Fiction or Non-Fiction, academic or casual, theory or non-theory, feel free to mention books of any genre and on any topic.
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Fiction or Non-Fiction, academic or casual, theory or non-theory, feel free to mention books of any genre and on any topic.
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Notification for: @vema@lemmygrad.ml, @Kultronx@lemmygrad.ml, @uncanny@lemmygrad.ml, @cucumovirus@lemmygrad.ml
Fiction or Non-Fiction, academic or casual, theory or non-theory, feel free to mention books of any genre and on any topic.
Fiction or Non-Fiction, academic or casual, theory or non-theory, feel free to mention books of any genre and on any topic.
Fiction or Non-Fiction, academic or casual, theory or non-theory, feel free to mention books of any genre and on any topic.
In the intricate tapestry of interior design, hexagon tiles emerge as a timeless element that transcends fleeting trends. These six-sided tiles have been a fixture in homes and public spaces for centuries, long before the concept of design trends even existed. From early European residences to classic bathrooms, hexagon tiles have consistently proven their worth, not because they chase fads, but because they offer a unique blend of functionality and aesthetics.
Hexagon tiles strike a rare balance in design. They are decorative without being overly intricate, structured without being rigid. Whether used as intricate mosaic tiles or in larger formats, they effortlessly adapt to a variety of styles and settings. This adaptability is the key to their enduring popularity.
The hexagon shape has an inherent beauty that is hard to ignore. It is symmetrical but not square, offering a sense of movement while maintaining order. When repeated across a surface, hexagons create a continuous and balanced pattern that feels both dynamic and harmonious.
Unlike linear tiles that direct the eye in a single direction, hexagons allow the pattern to flow outward, giving spaces an organic feel. This subtle yet powerful effect makes hexagons a versatile choice that doesn't feel tied to any particular decade.
Hexagon tiles are incredibly versatile, capable of fitting into a wide range of design styles. Small black-and-white hexagon mosaics evoke a vintage charm, while larger matte hexagons in neutral tones exude modern sophistication. Soft stone-look hexagons lean towards a rustic aesthetic, and glossy glazed versions add a playful and fresh touch.
The same shape can behave differently depending on its size, color, and finish. This flexibility is why hexagon tiles can be found in both old apartments and new builds. At a tile shop, you'll often see hexagon tiles displayed in various ways to highlight their adaptability.
Small hexagon mosaic tiles are perhaps the most familiar version. They are commonly used on bathroom floors, shower bases, and feature walls. The small scale creates a textured surface, and the numerous grout lines add grip, making them practical for wet areas.
Visually, small hexagons break up surfaces in a subtle way, adding interest without overwhelming the space. This is particularly useful in small areas where bold designs can feel too intense. In bathrooms, hexagon mosaic tiles work well on the floor, paired with simple wall tiles, allowing the floor to become the focal point while keeping the walls calm.
Large-format hexagon tiles offer a completely different aesthetic. With fewer grout lines, the pattern feels calmer and more architectural. These tiles are often used in living areas, kitchens, or as statement walls.
Larger hexagons work best with restrained color palettes, such as soft greys, warm whites, and muted earth tones. The shape itself provides enough interest, so the color does not need to be overly bold. This version is perfect for modern homes where a clean look is desired but a standard rectangular tile would be too plain.
One of the smartest uses of hexagon tiles is for zoning. The shape naturally marks a change in space, making it ideal for defining entryways, kitchen work zones, or the area around a vanity. The tiles do not need borders or trims to signal a shift; the pattern itself is enough.
In open-plan homes, hexagon tiles can replace physical dividers while maintaining an open layout. This practical design tool is not just decorative but also functional.
The color of hexagon tiles plays a crucial role in determining whether they will age well. High-contrast patterns can make a statement but are more likely to date quickly. Neutral tones, on the other hand, tend to last longer.
This does not mean the tiles have to be boring. Slight variations in shade, stone-like textures, or soft glazes can add depth without locking the tiles into a specific moment in time. When choosing tiles, consider how they look from a distance. If the shape is the first thing you notice and the color sits quietly behind it, you are likely on the right track.
