

In a streaming setup like Flathub's, an all-MISS path adds some upstream latency before the first byte, but also limits the download speed to what the slowest link can deliver. As we don't run servers in the same datacenter or on a single backbone network, the hop from Fastly through the caching proxy to the master server incurs a penalty that may affect how quickly the data gets back.

In order to cache files larger than 20MB, Fastly expects customers who use streaming misses to use segmented caching. Anything larger than that gets broken down into smaller chunks. When Fastly wants the data from us, it will add a Range header specifying which bytes we should respond with. Fastly will then serve the request after reconstructing the file from various chunks. Our caching proxies also use the value of the Range header in the caching key to avoid requesting the full file over and over again from the master server as well.

While great for caching, many concurrent range MISSes can turn what would be a sequential file read into scattered, random reads. It wouldn't matter with SSD or NVMe, but as the repository is stored on HDDs, when combined with streaming misses, it can turn cold transfer speed into min(network bottleneck, ZFS random-read bottleneck).

Counterintuitively, you may improve your download speeds by aborting the ongoing Flatpak operation and starting it again. While the initial request was slow, there's a non-zero chance it went through all the caching layers and it will become a cache hit in the meantime.
Flatpak

Let's talk Flatpak. When installing or upgrading applications, Flatpak will try to use delta files. A typical delta is an update file that contains only the difference between versions. There are also from-scratch deltas, which effectively are an archive with all files required to install an app from scratch, thus the name.

Flathub generates a single upgrade delta and a from-scratch delta for the latest version. Delta generation is an expensive process in terms of disk reads and writes, but also disk space. Because our ZFS setup isn't exactly the fastest, generating more delta files also affects how quickly we can publish an update. Yes, in theory we could be doing this out of band but we don't. In hindsight, Titanic wasn't unsinkable after all.

What happens if you are not updating often enough? A lot of suffering. Flatpak will download each missing file between the version you are on and the one you want to upgrade to, separately. This is an almost certain cache miss causing even more random seeks on the master server. At this point Flatpak would be better off downloading the from-scratch delta but it can't. The behaviour is controlled by OSTree, which doesn't offer any knobs to affect it. It is the right choice if the goal is to limit the bandwidth used by the client to fetch updates, but an incredibly bad one for anyone on a reliable connection; downloading a single large file is almost always faster than fetching multiple smaller ones.

What do? Some brave soul could fix OSTree to apply a better heuristic on when to use from-scratch deltas for upgrades, or at least make it expose an API that lets Flatpak choose. For the rest of us mere mortals, we can only update regularly or wait patiently for the update to finish.

This entry was edited (4 days ago)
in reply to samc

When something as fundamental as git requires multiple obscure commands to install, you’ve got to think twice about the target audience.


Ideally the tooling gets better and you don’t have to do anything else but “toolname install package” or have a declarative list of what to install.

why Linux power users (i.e. most Linux users on lemmy) aren’t suited to immutable distros.


I think the main problem is that immutable distros haven’t thought things through from the beginning.

It started out as just using flatpak and podman. But each of those has limitations. But rather than improving them, we just keep creating / bringing in new package managers. Homebrew, cold brew, system extensions, nix, etc.

Funnily enough, the only entity who is sane in this regard is Canonical. If snap has a limitation, they just update snap to not have the limitation rather than brining in another package manager.

But honestly I think the biggest offender here is flatpak. If not for its mandatory sandbox and anti CLI tool stance, it could have handled everything. “Flatpak Next” seems to be address the first issue as it is planned to have an unsandboxed mode.

in reply to novafunc

I think the main problem is that immutable distros haven’t thought things through from the beginning.


I think I understand why you might have that feeling, but I think it's more complex than that.

Say, we look at Fedora Atomic, as that's the atomic distro I'm most familiar with. At inception, it offered the following ('staggered') three-way:
- Flatpak, if it's available (and if it works nicely).
- Toolbx, if the above didn't work (and if it works nicely).
- rpm-ostree, if the above didn't work. Basically your fail-safe.

So AFAIU, as long as you didn't rpm-ostree your whole system, it was a 'win' for the atomic model.

You might argue that their priority should have been the development of an all-encompassing package manager that works (almost) as sleek any other one. And only after that's been (somewhat) completed, should they have shipped a system built around it. However, the trouble it has been taking Ubuntu to launch its Core Desktop since its announcement, definitely suggests that building an OS around a more complete (and complex) package manager poses its own set of challenges^[See NixOS 😜.]. Contrast that to Fedora and openSUSE, both of which were able to launch their respective atomic distros for Desktop Linux in a more timely fashion.

If snap has a limitation, they just update snap to not have the limitation rather than brining in another package manager.


I think you're making a category error. If Snap chooses to replace your complete OS, then it makes sense to get rid of any limitations. Because that's in scope of its intended design. Flatpak, from my understanding, simply tries to become for Desktop Linux what the App Store and Google Play are for iOS and Android respectively. Hence, it doesn't make much sense to blame it for what is out of its scope. Similarly to how it wouldn't make any sense to scold VLC because it doesn't play your Windows games. Here, I explicitly named Flatpak, but note that this principle applies to basically any other alternative package manager we (tend to) find on atomic distros.

Consequently, therefore, perhaps the distros are to be blamed for shipping lackluster package managers instead of introducing one-to-one replacements of the traditional ones. But I think this is just a very complex problem 😅. And I suppose you knew that already...

in reply to KianaTabion

I agree in the case of Fedora Atomic, they've stuck to flatpak and podman (so far, they have their system extension manager tool in the work) and have rpm layering as a fallback.

But not all atomic distros have that fallback. Universal Blue, more specifically Bluefin, does not want to allow layering at all; this is already implemented in the LTS version (though it's just bootc, so you can build your own image to install rpms). This is also true for "distroless" models like Gnome OS (and there you don't have any prebuilt packages to pull in even if you made your own buildstream image). So for these, you have to make-do with the package managers they provide or you're out of luck.

In an ideal world, I think we should have a single package manager that sits on top the the OS that can handle everything: GUI apps, CLI tools, sandboxed by default but also able to be disabled completely for the apps that don't work well with sandboxes. The closest thing we have to that right now is snap.

In an imperfect but more likely world, I would be fine with two package managers. Flatpak for GUI apps and something else for CLI tools. "Flatpak Next" could fix one issue with its unsandboxed mode. But I still haven't found something that universally works well for CLI apps.

  • Podman is the classic answer, but it can be a bit annoying jumping into and out of boxes. Doesn't work well for more "system tooling" like Tailscale that also want services.
  • Homebrew is a more modern suggestion and actually works pretty well. But I'm not a fan out how hijacks PATH in a way that can break OS packages (such as by making homebrew dbus and systemd used over OS versions). And last I tried, the homebrew version of tailscale didn't work (though I have read that others did get it working).
  • Coldbrew is an interesting alternative to coldbrew, which uses alpine packages and doesn't mess with PATH directly, but it does place some stuff in .local/bin that could end up overriding some binaries anyway (though not to as high a degree as homebrew, and thankfully doesn't affect libraries). But has integration issues due to sandboxing (personally had an issue where I had an app that wanted to open my browser, but it couldn't see my browser because of the sandbox).
  • I still need to test Nix on an atomic distro
in reply to samc

But to me the whole sysext thing is actually a compelling argument for why Linux power users (i.e. most Linux users on lemmy) aren’t suited to immutable distros.


Sorry, but I don't see why. Btw, I'm pretty well-versed in ~~immutable~~ atomic distros. So, please don't feel the need to explain how it works.

When something as fundamental as git requires multiple obscure commands to install


I think you're overstating the bold part.

Instead of <package-manager> install <package>, it becomes sysextmgrcli install <package> and systemd-sysext merge. I understand that going from a single command to two commands is effectively doubling the effort. But, as systextmgrcli is a horribly long name to invoke (and why I suspect it will change eventually), you might want to alias that anyways. At which point, creating a function within your .bashrc to streamline that to a single command shouldn't be too much to ask for a power user.

As for the obscure part, sysextmgrcli is the tool that's being introduced. Hence, it would be rather oxymoronic to expect that it's anything but obscure. Beyond that, its usage seems reasonably sane and relatively standard. Very common arguments like list, install and update that are found on basically every other package manager work as expected. So, honestly, I don't see the problem.

As for the second command, while systemd-sysext has been a part of systemd since its v248 release over five years ago, Desktop Linux users haven't had much use for it yet. Though, thankfully, learning that systemd-sysext merge is done after installing a system extension and systemd-sysext unmerge is done for uninstalling a system extension shouldn't be too much to ask.

in reply to KianaTabion

Its not so much the UX that I take issue with, but the complexity of what's going on under the hood.

The way I see it, either the base image of an atomic/immutable distro is suitable for you, or it isn't. Once you start getting into the territory of layering new tools/drivers/whatever on top, you're reintroducing the statefulness that the atomicity was supposed to eliminate.

in reply to samc

Hmm..., I didn't get that from your first response. But thank you for clarifying!

Once you start getting into the territory of layering new tools/drivers/whatever on top, you’re reintroducing the statefulness that the atomicity was supposed to eliminate.


I agree with your sentiment overall, but with a lot of nuance. I'd rather formulate it purposely ambiguous as follows: Once you start getting into the territory of modifying stuff, you might reintroduce some of the statefulness that the paradigm was supposed to eliminate.

I am aware that this ambiguity invites clarity and elaboration. And therefore I'd like to offer my genuine apologies for not responding to said invitation. However, I hope that this excellently written blogpost suffices in conveying how systems can be both stateless and ever-mutable.
::: spoiler spoiler
The answer is indeed by going declarative.
:::

in reply to KianaTabion

No apologies necessary! I was partly kicking the hornets nest to see if an interesting discussion fell out...

That blog post is absolutely brilliant! It does a great job of stating what a user should want from a system: easy and deterministic re-deployment. If atomic ends up being the best too for that job, I'll come back. But for now I'm happy with Debian, a separate home partition, and a strong preference for flatpak over apt.

Kaban: la precisión que transforma materiales en piezas perfectas


En el mundo del corte industrial, la eficiencia no es un accidente. Es el resultado de miles de horas de ingeniería, de pruebas de materiales, de ajustes milimétricos en la velocidad de avance y la geometría de las hojas. DASER ROBOTICS ha construido su reputación sobre esa precisión, ofreciendo maquinaria capaz de domar PVC, aluminio, hierro y madera con una consistencia que roza lo quirúrgico. Pero dentro de su catálogo hay un concepto que resume su filosofía: Kaban. No es una máquina. Es una forma de entender el corte como un proceso integrado, donde cada pieza encaja con la siguiente sin necesidad de retrabajos.

La idea de Kaban nace de la observación de los talleres más eficientes. Aquellos donde el operario no pierde tiempo entre ajustes, donde la transición de un material a otro se mide en segundos, no en minutos. Kaban es la capacidad de cambiar de un perfil de PVC a una viga de aluminio sin recalibrar todo el sistema. Es la memoria de los parámetros de corte que se guardan y se recuperan con un solo clic. Es la certeza de que la pieza número mil será idéntica a la número uno. En un taller que trabaja contra el reloj, esa certeza es oro.

La maquinaria de DASER está diseñada para hacer realidad esa filosofía. Sus sistemas de control numérico permiten almacenar cientos de programas de corte, cada uno con sus velocidades, avances y ángulos específicos. El operario no necesita ser un ingeniero de procesos; solo necesita seleccionar el perfil y pulsar inicio. La máquina hace el resto. Kaban es esa interfaz sencilla que esconde una complejidad técnica impresionante. Es la inteligencia aplicada a la dureza del hierro, a la ligereza del aluminio, a la delicadeza de la madera.

Para el taller que trabaja con PVC, Kaban significa cortes sin rebabas, sin el calor que derrite el material y arruina el acabado. Para el que trabaja con aluminio, Kaban significa cero vibraciones, cero marcas de herramienta, cero pulidos extras. Para el hierro, Kaban es potencia y estabilidad, cortes que no desvían la viga ni desperdician material. Para la madera, Kaban es respeto por la veta, velocidad de avance que se adapta a la densidad del nudo, evitando astilladuras. Cuatro mundos, una misma filosofía.

La industria del corte está evolucionando hacia la automatización y la integración. Las máquinas ya no son islas; son parte de un ecosistema productivo donde la información fluye sin interrupciones. Kaban representa esa evolución: la máquina que no solo corta, sino que aprende, recuerda, optimiza. El operario deja de ser un ejecutor de tareas repetitivas para convertirse en un supervisor de calidad. La productividad se dispara, el desperdicio se reduce, y el taller se vuelve competitivo no por tener la máquina más cara, sino por tener la más inteligente.

DASER ROBOTICS ha entendido que el futuro del corte no está en máquinas más grandes o más rápidas, sino en máquinas más fáciles de usar. Kaban es la materialización de esa visión. No es un lujo, es una necesidad para quien quiere competir en mercados donde el margen de error es cero. Un milímetro de desviación en un perfil de ventana puede significar que la pieza entera vaya al desecho. Un acabado defectuoso en una viga de aluminio puede arruinar una fachada entera. Kaban elimina esos riesgos desde el origen, no con parches posteriores, sino con precisión desde el primer corte.

Para los talleres que ya han adoptado esta filosofía, los resultados son tangibles. Menos retrabajos, menos material desperdiciado, menos horas extra. Más entregas a tiempo, más clientes satisfechos, más pedidos repetidos. La inversión en una máquina DASER con capacidad Kaban no es un gasto; es una decisión estratégica. Porque en el corte industrial, la diferencia entre ganar o perder un contrato no está en el precio del material, sino en la capacidad de entregar piezas perfectas, siempre. Kaban lo hace posible. No con magia, con ingeniería. Con años de experiencia acumulada en cada línea de código, en cada ajuste de velocidad, en cada geometría de hoja. Eso es DASER. Eso es Kaban. La precisión hecha sistema. La eficiencia hecha rutina. El corte perfecto, simplemente, hecho.

THE Complete list of all tools and apps I use on Linux!


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01:45 Desktop Environment
04:11 Web Browser
06:05 Cool Utilities
09:12 Task management
10:38 File Manager
11:58 More cool utilities
15:14 Backups and Syncing files
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#linux #linuxdesktop #linuxapps

This entry was edited (1 hour ago)
in reply to The Linux Experiment

There's a fork of Audacity called Tenacity that for me had a zero learning curve. It opens Audacity files just fine and the interface is identical enough for me to not notice the difference, BUT it doesn't have any of the things that made the current Audacity controversial. There was a rocky period when the fork first started, but the kinks have been ironed out and it's still getting regular updates.

App Lock under Linux?


Friend asks: I would like to make an app to ask for authentication before launching. I can do that on MacOS via creating an encrypted disc image and put the app in there, and windows has robust third party tools for it. But how would you go about it on Linux, especially since it's a .deb (that gets auto-updated all the time via its repo) and not an appimage/flatpak? Others need access to the user account, but I want to restrict that one app. Creating a different user account for it is out of the question btw, since you can still change the password for that user via the primary admin account. Also, I don't want to be running full VMs that take forever to boot to use that one app. Is there any simple way to lock an app under Linux?
in reply to Eugenia

Þere are a number of solutions. I can't recommend one; you'll have to investigate þem yourself, but þey all work by wrapping þe executable in a self-decrypting package.

in reply to Eugenia

Hm.. I struggle to picture what you're trying to achieve..

If you are "making an app" as in coding one, you can just have it say ask for a pin in a window as part of starting up.

You suggest various encryption related solutions.. what is your threat model? Do you want to make the identity of the app unknown to others? Normally, autkenticating users is the responsibility of the os/desktop environment, and it would be non-ideomatic for an application to bundle its own auth, except for apps such as a password manager.

If you want to make an existing system app privileged/secret in some way then that sounds awkward indeed. Normally you'd definitely be using user management facilities (e.g. dedicated users and sudo config) to achieve such a thing.

If you really do want to make the app "secret" in some sense you could achieve the same thing as with your mac using a combination of loopback block devices (see man losetup) with an encrypted luks volume inside.. but depending on the app you might end up in dependency hell if it's not statically linked.

ymmv 🙂

in reply to Alas Poor Erinaceus

There is also 24 hour cool-off period on installing APKs I didn't see mentioned:

dev.to/alanwest/how-to-handle-…

Combine that with a new capatcha that requires Google Play:

androidauthority.com/google-re…

...and it's clear which way things are headed.

Anyone running Fedora on a Macbook (Intel) ?


Hello,

I'm having a hard time running Fedora KDE Plasma on a Macbook pro from 2019,.
Even after following online guides, I'm loosing the WiFi again and again with no understanding of what's going on.
And the touchbar is getting buggy every time I put the computer to sleep mode and come back on it.
Nor to mention the sleep mode not able to awake...making it necessary to reboot.

Any people experiencing the same situation ? And most important, solutions ?

Thank you 🙏🏼

in reply to Eugenia

I am running linux mint on a 2014 macbook air (works great btw) do you have any recommendations for a wifi adapter? I am aware of the following: amazon.com/gp/product/B07PB1X4…
This one isn't $5 however.
This entry was edited (5 days ago)

TIL: It is 2026 and you still can not run Snaps in strict mode on Debian-based systems


Debian 13:

$ uname -r
6.12.88+deb13-amd64

$ snap debug sandbox-features|grep confinement
confinement-options:  classic devmode

$ snap debug confinement
partial

$ aa-enabled
Yes

Ubuntu (24.04):
$ uname -r
6.8.0-117-generic

$ snap debug sandbox-features|grep confinement
confinement-options:  classic devmode strict

$ snap debug confinement
strict

$ aa-enabled
Yes

What does this mean, you ask? Well, basically every Snap package you thought was running isolated in it's own little sandbox were running unconfined the whole time. The prorpietary app you removed the :home connection from, so it wouldn't be able to access your home directory? Well, it could have exfiltrated all our private files in the meantime.

How is this not a bigger deal and how are Snaps ever to become mainstream when even today, more than 10 years after the introduction of snaps, you can't run them sandboxed on a huge portion of Linux distros?

This entry was edited (5 days ago)

Outlaw! (Orochi, 1925) - Newly Restored with Original Score & English Benshi Narration


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Discover the legendary 1925 Japanese silent masterpiece Orochi, now restored and retitled to its original intended name: Outlaw.

Directed by Buntarō Futagawa and starring the iconic Tsumasaburō Bandō (Bantsuma) at the peak of his fame, this explosive jidaigeki follows a proud, low-ranking samurai whose sense of justice and fiery temper lead him into a downward spiral of misunderstandings, betrayal, and societal rejection. Framed and hounded by those in power, he transforms from loyal retainer into a feared outlaw—yet the film boldly questions: Who are the real villains in a world ruled by hypocrisy and rigid class structures?

Featuring groundbreaking, kinetic sword-fighting sequences that influenced generations of chambara cinema, raw emotional depth, and a searing critique of feudal injustice that feels startlingly modern, Outlaw was so provocative that censors forced a title change from its original "Outlaw" to "Orochi" (Serpent).

The edition features a score by Doctor Deathray and narration by Robin Black.