Grout is often overlooked, but with hexagon tiles, it plays a significant role. The number of joints means that grout color can either soften or sharpen the pattern. Matching grout blends the tiles into a continuous surface, while contrasting grout highlights each hexagon, making the pattern more graphic.
For long-term appeal, many homeowners prefer matching or near-matching grout, which keeps the look calmer and more livable.
Installing hexagon tiles requires precision. The pattern must stay aligned, as mistakes can be quickly noticeable. This is especially true with mosaic sheets, where small shifts can create uneven lines.
Before installation, it is helpful to dry-lay a few sheets to plan how the pattern will meet walls and corners. Clean edges and well-planned cuts are essential. A skilled tiler can make all the difference, as the shape itself is not difficult to work with, but precision is key.
From a practical standpoint, hexagon tiles perform well. Porcelain and ceramic versions are durable and easy to clean. While mosaic tiles require more grout cleaning, modern grouts have made this task less burdensome.
On floors, hexagon mosaics offer better slip resistance than large smooth tiles, which is why they are often used in bathrooms and entryways. Maintenance is more about material choice than shape. Once the right material is selected, the hexagon pattern does not add extra work.
Hexagon tiles do not have to stand alone. They pair well with large-format tiles, subway tiles, or simple slabs. The key is to create contrast in scale rather than competition.
For example, hexagon mosaic tiles on the floor can be paired with large plain tiles on the walls. Alternatively, a hexagon backsplash can be combined with a simple countertop and cabinetry. Let the shape do one job and do not ask it to do everything.
Trends come and go, but shapes that solve design problems tend to stay. Hexagon tiles add movement without chaos, detail without clutter, and structure without stiffness. They work in old homes and new ones, in small spaces and large rooms, as quiet backdrops or bold features.
When people browse a tile shop in Singapore without a clear plan, hexagon tiles often catch their eye. Not because they are loud, but because they feel familiar in a good way.
Hexagon tiles do not rely on trends to stay relevant. Their appeal comes from balance, flexibility, and quiet character. Used thoughtfully, they can look just as good ten years from now as they do today. Whether you choose small mosaic tiles for texture or large hexagons for impact, the shape gives you the freedom to adapt the look to your home. And that is what timeless design truly is — not frozen in time, but easy to live with as life changes around it.
Premium European (Italian) tiles supplier in Singapore. Explore our porcelain, marble, mosaic, and large format tiles at our ceramic tile shop in Geylang.GFA Global
The pursuit of a durable, long-lasting roadbed is an exercise in applied geotechnical engineering, where the selection and processing of aggregate form the non-negotiable foundation. While various crushed stones are employed, granite consistently emerges as the premier material for high-stress pavement layers. Its dominance is not accidental but rooted in intrinsic physical properties that are only fully realized through precise, technologically advanced crushing. The journey from raw igneous rock to superior roadbed aggregate is a deliberate transformation. Modern granite crusher machine is not mere size-reduction devices; they are instrumental in unlocking and optimizing the material's inherent potential for strength, interlock, and longevity. The quality of the final product is a direct function of the processing methodology applied.
## The Material Imperative: Granite's Innate Structural Superiority
Granite’s suitability originates in its petrological character. As a plutonic igneous rock, its slow cooling history fosters the growth of a tightly interlocking crystalline matrix primarily composed of hard minerals: quartz, feldspar, and mica. This composition grants it exceptional mechanical properties. Its high compressive strength and impressive hardness, measured on the Mohs scale, provide fundamental resistance to the crushing loads imposed by heavy traffic. More critically, granite exhibits a low absorption rate. This characteristic minimizes water intrusion, a primary agent of pavement failure through freeze-thaw cycles and moisture-induced weakening of underlying layers. The material’s natural durability translates directly into reduced rutting, shoving, and raveling over the design life of the roadway.
Beyond basic strength, the mineralogical stability of granite is paramount. A high-quality granite source possesses chemical inertness. It does not react deleteriously with water, asphalt binders, or cement in stabilized applications. This ensures the structural integrity of the aggregate skeleton remains intact, preventing the internal degradation that plagues aggregates containing softer or reactive minerals like clay or certain forms of silica. The roadbed is a permanent structural element; its core material must be equally permanent. Granite provides this geological assurance, offering a predictable performance envelope that engineers can rely upon for decades.
## The Precision Processing Paradigm: Crushing Technology as a Determinant of Quality
The inherent quality of the parent rock is a prerequisite, but it is the crushing process that determines the functional geometry of the aggregate. Not all crushed stone is equal. The type of [rock crushing machine](aimixgroup.com/stone-crusher-p…) employed directly governs two critical outcomes: particle shape and gradation control. Jaw crushers perform the primary break, creating the initial fracture. For superior roadbed material, however, the secondary and tertiary stages are decisive. Cone crushers, operating in a compressed bed, are engineered to produce a high percentage of cubical particles. This cubicity is non-negotiable for durability. Angular, cubical particles create a dense, interlocking matrix under compaction. This mechanical interlock distributes load efficiently and resists movement, preventing the aggregate migration and deformation that lead to pavement failure.
Conversely, impact crushers, which use high-speed impellers, tend to produce a more fractured, elongated product. While suitable for some applications, this shape can compromise the optimal packing density required for a stable roadbed. Furthermore, modern crushing circuits incorporate sophisticated screening technology to exert precise control over particle size distribution. A well-graded aggregate blend, from coarse stones down to mineral fines, packs into a nearly voidless structure. The crusher settings and screen configurations must be meticulously calibrated to achieve this optimal gradation curve, often specified by agencies like AASHTO. Excessive fines, or a lack of them, can weaken the matrix or inhibit proper drainage. The machine’s role is to deliver consistency in both shape and size, batch after batch.
## From Quarry to Roadbed: A Systems Approach to Durability
Maximizing durability requires viewing the [stone crushing plant](aimixgroup.com/stone-crusher-p…) as an integrated processing system, not a collection of isolated machines. For granite, this often includes integrated washing and beneficiation stages. Even the hardest granite deposit may contain superficial weathering rinds or minor clay seams. A simple washing screen can remove these deleterious materials, ensuring the final aggregate is clean and free of coatings that would hinder bond with asphalt or cement. This step elevates the material from merely good to specification-grade.
The final component is a regime of rigorous quality assurance. Advanced operations employ automated sampling and particle shape analysis systems. These technologies provide continuous feedback, allowing for real-time adjustments to crusher settings or screen angles to correct deviations from the target specification. This closed-loop control is what separates modern aggregate production from historical methods. It guarantees that the superior properties of the granite are consistently translated into the stockpile. When this systematically processed granite aggregate is placed and compacted, it forms a roadbed of exceptional density and stability. It becomes an immovable platform, resistant to deformation and environmental assault. The crushing machine is the essential intermediary, the technological lens that focuses the raw power of the rock into the refined, engineered material that carries our infrastructure forward. The durability of the road is, in a very literal sense, forged at the crushing plant.
Granite crusher for sale can meet the different needs of primary, medium, and fine crushing. With great potential and fast return!Aimix Group Construction Equipment Co., Ltd.
Terex cranes are designed to handle heavy lifting with precision, but hydraulic issues can significantly impact their performance. When problems arise, they can manifest in various ways, from slow movements to unusual noises or drifting loads. The key to resolving these issues lies in a systematic approach that pinpoints the exact source of the problem without wasting time or replacing parts unnecessarily.
The simplest checks are often the most effective. Begin by verifying the hydraulic oil level. Low oil levels can cause a host of problems, from cavitation noise to sluggish movements and overheating. Ensure the crane is on level ground and follow the manufacturer’s procedure when checking the oil level.
The condition of the hydraulic oil is equally important. Clean oil should be clear and free of foam. Milky oil indicates water contamination, often from condensation or a failed cooler. Dark or burnt-smelling oil suggests excessive heat or internal leakage, both of which can degrade system performance before components fail.