This entry was edited (5 days ago)

Looking for a tool to auto-sort files using INDEX.md as a map


I have a folder full of unsorted files and a detailed INDEX.md that defines the exact target directory structure (think nested categories, file placements, etc.). I'm looking for a tool that can read the markdown and automatically move/copy each file into the right subfolder with high accuracy.

I feel like an AI agent with a free model like OpenRouter's deepseek/deepseek-v4-flash:free is already capable of doing it but it may as well delete all files. Would you trust it to do it or is there any other tool for the task?

Edit: I just asked it to do it but letting me see the destinations and confirming before moving the files and it worked fine.

This entry was edited (5 days ago)
in reply to MindfulMaverick

i was actually looking for a tool like this, but not based on some arbitrary rules but on file type. there's mouzi although it doesnt have linux support yet, would something like that work or do you need something else?

Open Settings from the tray menu and go to the Rules tab. You can create rules based on file extensions, regex patterns, and set custom destination folders with placeholders like {year}, {month}, or {filename}.
This entry was edited (5 days ago)

We Joined Rangers Protecting Armenia’s Wildlife


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We went to ARPA Protected Landscape in Armenia. Where from village Areni we joined Arpa Rangers to monitor the area, check camera traps, count animals and do regular check of the territory.

To know more about ARPA : arpafund.am/

Become a member of Be Brave To Act:
patreon.com/BeBraveToAct
Donate via paypal : paypal.com/donate?hosted_butto…

This channel documents real conservation work around the world.

Thanks to my Patreons :
Cherry Summerfield
Steve Potts
Matthias Crommelinck
Eric Forsmark
Max Bo
Jesse Ludwig
RANDI

#NatureDocumentary #WildlifeConservation #FieldExpedition

This entry was edited (6 days ago)

"Am Yisrael Chai" עם ישראל חי


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In footage from the scene, Minister Ben-Gvir boasted while holding the Israeli flag, facing the handcuffed activists with their faces on the floor: "The summer camp is over, whoever acts against the State of Israel will find a resolute state, Am Yisrael Chai." One of the activists shouted toward him "Free Palestine" - and was pinned to the floor by the Prison Service. Transportation Minister Miri Regev also arrived at Ashdod port today, posted a video on X and wrote: "This is what will be done to terror supporters who came to break the siege on Gaza."

Peertube LiveChat Plugin

This entry was edited (6 days ago)

Kylie Minogue - The Loco-motion


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Kylie’s 1987 debut single “The Loco-motion” was re-produced in ’88 with the Hit Factory’s Stock Aitken and Waterman for this UK number 2 hit.

It was also her biggest hit in the US peaking at no. 3 and was number one in Belgium, Finland, Ireland, ~~Israel~~, Japan and South Africa. The song was a cover of Little Eva’s American number one dancefloor sensation written by Carole King and Gerry Goffin and featured on the soundtrack for Arthur 2: On The Rocks starring Liza Minelli and Dudley Moore. Taken from “Kylie” her 7 x UK platinum debut album.

Lyrics:

Everybody′s doing a brand-new dance now
(Come on, baby, do the loco-motion)
I know you'll get to like it if you give it a chance now
(Come on, baby, do the loco-motion)
My little baby sister can do it with me
It′s easier than learning your ABCs

So come on, come on
Do the loco-motion with me
You gotta swing your hips now
Come on, baby, jump up, ooh, jump back
Oh well, I think you got the knack, oh-oh-oh-oh

Now that you can do it, let's make a chain now
(Come on, baby, do the loco-motion)
Chug-a, chug-a motion like a railway train now
(Come on, baby, do the loco-motion)
Do it nice and easy now, don't lose control
A little bit of rhythm and a lot of soul

So come on, come on
Do the loco-motion with me
The loco-motion (whoa-ooh)
Come on, come on
The loco-motion (whoa-ooh)
Come on, come on
The loco-motion (whoa-ooh)
Come on, come on
Come on, come on, come on

Move around the floor in a loco-motion
(Come on, baby, do the loco-motion) yeah
Do it holding hands if you got the notion
(Come on, baby, do the loco-motion)
There′s never been a dance that′s so easy to do
It even makes you happy when you're feeling blue

So come on, come on
Do the loco-motion with me
You gotta swing your hips now
Come on, baby, jump up, ooh, jump back
Oh well, I think you got the knack, oh-oh-oh-oh

Do the lo-, do the lo-, do the lo-, the loco-motion
(Come on, baby, do the loco-motion)
Do the lo-, do the lo-, do the lo-, the loco-motion
(Come on, baby, do the loco-motion)
Do it nice and easy now, don′t lose control
A little bit of rhythm and a lot of soul

So come on, come on
Do the loco-motion
Come on, come on
Do the loco-motion
Come on, come on
(Do) you got to loco-motion with me

The loco-motion (whoa-ooh)
Come on, come on
The loco-motion (whoa-ooh)
Come on, come on
The loco-motion (whoa-ooh)
Come on, come on
The loco-motion (whoa-ooh)
Come on, come on
The loco-motion (whoa-ooh)
Come on, come on, come on

#Kylie #KylieMinogue #Loco-motion #CaroleKing #GerryGoffin #Arthur2 #Arthur

This entry was edited (1 month ago)

Lady Gaga - Paparazzi


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Music video by Lady Gaga performing Paparazzi.

We are the crowd
We're c-coming out
Got my flash on, it's true
Need that picture of you
It's so magical
We'd be so fantastical

Leather and jeans
Garage glamorous
Not sure what it means
But this photo of us
It don't have a price
Ready for those flashing lights
'Cause you know that, baby, I

I'm your biggest fan
I'll follow you until you love me
Papa-paparazzi
Baby, there's no other superstar
You know that I'll be
Your papa-paparazzi

Promise I'll be kind
But I won't stop until that boy is mine
Baby, you'll be famous
Chase you down until you love me
Papa-paparazzi

I'll be your girl
Backstage at your show
Velvet ropes and guitars
Yeah, 'cause you're my rock star
In between the sets
Eyeliner and cigarettes

Shadow is burnt yellow, dance and we turn
My lashes are dry
Purple teardrops I cry
It don't have a price
Loving you is cherry pie
'Cause you know that, baby, I

I'm your biggest fan
I'll follow you until you love me
Papa-paparazzi
Baby, there's no other superstar
You know that I'll be
Your papa-paparazzi

Promise I'll be kind
But I won't stop until that boy is mine
Baby, you'll be famous
Chase you down until you love me
Papa-paparazzi

Real good, we dance in the studio
Snap, snap, to that shit on the radio
Don't stop for anyone
We're plastic, but we still have fun

I'm your biggest fan
I'll follow you until you love me
Papa-paparazzi
Baby, there's no other superstar
You know that I'll be
Your papa-paparazzi

Promise I'll be kind
But I won't stop until that boy is mine
Baby, you'll be famous
Chase you down until you love me
Papa-paparazzi

Written by: Stefani Germanotta, Rob Fusari
Album: The Fame
Released: 2008

#Remastered #HD #TheFame #LadyGaga

This entry was edited (6 days ago)

Lady Gaga - Judas


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Official Music video by Lady Gaga performing Judas.

Oh, whoa-whoa, oh-oh
I'm in love with Judas, Judas
Oh-oh-oh-oh-oh
I'm in love with Judas, Judas

Judas, Juda-ah-ah, Judas, Juda-ah-ah
Judas, Juda-ah-ah, Judas, Gaga
Judas, Juda-ah-ah, Judas, Juda-ah-ah
Judas, Juda-ah-ah, Judas, Gaga

When he calls to me, I am ready
I'll wash his feet with my hair if he needs
Forgive him when his tongue lies through his brain
Even after three times, he betrays me

Ah-ah, ah-ah-ah-ah, ah-ah, ah-ah-ah-ah
I'll bring him down, bring him down, down
Ah-ah, ah-ah-ah-ah, ah-ah, ah-ah-ah-ah
A king with no crown, king with no crown

I'm just a Holy Fool, oh, baby, it's so cruel
But I'm still in love with Judas, baby
I'm just a Holy Fool, oh, baby, it's so cruel
But I'm still in love with Judas, baby

Oh, whoa-whoa, oh-oh
I'm in love with Judas, Judas
Oh-oh-oh-oh-oh
I'm in love with Judas, Judas

Judas, Juda-ah-ah, Judas, Juda-ah-ah
Judas, Juda-ah-ah, Judas, Gaga

I couldn't love a man so purely
Even prophets forgave his goofy way
I've learned love is like a brick, you can
Build a house or sink a dead body

Ah-ah, ah-ah-ah-ah, ah-ah, ah-ah-ah-ah
I'll bring him down, bring him down, down
Ah-ah, ah-ah-ah-ah, ah-ah, ah-ah-ah-ah
A king with no crown, king with no crown

I'm just a Holy Fool, oh, baby, it's so cruel
But I'm still in love with Judas, baby
I'm just a Holy Fool, oh, baby, it's so cruel
But I'm still in love with Judas, baby

Oh, whoa-whoa, oh-oh
I'm in love with Juda-as, Juda-as
Oh-oh-oh-oh-oh
I'm in love with Juda-as, Juda-as

Ew
In the most Biblical sense, I am beyond repentance
Fame hooker, prostitute, wench vomits her mind
But in the cultural sense, I just speak in future tense
Judas, kiss me if offensed, or wear ear condom next time

I wanna love you
But something's pulling me away from you
Jesus is my virtue
And Judas is the demon I cling to
I cling to

Just a Holy Fool, oh, baby, it's so cruel
But I'm still in love with Judas, baby
I'm just a Holy Fool, oh, baby, it's so cruel
But I'm still in love with Judas, baby

Oh, whoa-whoa, oh-oh
I'm in love with Judas, Judas
Oh-oh-oh-oh-oh
I'm in love with Judas, Judas

Judas, Juda-ah-ah, Judas, Juda-ah-ah
Judas, Juda-ah-ah, Judas, Gaga

Written by: Stefani Germanotta, Nadir Khayat
Album: Born This Way
Released: 2011

This entry was edited (6 days ago)

Lady Gaga - Perfect Illusion


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Music video by Lady Gaga performing Perfect Illusion.