Filters are another critical component that is often overlooked. A partially clogged filter may not trigger an alarm but can restrict flow enough to cause slow or erratic operation. If the service history is uncertain, replacing the filters early can eliminate a lot of diagnostic guesswork.
Terex cranes feature various hydraulic designs, including load-sensing and closed-center systems. Each design affects how pressure and flow behave. Without a thorough understanding of the system layout, pressure readings can be misleading.
Take the time to study the hydraulic schematic. Identify key components such as the main pumps, control valves, relief valves, cylinders, motors, and return paths. Understanding how oil flows through the system allows you to quickly narrow down potential problems instead of chasing symptoms all over the crane.
Experienced technicians know that hydraulics have their own language. Paying attention to sounds can provide valuable clues. A high-pitched whine often indicates pump cavitation, which can result from low oil levels, restricted suction lines, or oil that’s too cold and thick. Knocking or rattling noises under load usually point to air in the system or internal pump wear. Hissing near valve banks suggests oil is bypassing through a relief valve or leaking internally across a valve spool.
Catching these sounds early can prevent more serious damage to Terex parts downstream. These noises often manifest before performance issues become noticeable.
The movement patterns of the crane can reveal more than any gauge. If all functions are slow, suspect a system-wide issue such as low pump output, incorrect standby pressure, or severe internal leakage. When only one function is affected, the problem is likely localized to that specific circuit, such as a valve section, hose, or cylinder.
Jerky or uneven movement often results from air in the oil or sticking valve spools. Load drift is another crucial clue. If a boom or jib slowly creeps down without command, it indicates oil is leaking where it shouldn’t—usually past cylinder seals or a load-holding valve.
Pressure testing transforms suspicion into concrete facts. Use the manufacturer’s test ports and the correct gauges. Randomly tapping into lines can create safety hazards and produce misleading readings. Start by checking standby pressure, then measure pressure under load for the affected function.
If pressure is low across the board, the issue might lie with the pump compensator or main relief valve. If pressure meets specifications but the crane still moves slowly, flow is likely being lost through pump wear or internal leakage. While pressure alone doesn’t tell the whole story, it helps narrow down the possibilities quickly.
Heat is a powerful diagnostic tool in hydraulic systems. After operating the crane, carefully check the temperatures of hoses, valve sections, and components, or use an infrared thermometer. An unusually hot line or valve often indicates internal leakage. Oil constantly dumping across a relief valve also generates heat rapidly.
A crane that consistently runs hot may still function, but the elevated temperatures shorten seal life, degrade oil, and accelerate wear on critical Terex parts. Identifying the heat source early can save you from costly repairs down the line.
External leaks are easy to spot, but internal hose failures can be deceptive. A hose might appear perfect on the outside while collapsing internally, restricting flow. This issue often shows up as a function that works well when cold but slows dramatically as oil temperature rises. Suction hoses require special attention, as small air leaks on the inlet side can cause foaming, noise, and erratic performance.
Loose fittings, damaged O-rings, or flattened hoses can all introduce air into the system without leaving visible oil leaks on the ground.
When a single function is malfunctioning, isolation testing can save time and effort. For drift issues, blocking off cylinder ports can help determine whether the leak is in the cylinder or upstream in the valve or load-holding circuit. If the drift stops when capped, the problem isn’t with the cylinder. If it continues, internal seal bypass is likely the culprit.
For slow or weak functions, swapping hoses or valve sections—when safe and permitted—can reveal whether the issue follows the component or remains with the circuit. This approach prevents unnecessary part replacement and keeps troubleshooting focused.
Many modern Terex cranes rely on electro-hydraulic controls. Sometimes, what appears to be a hydraulic issue originates from an electrical problem. Weak solenoid signals, damaged wiring, or faulty sensors can prevent valves from fully shifting, resulting in what looks like a hydraulic restriction. Checking voltage, resistance, and fault codes should be part of any comprehensive diagnosis.
Once the problem is confirmed, the quality of replacement parts is crucial. Poor-quality replacements can introduce new issues through incorrect tolerances or inferior seals. Using correct-spec Terex parts ensures the system performs as designed.
Working with a knowledgeable crane parts supplier makes a significant difference. A supplier who understands crane hydraulics can help you avoid mismatched components that lead to repeat failures. Additionally, documenting your findings is essential. Notes on symptoms, pressure readings, and repairs build a history that makes future diagnoses faster and more accurate.
Diagnosing hydraulic problems in Terex cranes is not about rushing or guessing. It’s about careful observation, thorough testing, and systematically narrowing down possibilities. By focusing on oil condition, sounds, movements, pressure, and heat—and backing these observations with solid testing—hydraulic issues become predictable and solvable problems. This methodical approach ensures that Terex cranes continue to perform at their best in the real world.
We are a leading supplier of quality crane parts for Kato, Tadano, Terex, P&H and other major brands. Global delivery of genuine construction equipment spares.HL Equipment Pte Ltd
A friend is due for a gaming PC build. But he’s super pissed it needs to run windows 11. I told him just run something else. He said his job needs something that runs windows-only and on the odd occasions where he needs a desktop to do something he’s not buying a second computer just to run windows.
Dual booting exists but Microsoft likes to clobber boot loaders. So I reminded him he could just run windows 11 in a VM when he needs to, everything else in bare metal Linux.
He’s now sold on moving to Linux.
The question is where should he start? It used to be as simple as “if you aren’t sure, use Ubuntu.” But his use case kinda seems like what everyone has been crowing about using bazzite for.
I have zero experience with bazzite but the page does describe something built for his use case. There are 3 concerns I have though.
What’s a good gamer Linux distro? He’s not super into tinkering. He just wants it to do the thing without Microsoft’s invasive bullshit.
Ive always wanted to make a video game but i feel too dumb to make one. Is gamedev worth looking into still even if im not the sharpest tool in the shed?
Or are there better hobbies out there for newcomers to the hobby space? I know most of you will say do what you enjoy, the thing is im not sure what i enjoy.
Idk if this goes here but i like the linux community as they are usually kind on lemmy.
Or are there better hobbies out there for newcomers to the hobby space? I know most of you will say do what you enjoy, the thing is im not sure what i enjoy.
well, only one way to find out! grab yourself a copy of godot engine and give making a little game a shot
there are a lot of tutorials on youtube and elsewhere that will help you get your feet wet
Godot provides a huge set of common tools, so you can just focus on making your game without reinventing the wheel.Godot Engine
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00:00 Intro
00:28 Sponsor: Get a free issue of Admin Magazine
01:29 StarLabs launches a Microsoft Surface equivalent
03:16 COSMIC theming options
04:49 SUSE is going private
06:05 GNOME 45 beta is out, with some nice features
08:19 More Plasma 6 changes
10:16 Gaming News: AMD ray tracing and mitigation performance
12:39 Sponsor: Get a PC made to run Linux
13:33 Support the channel
StarLabs launches their Microsoft Surface equivalent
linuxiac.com/starlite-5-linux-…
COSMIC showcases theming options
blog.system76.com/post/customi…
SUSE is going private
theregister.com/2023/08/18/sus…
GNOME 45 is getting a cool feature, plus the beta is out
omglinux.com/gnome-adds-keyboa…
theregister.com/2023/08/10/gno…
9to5linux.com/gnome-45-beta-re…
mastodon.social/@tbernard/1109…
More Plasma 6 changes
pointieststick.com/2023/08/12/…
pointieststick.com/2023/08/18/…
Gaming News: AMD ray tracing and mitigation performance
phoronix.com/news/RADV-Batch-A…
gamingonlinux.com/2023/08/linu…
phoronix.com/review/amd-incept…
One security issue I somehow missed back in July was Zenbleed, an issue with AMD CPUs that's getting patched up in the Linux kernel and now the Steam Deck is getting a kernel fix for it too.Liam Dawe (GamingOnLinux)
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If you already know all this or are tired of seeing this wall of text, you can hide these explanation posts by going to your account preferences and creating a new filter with the title and keyword “#LetyDoesPeerTubeExplainer” and all context boxes checked.