Trying to get control
Pressure's taking its toll
Stuck in the middle zone
I just want you alone
My guessing game is strong
Way too real to be wrong

Caught up in your show
Yeah, at least now I know

It wasn't love, it wasn't love
It was a perfect illusion (Perfect illusion)
Mistaken for love, it wasn't love
It was a perfect illusion (Perfect illusion)
Oh, you were a perfect illusion

I don't need eyes to see
I felt you touching me
High like amphetamine
Maybe you're just a dream
That's what it means to crush
Now that I'm waking up

I still feel the blow
But at least now I know

It wasn't love, it wasn't love
It was a perfect illusion (Perfect illusion)
Mistaken for love, it wasn't love
It was a perfect illusion (perfect illusion)

(Where are you? 'Cause I can't see you)
It was a perfect illusion (But I feel you watching me)
(Dilated, falling free in a modern ecstasy)
(Where are you? 'Cause I can't see you)
It was a perfect illusion (But I feel you watching me)
(But I feel you watching me)
Illusion (But I feel you watching me)

Mistaken for love
(Where are you? 'Cause I can't see you)
(But I feel you watching me)
Mistaken for love (Dilated, falling free)
(In a modern ecstasy) Mistaken for love
(In a modern ecstasy)
(In a modern ecstasy)

I'm over the show
Yeah, at least now I know

It wasn't love, it wasn't love
It was a perfect illusion (Perfect illusion)
Mistaken for love, it wasn't love
It was a perfect illusion (Perfect illusion)

Oh, you were a perfect illusion
Oh, it was a perfect illusion
It was a perfect illusion
Somewhere in all the confusion
It was a perfect illusion, illusion, illusion
It was a perfect illusion
Somewhere in all the confusion
You were so perfect
You were a, you were a perfect illusion

Written by: Mark Ronson, Stefani Germanotta, Kevin Parker
Album: Joanne
Released: 2016

#LadyGaga #lyrics #musicVideo #music #Joanne #OfficialMusicVideo

This entry was edited (6 days ago)

Lady Gaga - Poker Face


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Music video by Lady Gaga performing Poker Face.

Mum-mum-mum-mah
Mum-mum-mum-mah
Mum-mum-mum-mah
Mum-mum-mum-mah
Mum-mum-mum-mah

I wanna hold 'em like they do in Texas, please (hey)
Fold 'em, let 'em hit me, raise it, baby, stay with me (I love it)
LoveGame intuition play the cards with spades to start
And after he's been hooked, I'll play the one that's on his heart

Oh, whoa, oh-oh, ooh
I'll get him hot, show him what I've got
Oh, whoa, oh-oh, ooh
I'll get him hot, show him what I've got

Can't read my, can't read my
No, he can't read my poker face (she's got me like nobody)
Can't read my, can't read my
No, he can't read my poker face (she's got me like nobody)

Po-po-po-poker face, fu-fu-fuck her face (mum-mum-mum-mah)
Po-po-po-poker face, fu-fu-fuck her face (mum-mum-mum-mah)

I wanna roll with him, a hard pair we will be (hey)
A little gambling is fun when you're with me (hey, I love it)
Russian roulette is not the same without a gun
And, baby, when it's love, if it's not rough, it isn't fun (fun)

Oh, whoa, oh-oh, ooh
I'll get him hot, show him what I've got
Oh, whoa, oh-oh, ooh
I'll get him hot, show him what I've got

Can't read my, can't read my
No, he can't read my poker face (she's got me like nobody)
Can't read my, can't read my
No, he can't read my poker face (she's got me like nobody)

Po-po-po-poker face, fu-fu-fuck her face (mum-mum-mum-mah)
Po-po-po-poker face, fu-fu-fuck her face (mum-mum-mum-mah)
(Mum-mum-mum-mah)

I won't tell you that I love you, kiss or hug you
'Cause I'm bluffin' with my muffin
I'm not lyin', I'm just stunnin' with my love-glue gunnin'
Just like a chick in the casino
Take your bank before I pay you out
I promise this, promise this
Check this hand 'cause I'm marvelous

Can't read my, can't read my
No, he can't read my poker face (she's got me like nobody)
Can't read my, can't read my
No, he can't read my poker face (she's got me like nobody)

Can't read my, can't read my
No, he can't read my poker face (she's got me like nobody)
Can't read my, can't read my
No, he can't read my poker face (she's got me like nobody)

Can't read my, can't read my
No, he can't read my poker face (she's got me like nobody)
Can't read my, can't read my
No, he can't read my poker face (she's got me like nobody)

Po-po-po-poker face, fu-fu-fuck her face
Po-po-po-poker face, fu-fu-fuck her face (she's got me like nobody)
Po-po-po-poker face, fu-fu-fuck her face (mum-mum-mum-mah)
Po-po-po-poker face, fu-fu-fuck her face (mum-mum-mum-mah)

Po-po-po-poker face, fu-fu-fuck her face (mum-mum-mum-mah)
Po-po-po-poker face, fu-fu-fuck her face (mum-mum-mum-mah)

Written by: Stefani Germanotta, Nadir Khayat
Album: The Fame
Released: #2008

#LadyGaga #TheFame #pop

This entry was edited (6 days ago)

Lady Gaga - Hold My Hand (From “Top Gun: Maverick”)


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Music video by Lady Gaga performing Hold My Hand.

To tell me you need me

Hold my hand, everything will be okay
I heard from the heavens that clouds have been gray
Pull me close, wrap me in your aching arms
I see that you're hurting, why'd you take so long

To tell me you need me? I see that you're bleeding
You don't need to show me again
But if you decide to, I'll ride in this life with you
I won't let go 'til the end

So, cry tonight
But don't you let go of my hand
You can cry every last tear
I won't leave 'til I understand
Promise me, just hold my hand

Raise your head, look into my wishful eyes
That fear that's inside you will lift, give it time
I can see everything you're blind to now
Your prayers will be answered, let God whisper how

To tell me you need me, I see that you're bleeding
You don't need to show me again
But if you decide to, I'll ride in this life with you
I won't let go 'til the end

So, cry tonight
But don't you let go of my hand
You can cry every last tear
I won't leave 'til I understand
Promise you'll just hold my hand

Hold my hand, hold my
Hold my hand, my hand
I'll be right here, hold my hand
Hold my hand, hold my
Hold my hand, my hand
I'll be right here, hold my hand

I know you're scared and your pain is imperfect
But don't you give up on yourself
I've heard a story, a girl, she once told me
That I would be happy again

Hold my hand, yeah
Hold my hand, oh yeah
Hold my hand, hold my hand
Hold my hand, hold my hand
Hold my hand

I heard from the heavens

Written by: Stefani Germanotta, Michael Tucker
Album: Hold My Hand (Music From The Motion Picture "Top Gun: Maverick")
Released: 2022

This entry was edited (1 week ago)

Lady Gaga - The Edge Of Glory


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Official Music video by Lady Gaga performing The Edge Of Glory.

There ain't no reason you and me should be alone tonight
Yeah, baby, tonight, yeah, baby
But I got a reason that you should take me home tonight
I need a man that thinks it right when it's so wrong
Tonight, yeah, baby
Tonight, yeah, baby
Right on the limit's where we know we both belong tonight

It's hot to feel the rush
To brush the dangerous
I'm gonna run right to
To the edge with you
Where we can both fall far in love

I'm on the edge of glory
And I'm hangin' on a moment of truth
I'm on the edge of glory
And I'm hangin' on a moment with you
I'm on the edge
The edge, the edge, the edge
The edge, the edge, the edge
I'm on the edge of glory
And I'm hangin' on a moment with you
I'm on the edge with you

Another shot before we kiss the other side tonight
Yeah, baby, tonight, yeah, baby
I'm on the edge of something final we call life tonight
Alright, alright

Put on your shades 'cause I'll be dancing in the flames tonight
Yeah, baby, tonight, yeah, baby
It isn't hell if everybody knows my name tonight
Alright, alright

It's hot to feel the rush
To brush the dangerous
I'm gonna run right to
To the edge with you
Where we can both fall far in love

I'm on the edge of glory
And I'm hangin' on a moment of truth
I'm on the edge of glory
And I'm hangin' on a moment with you

I'm on the edge
The edge, the edge, the edge
The edge, the edge, the edge
I'm on the edge of glory
And I'm hangin' on a moment with you
I'm on the edge with you
I'm on the edge with you
I'm on the edge with you

I'm on the edge of glory
And I'm hangin' on a moment of truth
I'm on the edge of glory
And I'm hangin' on a moment with you

I'm on the edge
The edge, the edge, the edge
The edge, the edge, the edge
I'm on the edge of glory
And I'm hangin' on a moment with you
I'm on the edge with you (with you, with you, with you, with you)
I'm on the edge with you (with you, with you, with you, with you)
I'm on the edge with you (with you, with you, with you, with you)
I'm on the edge with you (with you, with you, with you, with you)

Written by: Paul Edward Blair, Fernando Garibay, Stefani J. Germanotta
Album: Born This Way
Released: 2011

This entry was edited (2 weeks ago)

Lady Gaga - Telephone ft. Beyoncé


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Music video by Lady Gaga performing Telephone (Clean Version).

Hello, hello, baby
You called, I can't hear a thing
I have got no service in the club, you see, see
Wha-wha-what did you say, oh
You're breaking up on me
Sorry, I cannot hear you, I'm kinda busy

K-kinda busy, k-kinda busy
Sorry, I cannot hear you, I'm kinda busy

Just a second
It's my favorite song they're gonna play
And I cannot text you with a drink in my hand, eh?
You should've made some plans with me
You knew that I was free

And now you won't stop calling me, I'm kinda busy

Stop calling, stop calling
I don't wanna think anymore
I got my head and my heart on the dance floor
Stop calling, stop calling
I don't wanna talk anymore
I got my head and my heart on the dance floor

Eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephoning me
Eh, eh, eh, eh, eh, eh, eh, eh, eh, eh
I'm busy
Eh, eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephoning me
Eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh

Can call all you want, but there's no one home
And you're not gonna reach my Telephone
Out in the club, and I'm sipping that bubb
And you're not gonna reach my Telephone

Call all you want, but there's no one home
And you're not gonna reach my Telephone
Out in the club, and I'm sipping that bubb
And you're not gonna reach my Telephone

Boy, the way you blowing up my phone
Won't make me leave no faster
Put my coat on faster
Leave my girls no faster
I should've left my phone at home
'Cause this is a disaster
Calling like a collector
Sorry, I cannot answer

Not that I don't like you, I'm just at a party
And I am sick and tired of my phone r-ringing
Sometimes I feel like I live in Grand Central Station
Tonight I'm not taking no calls, 'cause I'll be dancing

'Cause I'll be dancing, 'cause I'll be dancing
Tonight I'm not taking no calls, 'cause I'll be dancing

Stop calling, stop calling
I don't wanna think anymore
I got my head and my heart on the dance floor
Stop calling, stop calling
I don't wanna talk anymore
I got my head and my heart on the dance floor

Stop calling, stop calling
I don't wanna think anymore
I got my head and my heart on the dance floor
Stop calling, stop calling
I don't wanna talk anymore
I got my head and my heart on the dance floor

Eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephoning me
Eh, eh, eh, eh, eh, eh, eh, eh, eh, eh
I'm busy
Eh, eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephoning me
Eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh

Can call all you want, but there's no one home
And you're not gonna reach my Telephone
'Cause I'm out in the club, and I'm sipping that bubb
And you're not gonna reach my Telephone

Call all you want, but there's no one home
And you're not gonna reach my Telephone
'Cause I'm out in the club, and I'm sipping that bubb
And you're not gonna reach my Telephone

My Telephone, m-m-my Telephone
'Cause I'm out in the club, and I'm sipping that bubb
And you're not gonna reach my Telephone

My Telephone, m-m-my Telephone
'Cause I'm out in the club, and I'm sipping that bubb
And you're not gonna reach my Telephone

We're sorry (we're sorry)
The number you have reached is not in service at this time
Please check the number, or try your call again

Written by: Rodney Jerkins, Stefani Germanotta
Album: #Telephone
Released: #2010

#Beyonce #LadyGaga #pop #musicVideo #OfficialMusicVideo

This entry was edited (3 weeks ago)

Miley Cyrus - Easy Lover


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"Easy Lover" by Miley Cyrus is an engaging track that explores themes of love and attraction with a catchy melody and vibrant production. The song showcases Miley's vocal prowess and artistic evolution, making it a notable addition to her upcoming album "Something Beautiful." Its relatable lyrics and infectious rhythm are sure to resonate with fans.

🎵 L Y R I C S 🎵:
You’re my baby
You’re the only one
You drive me crazy
But I still miss you when you’re gone
Every second, every hour

It’s in your nature
To light me up
I love to hate ya
But I can’t stand it when you’re gone
So I call you once every hour

You got the love I always needed
Tie me to horses and I still wouldn’t leave ya
But you’re not an easy lover

You’re a wildfire
And I’m in your path
I’ve decided I wanna keep on dancing in the ashes
And so I call out
Let it burn

You got the love I always needed
Tie me to horses and I still wouldn’t leave ya
But you’re not an easy lover

No I just can’t give you up
No I just can’t give you up
No I just can’t give you up
No I just can’t give you up
But you’re not an easy lover

You got the love I always needed
Tie me to horses
I still wouldn’t leave ya

Tell ’em, B
But you’re not an easy lover

You make it hard to touch another
Anything goes when we’re under covers
But you’re not an easy lover

No I just can’t give you up
No I just can’t give you up
No I just can’t give you up
No I just can’t give you up
But you’re not an easy lover
No I just can’t give you up
No I just can’t give you up
No I just can’t give you up
No I just can’t give you up
But you’re not an easy lover

Credits:

Directed by: Miley Cyrus, Jacob Bixenman, Brendan Walter
Produced by: Miley Cyrus, Panos Cosmatos, Nick Spicer, Nate Bolotin, Aram Tertzakian
Executive Producers: Adam Folk, Ron Perry, Tom Mackay, Krista Wegener, Michael Rapino, Brad Wavra, Ryan Kroft
Associate Producer: Marcela Victoria
Director of Photography: Benoît Debie
Production Designer: David Meyer
Choreography by: Stephen Galloway
Costume Design: Bradley Kenneth
Edited by: Brendan Walter

Music Produced by: Miley Cyrus, Shawn Everett, Michael Pollack, Jonathan Rado, and Maxx Morando
Engineered by: Shawn Everett, Ian Gold, and Pièce Eatah at The Village
Assistant Engineer: JC LeResche
Mixed & Mastered by: Shawn Everett
Mix Assistant: Ian Gold

Album Artist: Miley Cyrus
Album(s): Something Beautiful
Written by: Miley Cyrus, Ryan Tedder, Michael Pollack, Omer Fedi
Music genre(s): Pop, pop rock, soft rock
Released: 2025
Decade for first release: #2020s

#2020s #celebrity #easylover #hannahmontana #mileycyrus #music #pop #poprock #softrock #somethingbeautiful #exhibitionism

This entry was edited (1 month ago)

Carly Rae Jepsen - The Sound (Live In Lapland, Finland)


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(I give up, I give up)

I've been testing out the waters
I don't think I can swim, love
With the way you rock me 'round
And I feel it, more than just desire
I don't think I can breathe
With the way you let me down

God, you make me so tired
Isn't this the vision that you wanted?
Guess I'll never understand you now
Love is more than telling me you want it

I don't need the words
I want the sound, sound, sound, sound, sound
(Sound, sound, sound, sound, sound)
I don't need the words
I want the sound, sound, sound, sound, sound
(Sound, sound, sound, sound, sound)
I don't need the words, I want the...

Fool's gold landed on my shoulder
In the weight of your hand
But you know the answer's no
(Know the answer's no)
And you know I'm a liar
Oh, the night's my weakness
I believe every word
'Cause your lips are waterfalls

God, you make me so tired
Isn't this the vision that you wanted?
Guess I'll never understand you now
Love is more than telling me you want it

I don't need the words
I want the sound, sound, sound, sound, sound
(Sound, sound, sound, sound, sound)
I don't need the words
I want the sound, sound, sound, sound, sound
(Sound, sound, sound, sound, sound)

I'm for you now
I feel my fortune tell me
I'm the only one, the only one
I'm for you now (is it desire?)
It's sweet until it's over
I'm the only one (is it desire?)
The only one

God, you make me so tired
Isn't this the vision that you wanted?
Guess I'll never understand you now
Love is more than telling me you want it

I don't need the words
I want the sound, sound, sound, sound, sound
(Sound, sound, sound, sound, sound)
I don't need the words
I want the sound, sound, sound, sound, sound
(Sound, sound, sound, sound, sound)

I don't need the words
I want the sound, sound, sound, sound, sound (I need it, yeah)
(Sound, sound, sound, sound, sound)
(I give up, I give up)
I don't need the words
I want the sound, sound, sound, sound, sound
(Sound, sound, sound, sound, sound)
(I give up, I give up)
I don't need the words, I want the...

Written by: Carly Rae Jepsen, Noah Lev Beresin, Tom Schleiter, Jared Akira Manierka
Album: Dedicated
Released: #2019

This entry was edited (1 week ago)

The ultra-rare “Firework Jellyfish”


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The ultra-rare “Firework Jellyfish” captured on camera nearly 4,000 feet beneath the ocean’s surface. 🪼

📹: Ocean Exploration Trust

Originally posted by @Natasha_Jay@tech.lgbt in tech.lgbt/@Natasha_Jay/1151955…

Please, @Natasha_Jay@tech.lgbt, if you can add any additional information I would be pleased to add them. This recording is to valuable to just not spread it.

This entry was edited (1 week ago)

She helped this squirrel when he was a baby and he comes back to her everyday to play


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She helped this squirrel when he was a baby and he comes back to her everyday to play

#squirrel #natureandanimals #animal #BeAmazed #funnyanimals #funny #silentsunday

This entry was edited (6 days ago)

@Sanxyra Reading Icelandic road names 😁


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Ha! And they say Islandish is a difficult language

Good luck following the GPS directions on which road to take 😆 Reading Icelandic road names 🇮🇸

This entry was edited (6 days ago)

Shakira - Loca ft. Dizzee Rascal


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🇪🇸 Shakira - "Loca" (ft. Dizzee Rascal) es un tema enérgico que fusiona merengue y pop latino, extraído del álbum Sale el Sol (2010). La versión principal mezcla percusión caribeña con arreglos modernos; la colaboración con el rapero británico Dizzee Rascal añade versos en inglés que aumentan su alcance internacional. El videoclip, filmado en Barcelona y Madrid, muestra coreografías callejeras, escenas festivas y la estética veraniega que acompañó la gira Sale el Sol. "Loca" alcanzó posiciones destacadas en listas latinas y europeas tras su lanzamiento el 10 de septiembre de 2010; en varios países estuvo en listas durante semanas, especialmente en España y México. Shakira tenía 33 años cuando se publicó la canción y el vídeo.