Thanks so much for watching! ⚡⚡⚡
cross-posted from: lemmy.world/post/40405153
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Timestamps
00:00 Intro
00:30 Sponsor: TuxCare
01:53 Firefox will become an AI browser & makes all the mistakes
07:01 Servo making progress
08:19 Plasma 6.6 will fix some big Wayland issues
09:48 Wayland protocols updated for better HDR
10:51 GNOME bans AI from extensions
13:00 Rust no longer experimental in Linux kernel
14:21 Mint 22.3 beta released
15:59 Website lets you scan Snaps for vulnerabilities
18:19 Danish admin plans move to Linux
20:17 NVK gets a huge performance boost
Links:
Firefox will become an AI browser
blog.mozilla.org/en/mozilla/le…
9to5linux.com/firefox-will-shi…
theverge.com/tech/845216/mozil…
Servo making progress
servo.org/blog/2025/12/15/nove…
Plasma 6.6 will fix some big Wayland issues
blogs.kde.org/2025/12/13/this-…
Wayland protocols updated for better HDR
phoronix.com/news/Wayland-Prot…
GNOME bans AI from extensions
blogs.gnome.org/jrahmatzadeh/2…
gjs.guide/extensions/review-gu…
Rust no longer experimental in Linux kernel
thenewstack.io/rust-goes-mains…
Mint 22.3 beta released
linuxiac.com/linux-mint-22-3-z…
Website lets you scan Snaps for vulnerabilities
snapscope.popey.com/
Danish admin plans move to Linux
thedanishdream.com/news/denmar…
semaphor.dk/opensource/linuxpc
NVK gets a huge performance boost
gitlab.freedesktop.org/mesa/me…
#linuxdesktop #linuxdistro #technews
Denmark has broken with Microsoft, embracing open source and local cloud solutions to boost data security and slash costs.Frederikke Høye (The Danish Dream - Danish News in English)
For the love of all that is good, *someone* PLEASE create a browser UI around Servo that is:
* #copyleft #FOSS
* Community governed
* Has daily testing packages
* Community funded non profit
* Avoids off device #AI
* Communicates clearly
I worked professionally with high profile #crowdfunding campaigns for years. I am 100% certain a campaign would go viral, with stretch goals blown away.
#Servo isn't feature complete, but many (me!) would 100% daily drive something alpha, buggy and missing features to build a better future. Hint: this is exactly what successfully launched FIrefox against #IE.
We need hope we can escape the sinking, Titanic shitopoly of #Chrome and #Firefox. We will rally around any principled alternative.
#Privacy #GAFAM #Web #OpenSource #Google
Oh and before anyone brings up funding success, or lack thereof of Servo / Verso:
Servo is not a public facing project, like an app, and as such is more difficult to get people to invest in, especially without a large number of users. A decent browser project would address this.
Verso never directly sought funding from the public. While having a number of good points ideologically (non profit, FOSS), their communications were highly inexperienced. No website. No social media presence. A tagline about blues music rather than why they were building it. For these reasons and more, it's been unmaintained for months. They site lack of support and finances, I suspect from being largely unknown and difficult to try. I wish them well and would love to see them rise from the ashes again.
Flatpak 1.16.2, a universal app delivery framework for Linux, introduces reinstall support for bundle installs, Intel Xe VA-API enablement, and multiple stability and security fixes.Bobby Borisov (Linuxiac)
I‘m a big fan of FOSS but it really depends on what you’re looking for. For work I’m completely fine with a Mac because I have a proper terminal and don’t have to deal with windows. It’s a walled garden so I don’t spend any time thinking about what I would do, I just focus on shipping code.
I think the price of Mac Minis and some of the MacBooks is actually competitive for what you get. This is not because I think Apple is good value for money, but because I think other hardware has become so much more expensive.
If you want to run something that you can customize and that’s forever free and yours, Apple is obviously the wrong choice tho
One of the project areas of the Social Web Foundation for the last year has been end-to-end encrypted messaging. ActivityPub, the standard protocol that powers the Social Web, has privacy controls, but they do not protect the content of messages from server operators. Encrypted messaging has become a standard feature on most social networks since ActivityPub was created, and its lack has inhibited Social Web adoption and public trust in the network.