Nota: Versión en inglés incluye créditos de Dylan Mills (Dizzee Rascal).
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>

🇬🇧 Shakira - "Loca" (ft. Dizzee Rascal) is an upbeat track blending merengue and Latin pop from the album Sale el Sol (2010). The primary arrangement pairs lively Caribbean percussion with contemporary pop production; the Dizzee Rascal feature contributes English rap verses that broaden its international appeal. The official music video, shot in Barcelona and Madrid, features street choreography, festive scenes and a summery visual style tied to the Sale el Sol era. Released on 10 September 2010, "Loca" charted across Latin and European charts and remained on several national charts for multiple weeks, notably in Spain and Mexico. Shakira was 33 years old at the time of release.

Follow Shakira:
► Follow Shakira Isabel Mebarak Ripoll: @shakira@u2be.ovh u2be.ovh/a/shakira
► Watch more music videos by Shakira: u2be.ovh/c/shakiras
► Listen to Shakira: u2be.ovh/a/shakira
► Listen to Shakira's "Sale el Sol": u2be.ovh/w/p/wYuo7BBhoYvmu5iRs…
► Subscribe to the official Shakira channel: u2be.ovh/c/shakiras

🎵 L Y R I C S / L E T R A S 🎵:
Loca (Loca)
No te pongas bruto (Loca)

Que te la bebes
Dance or die (Or die, die, die)
Loca (Loca)
Ra-ta-ta

Él está por mí y por ti borró
Eso que tú tienes todo y yo ni un kikí
Él está por mí y por ti borró (Borró)
Eso que tú tienes todo y yo ni un kikí

Ella se hace la bruta pa′ cotizarse
Conmigo en frente, ella se hace la gata en celo contigo
Te cotorrea al oído pa' tenerte en alta
Ella muere por ti y tú por mí es que matas

Yo sigo tranquila como una paloma de esquina
Mientras ella se pasa en su BM al lado mío
Yo de aquí no me voy, lo que está pa′ mí
Ninguna va a poder quitármelo de un tirón

Yo soy loca con mi tigre
Loca, loca, loca
Soy loca con mi tigre
Loca, loca, loca
Yo soy loca con mi tigre
Loca, loca, loca
Soy loca con mi tigre
Loca, loca, loca

Él está por mí, y por ti borró (Borró)
Eso que tú tienes todo, y yo ni un kikí
Él está por mí, y por ti borró (Borró)
Eso que tú tienes todo y yo ni un kikí

Mientras ella te complace con todos tus caprichos
Yo te llevo al malecón por un caminito
Me dicen que tu novia anda con un rifle
Porque me vio bailando mambo pa' ti
¿Qué, no lo permite?

Yo no tengo la culpa de que tú te enamores
Mientras él te compra flores, yo compro cond' ¡Uh!

Yo soy loca con mi tigre
Cuantas más rayas, mejor, y mira, eso es lo que dicen

Yo soy loca con mi tigre
Loca, loca, loca
Soy loca con mi tigre
Loca, loca, loca
Yo soy loca con mi tigre
Loca, loca, loca
Soy loca con mi tigre

Dios mío
Se colan los ra-ta-ta
No te pongas bruto

Que te la bebes
Loca (Loca)
Loca

Él está por mí, y por ti borró (Borró)
Eso que tú tienes todo y yo ni un kikí

Yo soy loca con mi tigre
Loca, loca, loca
Soy loca con mi tigre
Loca, loca, loca

(Loca, loca, loca, loca)
Loca, loca, loca

<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>

Album Artist: Shakira Isabel Mebarak Ripoll
Album(s): Sale el Sol
Written by: Shakira, Edward Bello, Armando Pérez, Dylan Mills
Music genre(s): Merengue, Latin pop
Released: 2010-09-10
Decade for first release: #2010s

#merengue #latinpop #shakira #dizzeerascal #saleelsol #2010s #lovesongs #loca

This entry was edited (1 week ago)

Christina Aguilera - Genie In A Bottle


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"Genie In A Bottle" is a defining pop anthem by Christina Aguilera, released in 1999 as her debut single from her self-titled album. The song features a sultry melody and catchy chorus, exploring themes of desire and longing. Aguilera's powerful vocals shine throughout, showcasing her impressive range and artistry. The official music video complements the song's allure with visually striking imagery and choreography, helping to establish Aguilera as a major force in the pop music landscape. "Genie In A Bottle" became a massive hit, earning her critical acclaim and commercial success.

🎵 L Y R I C S 🎵:
(Come on, come on, uh, yeah)
Oh-ooh, whoa-oh (come on, come on, uh)

I feel like I've been locked up tight
For a century of lonely nights
Waiting for someone to release me
You're lickin' your lips and blowin' kisses my way
But that don't mean I'm gonna give it away
Baby, baby, baby (baby, baby, baby)

Oh-oh-oh-oh-oh
(My body's sayin', "Let's go")
Oh-oh-oh-oh-oh
(But my heart is sayin', "No, no")

If you wanna be with me
Baby, there's a price to pay
I'm a genie in a bottle
You gotta rub me the right way
If you wanna be with me
I can make your wish come true
You gotta make a big impression
Gotta like what you do
I'm a genie in a bottle, baby
You gotta rub me the right way, honey
I'm a genie in a bottle, baby
Come, come, come on and let me out

The music's bangin' and the lights down low
Just one more dance and then we're good to go
Waiting for someone who needs me
Hormones racin' at the speed of light
But that don't mean it's gotta be tonight
Baby, baby, baby (baby, baby, baby)

Oh-oh-oh-oh-oh
(My body's sayin', "Let's go")
Oh-oh-oh-oh-oh, ooh
(Mm, but my heart is sayin' no, but my heart is sayin', "No, no")

If you wanna be with me
Baby, there's a price to pay
I'm a genie in a bottle (I'm a genie in a bottle)
You gotta rub me the right way
If you wanna be with me (ooh)
I can make your wish come true (your wish come true, oh)
Just come and set me free, baby
And I'll be with you
I'm a genie in a bottle, baby
You gotta rub me the right way, honey
I'm a genie in a bottle, baby
Come, come, come on and let me out
I'm a genie in a bottle, baby
Gotta rub me the right way, honey
I'm a genie in a bottle, baby
Come, come, come on and let me out

Oh-oh-oh-oh-oh
(My body's sayin', "Let's go")
Oh-oh-oh-oh-oh
(Mm, but my heart is sayin', "No, no")

If you wanna be with me
Baby, there's a price to pay
I'm a genie in a bottle (I'm a genie in a bottle)
You gotta rub me the right way
If you wanna be with me
I can make your wish come true
You gotta make a big impression
Gotta like what you do (oh yeah-yeah)
If you wanna be with me
Baby, there's a price to pay
I'm a genie in a bottle
You gotta rub me the right way
If you wanna be with me
I can make your wish come true
Just come and set me free, baby
And I'll be with you

I'm a genie in a bottle, baby
Come, come, come on and let me out

Album Artist: Christina Aguilera
Album(s): Christina Aguilera
Written by: David Frank, Stephen Kipner, Pamela Sheyne
Music genre(s): Soul-pop, teen pop, dance-pop, R&B
Released: 1999
Decade for first release: #1990s

#ChristinaAguilera #genieInABottle #soulpop #teenpop #dancepop #rnb #1990s #debutSingle #musicVideo #music

This entry was edited (1 week ago)

Taylor Swift - All Too Well (10 Minute Version) (Lyric Video)


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Immerse yourself in Taylor Swift's emotionally charged ballad "All Too Well," a standout track from her acclaimed album Red. Released on October 22, 2012, this poignant song beautifully captures the essence of heartbreak and nostalgia, showcasing Taylor's lyrical prowess. At the time of its release, Taylor was 22 years old and continued to evolve as a storyteller.

Follow Taylor Swift:
► Follow Taylor Alison Swift: u2be.ovh/a/taylorswift @taylorswift@u2be.ovh
► Subscribe to the official Taylor Swift channel: u2be.ovh/c/taylor_swift
► Listen to Taylor's "Red (Original work)": u2be.ovh/w/p/bhhLcYtRueWKsXqAY…
► Listen to Taylor's "Red (Taylor’s version)": u2be.ovh/w/p/e7iQqUPVhJ2YzY4ts…

🎵 L Y R I C S 🎵:
I walked through the door with you
The air was cold
But something bout it felt like home somehow
And I left my scarf there at your sister’s house
And you’ve still got it in your drawer even now
Oh your sweet disposition, and my wide eyed gaze
We’re singing in the car getting lost upstate
Autumn leaves falling down like pieces into place
And I can picture it after all these days
And I know it’s long gone and that magic’s not here no more
And I might be ok but I’m not fine at all…

Cause there we are again on that
Little town street
You almost ran the red
Cause you were looking over at me
Wind in my hair, I was there
I remember it all too well

Photo album on the counter
Your cheeks were turning red
You used to be a little kid with glasses
in a twin-sized bed
And your mother’s telling stories bout you on
the tee ball team
You taught me bout your past
Thinkin your future was me
And you were tossing me the car keys
‘F*** the patriarchy’ keychain on the ground
We were always skipping town
And I was thinking on the drive down
Any time now, he’s gonna say it’s love
You never called it what it was
til we were dead and gone and buried
Check the pulse and come back
Swearing it’s the same, after 3 months in the grave
And then you wondered where it went to
As I reached for you but
All I felt was shame
And you held my lifeless frame
And I know it’s long gone and
There was nothing else I could do
And I forget about you long enough
To forget why I needed to…

Cause there we are again in the middle of the night
We’re dancin round the kitchen in the
refrigerator light
Down the stairs, I was there
I remember it all too well…
And there we are again
When nobody had to know
You kept me like a secret
But I kept you like an oath
Sacred prayer and we’d swear
to remember it all too well

Well maybe we got lost in translation
Maybe I asked for too much
But maybe this thing was a masterpiece
Til you tore it all up
Running scared, I was there
I remember it all too well
And you call me up again
Just to break me like a promise
So casually cruel in the name of being honest
I’m a crumpled up piece of paper lying here
Cause I remember it all, all, all
They say all’s well that ends well
But I’m in a new hell every time
You double-cross my mind
You said if we had been closer in age
Maybe it would have been fine
And that made me want to die.