ActivityPub is extensible, though. As part of our E2EE program, Mallory, Tom and I adapted the Messaging Layer Security (MLS) standard as an extension of ActivityPub to make the MLS over ActivityPub specification. The protocol fits the great MLS E2EE system onto the ActivityPub API and federation protocol.
But a protocol specification is not enough; it must be implemented. That’s why we’re so happy to announce that the Sovereign Tech Fund has commissioned work with the Social Web Foundation to coordinate two new interoperable implementations of MLS over ActivityPub. This investment by the Sovereign Tech Fund will help move the Fediverse towards more privacy for social web users, no matter what server they use.
We decided to partner with two different projects in order to make sure that we’re making an open standard that can work between implementations. With two implementers, we’ll need to communicate clearly about architectural and implementation decisions, and make sure that those decisions end up in the final version of the spec — not in a TODO comment in the source code of a single project.
The first project is Emissary, the great social web application platform behind projects like Atlas and Bandwagon. Ben Pate, Emissary founder, says, “The Emissary Project is deeply committed to the Fediverse, where we are building a free and trustworthy Internet for all 8 billion humans. Delivering on that promise, Emissary is excited to team up with the Social Web Foundation to bring End-to-End-Encryption (E2EE) to the Fediverse. We are eternally grateful for the SWF’s leadership and support, without which this project could not have happened. Our work is already underway, and in 2026 anyone will be able to build E2EE applications on the Emissary platform.”
The second project is Bonfire. Bonfire is a modular framework for building federated apps, with its first app (Bonfire Social) offering a social networking experience enhanced with tools for privacy, trust, and collaboration (such as circles and boundaries).
The maintainers of Bonfire, Ivan Minutillo and Mayel de Borniol, said: “We think that end-to-end encryption should simply be the default for any private communication online. Working with the Social Web Foundation to bring E2EE to ActivityPub marks a crucial step in fostering privacy and trust, and especially in enabling the fediverse to become a safe space for activists and communities to organise, coordinate, and collaborate meaningfully. By making secure, user-friendly messaging a core part of the fediverse, we’re helping lay the groundwork for decentralised networks where people can go beyond talking in the mythical ‘global town square’ and actually organise and accomplish things together.”
This work will happen best if the Fediverse community tracks it closely. We’ll be making updates here on the SWF blog as progress continues. Developers and active users may also be interested in the ActivityPub E2EE Messaging Task Force at the W3C, where the specification is being developed into a report for the Social Web Community group. Finally, we’ll be using the #JustBetweenUs hashtag to share progress and ideas, so you can follow it to see what’s been happening.
Encrypted direct messages supply the confidence that people need to connect with family, friends and colleagues privately over a social network. As part of the Summer of Protocols 2024, we explore …Evan Prodromou (Social Web Foundation)
The Trump administration seems to be careening toward war in the Caribbean under the banner of stopping drug trafficking. It’s an open secret that its real objective is oil and regime change in both Venezuela and Cuba. It’s also been widely reported that Venezuela is not the real source of drug problems in the United States.
But what few journalists are covering – and what nobody in the Trump administration dares acknowledge – is that for years Cuba has arguably been the U.S. government’s most reliable regional ally in counternarcotics efforts. We expose the uncomfortable (for Marco Rubio) truth about Cuba’s long track record of protecting U.S. borders from drug trafficking even as Washington tries to undermine its government.
In this new report, in which Belly of the Beast journalist Liz Oliva Fernández breaks down the hypocrisy of the Trump administration’s war on drugs and how Cuba is not exporting drugs to the United States – it is actually stopping them from getting there.