The idea you had of me
Who was she?
A never-needy, ever lovely jewel
Whose shine reflects on you
Not weeping in a party bathroom
Some actress asking me what happened
You.
That’s what happened: You.
You, who charmed my dad with self-effacing jokes
Sipping coffee like you were on a late night show
But then he watched me watch the front door
all night, willing you to come
And he said, “it’s supposed to be fun…
Turning 21”

Time won’t fly
It’s like I’m paralyzed by it
I’d like to be my old self again
But I’m still trying to find it
After plaid shirt days
And nights when you made me your own
Now you mail back my things
And I walk home alone
But you keep my old scarf
From that very first week
Cause it reminds you of innocence, and it smells like me
You can’t get rid of it
Cause you remember it all too well

Cause there we are again when
I loved you so
Back before you lost the one real thing
You’ve ever known
It was rare, I was there
I remember it all too well
Wind in my hair, you were there
You remember it all
Down the stairs, you were there
You remember it all
It was rare, I was there
I remember it all too well

And I was never good at telling jokes
But the punchline goes:
“I’ll get older, but your lovers stay my age”
From when your Brooklyn broke my skin and bones
I’m a soldier who’s returning half her weight
And did the twin flame bruise paint you blue?
Just between us, did the love affair maim you too?
Cause in this city’s barren cold
I still remember the first fall of snow
And how it glistened as it fell
I remember it all too well

Just between us did the love affair maim you
All too well
Just between us, do you remember it
All too well
Just between us, I remember it all too well

Wind in my hair
I was there, I was there
Down the stairs, I was there
I was there
Sacred prayer
I was there, I was there
It was rare, you remember it
All too well

Album Artist: Taylor Swift
Album(s): Red, Taylor's Version From The Vault
Written by: Taylor Swift, Liz Rose
Music genre(s): Country, Arena Rock, Folk, Pop Rock, Soft Rock
Released: 2012
Decade for first release: #2010s

#taylorswift #red #redalbum #alltoowell #country #arenarock #folk #poprock #softrock #2010s #tayloralisonswift #music #officialvideo #redtaylorsversion #taylorsversion #swiftie #swifties #taylornation

This entry was edited (1 week ago)

Shakira and Burna Boy - Dai Dai


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🇪🇸 "Dai Dai" es un himno pop con influencias afro y afropop interpretado por Shakira y Burna Boy, lanzado como canción oficial del Mundial FIFA 2026 en Norteamérica. Estrenada el 15 May 2026, combina versos en inglés, español, italiano, francés y japonés; su título en italiano significa "venga, venga" —una llamada a darlo todo en competición. Producida por Alexander Castillo y Shakira, y coescrita por Shakira, Burna Boy, Benny Adam, Jon Bellion y Ed Sheeran, la canción mezcla ritmos globales con arreglos energéticos pensados para estadios y retransmisiones masivas. Shakira tenía 49 años en el momento del lanzamiento del sencillo y vídeo.

Nota: Posiciones en listas y duración en charts varían por país; cifras exactas requieren fuentes específicas.

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🇬🇧 "Dai Dai" is an energetic pop track with Afro-fusion and Afropop elements by Shakira and Burna Boy, released as the official song of the 2026 FIFA World Cup in North America on 15 May 2026. Written across five languages, English, Spanish, Italian, French and Japanese, the Italian title "Dai Dai" literally means "come on, come on", urging athletes and fans to give their all. Produced by Alexander Castillo and Shakira and co-written with Benny Adam, Jon Bellion and Ed Sheeran, the single fuses global rhythms with stadium-ready hooks for broad international reach. Shakira was 49 years old at the time of release.

Note: Chart positions and run lengths differ by territory; exact figures require citation.
Connect with Shakira / Conéctate con Shakira:
Follow / Seguir a Shakira Isabel Mebarak Ripoll: @shakira@u2be.ovh u2be.ovh/a/shakira
Subscribe to / Suscríbete al canal de Shakira: @shakiras@u2be.ovh u2be.ovh/c/shakiras

🎵 L Y R I C S / L E T R A S 🎵:
Oe oe e oe Oe oe e oe
You knew from the day you were born
That here in this place you belong
You been this brave all along
What broke you once made you strong

Dai dai iko
Dale ale lets go
Dai dai iko
Dale ale lets go!
Dai dai iko
Dale ale lets go
Dai dai iko
Dale ale lets go!

Come follow your desire
Theres a will there way
You are the owner of that fire
No one can take it away
Sweat and blood to write your story
That is how you paved the way
You are about to reach the glory
Only one step away

All the highs and lows
All the tears and the pain
You been there thru it all
Been thru it all
Just do it again
Now you got to believe (I believe)
Cuz you know what it takes
To be living the dream
At top of your game.

Feel it, got everything you needed
now bring it like you mean it
just like you mean it
Dale, no olvides lo que vales
Juega como tu sabes
Como tu sabes.

Energy is contagious you know
And it never fails no no
No one’s getting tired I know
Cuz you got that fire eio
Dream a little higher
Lets go lets go lets go
We’ve taken all that our hearts can hold
We can’t hold on to the past no more
From the dirt and the tears you make gold
You are more than flesh and bone

All the highs and lows
All the tears and the pain
You been there thru it all
Been thru it all
Just do it again
Now you got to believe ( I believe)
Cus you know what it takes
To be living the dream
At top of your game

Feel it, got everything you needed
Now bring it like you mean it
Just like you mean it
Dale no olvides lo que vales
juega como tu sabes
como tu sabes
Pele, Maradona
Maldini
Romario
Cristiano
Ronaldo
El Pibe
Iniesta
Beckham y Kaka
Messi
Mbape
Salá
Brazil
Uruguay
Argentina
Colombia
US
England
Germany
France
España Italia Mejico Japan
Korea/England Netherlands/Senegal
Oe oe e oe
You knew from the day you were born
That here in this place you belong
You been this brave all along
What broke you once made you strong
Dai dai iko
Dale ale lets go
Dai dai iko
Dale ale lets go!
Dai dai iko
Dale ale lets go
Dai dai iko
Dale ale lets go!

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Album Artist / Artista del álbum: Shakira Isabel Mebarak Ripoll, Burna Boy
Album(s) / Álbum(es): FIFA World Cup 2026 Official Album (2026)
Written by / Escrito por: Shakira, Burna Boy, Benny Adam, Jon Bellion, Ed Sheeran, Alexander Castillo
Music genre(s) / Género(s) musical(es): Pop, Afro fusion, Afropop
Released / Lanzamiento: 15 May 2026
Decade for first release / Década del primer lanzamiento: #2020s

#pop #afrofusion #afropop #shakira #burnaboy #fifaworldcup #dai­dai #2020s #fifa #worldcup #worldcup2026 #soccer #football #officialaudio #officialsong

Music Video by Shakira & Burna Boy performing Dai Dai.(C) 2026 Ace Entertainment S.ar.l., under exclusive license to Sony Music Entertainment US Latin LLC

This entry was edited (6 days ago)

Shakira Maracaná Stadium “Dai Dai” ⚽️🐺


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From Maracaná Stadium, here is “Dai Dai” the #fifa Official Song 2026. Coming 5⧸14. #BurnaBoy ⚽️🐺 -

Connect with Shakira / Conéctate con Shakira:
Follow / Seguir a Shakira Isabel Mebarak Ripoll: @shakira@u2be.ovh u2be.ovh/a/shakira
Subscribe to / Suscríbete al canal de Shakira: @shakiras@u2be.ovh u2be.ovh/c/shakiras

#pop #afrofusion #afropop #shakira #burnaboy #fifaworldcup #dai­dai #2020s #fifa #worldcup #worldcup2026 #soccer #football #officialaudio #officialsong #maracanastadium #milf #miniskirt #barranquilla #colombiana #Shorts

This entry was edited (6 days ago)

Shakira - Did it Again ft. Kid Cudi


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Connect with Shakira / Conéctate con Shakira:
Follow / Seguir a Shakira Isabel Mebarak Ripoll: @shakira@u2be.ovh u2be.ovh/a/shakira
Subscribe to / Suscríbete al canal de Shakira: @shakiras@u2be.ovh u2be.ovh/c/shakiras
► Listen to Shakira's "She Wolf (Expanded Edition) (English)": u2be.ovh/w/p/pJym15ba5AE7HruHK…
► Escucha a Shakira's "Loba" (español): u2be.ovh/w/p/k3LvD2LVW3AEiyD41…

Dive into the infectious rhythm of Shakira's "Did It Again," featuring Kid Cudi. This dynamic track from the album She Wolf (Expanded Edition) showcases Shakira's signature style, blending pop and Latin influences with catchy hooks and vibrant beats. Written by Pharrell L. Williams and Shakira Mebarak, this song is a celebration of empowerment and self-expression.

🎵 L Y R I C S 🎵:
First floor (uh-oh)
Room sixteen (uh-oh)
Smells like danger (let's go)
Even better (let's go)
Set your goals (uh-oh)
Bless our souls (uh-oh)
I'm in trouble (yes, I know)
But it feels like heaven (hey!)

You were like one of those guys
The kind with a wandering eye (hey!)
But I said, hey what the hell?
For once in my life I'll take a ride on the wild side
You were so full of yourself
But damn, were you cute, as well (hey!)
You liked my legs, I liked your moves
Anyone could tell that it's hard to deny that

I did it again now
I've got it all wrong
But it felt so right
I can't believe it
No more mistakes that
Went on for too long
Wish there was a way
I could delete 'em

Eh, eh, eh, eh, uh, uh, uh, uh
Eh, eh, eh, eh, uh, uh, uh, uh

Second night (uh-oh)
In a row (uh-oh)
Back in trouble (let's go)
I don't get it (let's go)
Gotta keep it down (uh-oh)
It'll all be cool (uh-oh)
If we ignore 'em (yes, I know)
Getting better (hey!)

When it comes to men, it's known
That I end up choosing wrong (hey!)
'Cause I always trip and fall
On the same old rock and repeat and go back
How blind a girl can be (ooh)
To miss you hide your ring (hey!)
But I bought everything
I'm so naive, and I'd like you to know that

I did it again now
I've got it all wrong
But it felt so right
I can't believe it
No more mistakes that
Went on for too long
Wish there was a way
I could delete 'em

Eh, eh, eh, eh, uh, uh, uh, uh
Eh, eh, eh, eh, uh, uh, uh, uh

It might seem to you that I am in a place
Where I'm losing the direction of my life
But I'm sure that this is nothing but a phase
Right back at ya, 'cause I'll survive
It might seem to you that I am in a place
Where I'm losing the direction of my life
But I'm sure that this is nothing but a phase
Right back at ya, 'cause I'll survive

I did it again now
I've got it all wrong
But it felt so right
I can't believe it
All the mistakes that
Went on for too long
Wish there was a way
I could delete 'em
I did it again now
I've got it all wrong

Eh, eh, eh, eh, uh, uh, uh, uh
Eh, eh, eh, eh, uh, uh, uh, uh

Album Artist: Shakira Isabel Mebarak Ripoll
Album(s): She Wolf (Expanded Edition)
Written by: Pharrell L. Williams, Shakira Mebarak
Music genre(s): Pop, Latin
Released: 2009
Decade for first release: #2000s

#ShakiraIsabelMebarakRipoll #SheWolfExpandedEdition #DidItAgain #Pop #Latin #2000s #femaleMusicians #femaleSinger #femaleVocalist #DidItAgain #Pop #HD #Remastered
Vídeo oficial HD de Shakira de su tema “Did It Again”

This entry was edited (1 week ago)

RUN DMC - It's Tricky


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"It's Tricky" is a classic hip-hop track by RUN DMC, released in 1986 as part of their album "Raising Hell." The song features a catchy beat and clever lyrics that showcase the group's signature style and playful wordplay. The official HD video captures the vibrant energy of the era, featuring dynamic performances and a fun, engaging narrative that reflects the song's themes of navigating life's challenges. "It's Tricky" remains a beloved anthem in the hip-hop genre, celebrated for its infectious rhythm and enduring appeal, solidifying RUN DMC's legacy as pioneers of rap music.

"It's Tricky" by Run DMC

Lyrics:
This speech is my recital, I think it's very vital
To rock a rhyme that's right on time
It's tricky tricky, here we go

It's tricky to rock a rhyme, to rock a rhyme that's right on time
It's tricky, it's tricky, tricky, tricky, tricky
It's tricky to rock a rhyme, to rock a rhyme that's right on time
It's tricky, tr-tr-tr-tricky, tricky, tricky

I met this little girlie, her hair was kinda curly
Went to her house and bust her out, I had to leave real early
These girls are really sleazy, all they just say is, "Please me"
Or spend some time and rock a rhyme
I said, "It's not that easy"

It's tricky to rock a rhyme, to rock a rhyme that's right on time
It's tricky, it's tricky, tricky, tricky, tricky (how is it D?)
It's tricky to rock a rhyme, to rock a rhyme that's right on time
It's tricky, tricky, tricky, tricky

In New York the people talk and try to make us rhyme
They really hawk but we just walk because we have no time
And in the city, it's a pity 'cause we just can't hide
Tinted windows don't mean nothin', they know who's inside

It's tricky to rock a rhyme, to rock a rhyme that's right on time
It's tricky, it's tricky, tricky, tricky, tricky (how is it D?)
It's tricky to rock a rhyme, to rock a rhyme that's right on time
It's tricky, tricky, tricky, tricky, tricky huh!

When I wake up people take up mostly all of my time
I'm not singin', phone keep ringin' 'cause I make up a rhyme
I'm not braggin', people naggin' 'cause they think I'm a star
Always tearin' what I'm wearin', I think they're goin' too far

A girl named Carol follows Daryll every gig we play
Then D dissed her and dismissed her, now she's jockin' Jay
I ain't lyin', girls be cryin' 'cause I'm on TV
They even bother my poor father 'cause he's down with me

It's tricky to rock a rhyme, to rock a rhyme that's right on time
It's tricky, tricky, tricky, tricky, tricky (how is it?)
It's tricky to rock a rhyme, to rock a rhyme that's right on time
It's tricky, tr-tr-tr-tr-tr-tr-tricky

We are not thugs, we don't use drugs
But you assume on your own
They offer coke and lots of dope
But we just leave it alone
It's like that y'all, y'all, but we don't quit
Y'all keep on Rock shock
'Cause this is it (is it...)

Written by: Rick Rubin, Joseph Ward Simmons, Darryl Matthews Mcdaniels, Jason William Mizell

Album: Raising Hell
Released: 1986

#RUNDMC #ItsTricky #ClassicRap #musicVideo #Lyrics #HipHop

This entry was edited (6 days ago)

Miley Cyrus - You (Live) (Take 2) | ATTENTION: MILEY LIVE


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ATTENTION: MILEY LIVE ALBUM OUT NOW u2be.ovh/w/p/hfugZqHDfTqdunpzL…

Connect with Miley
► Follow Miley Ray Cyrus: @mileycyrus@u2be.ovh
► Subscribe to the official Miley Cyrus channel: u2be.ovh/c/mileycyrus
► Listen to Miley Cyrus's "ATTENTION: MILEY LIVE": u2be.ovh/w/p/hfugZqHDfTqdunpzL…

🎵 L Y R I C S 🎵:
I wanna set off alarms, deal out the cards
Smoke Cuban cigars and get kicked out of bars before two
But only if it′s with you
I wanna drive down to Texas, flip off my exes
Get kind of reckless and have wild, wild, wild sex under the moon
But only if it's with you

I got some baggage, let′s do some damage
I am not made for no horsey and carriage
You know I'm savage, but you're looking past it
I want that late-night sweet magic, that forever-lasting love
But only if it′s with you

Let′s crash a wedding tonight, get drunk by the lights
Then I'll pick a fight to make up on the floor of your room
But only if it′s with you
I wanna cut off my hair and kick off my boots
Dance in the wind just to do it again, oh, it's true
But only if it′s with you

I got some baggage, let's do some damage
I am not made for no horsey and carriage
You know I′m savage, but you're looking past it
I want that late-night sweet magic, that forever-lasting...
I'm kinda crazy ′cause that′s how you make me
I don't need Jesus ′cause baby, you saved me, I'm done
But only if it′s with you, oh

You, only with you
You, only with you, yeah
You, only with you

You, only with you

Released on: 2022-04-29

Guitar: Jamie Arentzen
Lyricist, Associated Performer, Composer, Producer: Miley Cyrus
Percussion: Demian Arriaga
Background Vocal: Ayotunde Awosika
Background Vocal: Aaron Encinas
Background Vocal: Danielle Fleming
Bass: Joseph Ayotub
Guitar: Max Bernstein
Trombone: Reginald Chapman
Drums: Stacy Jones
Trumpet: Matthew Owens
Saxophone: Steven Salcedo
Keyboards: Michael Schmid
Lyricist, Composer: Bibi Bourelly
Lyricist, Composer: Michael Pollack
Lyricist, Composer: Ian Kirkpatrick
Producer: Stacy Jones
Recording Engineer, Engineer, Mixing Engineer: Paul David Hager
Engineer, Assistant Engineer, Editor: Craig Frank
Additional Studio Producer: Evan Bovee
Additional Studio Producer: Cody Clark
Additional Studio Producer: David Jun
Additional Studio Producer: Cameron Manes
Additional Studio Producer: Takyuki Nakai
Engineer: Vish Wadi
Additional Studio Producer: Derek Purciful
Additional Studio Producer: Kyle Ronan
Mastering Engineer: Chris Gehringer

℗ 2022 Smiley Miley, Inc. under exclusive license to Columbia Records, a Division of Sony Music Entertainment

#mileycyrus #attention #mileylive #smileymiley #you #pop #poprock #tu #hannahmontana

This entry was edited (6 days ago)

Claude - Less Admin, More Creating!


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I’ve spent over a decade building this business while refining the craft behind it.

Recently, I started integrating @claude into my workflow to take on more of the operational load. Because the reality is, most of the time hasn’t been spent filming. It’s been emails, revisions, briefs. As things scale, travel picks up, timelines compress, output increases, and the operational side starts to crowd out the actual work.

So I rebuilt the system around that shift. I push it, question it, and shape it to work the way I do. The result is simple: less time managing, more time creating.

The focus is back where it should be. Filming, curation, and the technology behind it.

It’s similar to an F1 team. Every detail gets refined, every inefficiency gets removed. Speed isn’t just moving faster. It’s getting to better ideas sooner. #ClaudePartner

This entry was edited (6 days ago)

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