Music Credit:
“Driving Ambition” by Ahjay Stelino – Royalty Free
“C.B.P.D” by Arulo – Royalty Free
“Fragments Of Bangkok” by Eugenio Mininni – Royalty Free
#cuba #venezuela #usforeignpolicy #caribbean #sanctions #warondrugs
Follow Shakira:
► Follow Shakira Isabel Mebarak Ripoll: @avrillavigne@tube.matrix.rocks tube.matrix.rocks/a/shakiramus…
► Watch more music videos by Shakira: tube.matrix.rocks/c/shakira_mu…
► Listen to Shakira: tube.matrix.rocks/a/shakiramus…
► Listen to Shakira's "Las Mujeres Ya No Lloran": tube.matrix.rocks/w/p/8nudg2NZ…
► Subscribe to the official Shakira channel: tube.matrix.rocks/c/shakira_mu…
"Puntería" is a vibrant collaboration between Shakira and Cardi B, showcasing their unique styles and powerful vocals. The official video captures the essence of empowerment and celebration, making it a must-watch for fans of both artists. Experience the fusion of their talents in this catchy track from the album "Las Mujeres Ya No Lloran."
🎵 L Y R I C S 🎵:
Tú tienes buena puntería,
Sabes por dónde darme, pa que quede rendida, rendida
Tienes estilo
Para llamar mi atención
Me tiras dardos
Van directo al corazón (ohh
Y por más veces que trate
Es imposible esquivarte
Tú tienes buena puntería,
Sabes por dónde darme, pa’ que quede rendida
Me ataca onde más duele, tú a mí no me convienes
Pero en tu cama o la mia, todo a mí se me olvida
Oohh oohh
Cardi!
You, you got me stressing
Thinking about sexing
Baby keep me company
Dame de tu fire aprietame
Las nalgas aunque tu no
Seas pa mí..
I got that night night put a man right to sleep
I’m a pretty little thing, from face to feet
I’m from the Bronx but I got a Georgia peach
I got an empanada mama that he love to eat
Loba like Shaki
Loca loca tu eres mi tigre
Muérdeme duro de este culo nunca te olvides
Tú tienes buena puntería,
Sabes por dónde darme, pa que quede rendida
Me ataca onde más duele, tu a mí no me
Pero en tu cama o la mía, todo a mí se me olvida
Donde pone el ojo pone la bala
Tiro al blanco y caigo como si nada
Pero si me robas dos besos
Al tercero ya ni lo pienso
Paso to’a la noche indecisa
Y despierto con tu camisa
Ya no sé si quiero parar
y me derriten tus manos
me drogan tus labios
tus bíceps me ponen a cien
A ti nunca te dirijo
siempre llegas fijo
hasta mi punto G
Tú tienes buena puntería..
Sabes como durarme
Estos bobos se quedan
Sin batería..
Me tiras dardos y no
Me conviene pero me
Encanta si adentro lo tiene..
Me pongo perra pa’ ti
i know que de tu mente
Nunca va a salir Cardi B..
Porque tú tienes buena puntería,
Sabes por dónde darme, pa’ que quede rendida
Me ataca onde más duele, tú a mí no me
Pero en tu cama o la mía, todo a mí se me olvida
ohhhh
Album Artist: Shakira, Cardi B
Album(s): Las Mujeres Ya No Lloran
Written by: Shakira Isabel Mebarak Ripoll, Cardi B
Music genre(s): Dance-Pop, Electronic, Dance Music, Electropop, Latin Latin Pop, Pop
Released: 2024
Decade for first release: #2020sMusic
#Shakira #CardiB #LasMujeresYaNoLloran #Punteria #Puntería #DancePop #Electronic #DanceMusic #Electropop #Latin #LatinPop #Pop #2020sMusic #femaleMusicians #femaleSinger #empowerment
So i have a 3D printer, and i have linux on a laptop but im struggling to find good 3D print-related software to use on linux or maybe i havent looked hard enough? Im pretty much a beginner to both linux And 3d printing, also using Ubuntu Mate if that matters on a old thinkpad.
So i need a 3d print slicer/way to print to my printer, i also need a simple 3d modeling software (ive tried blender but found it too hard and heavy for me and my laptop). It would help if all suggested software were open source or something like that.
like this
I only do technical CAD design, so FreeCAD works fine. It's no AutoDesk, but it has gotten good for my project scale.
Slicing is done with Cura.
Printing I'm mostly living off copying to SD card like a barbarian, but I've used Octoprint on a Raspberry Pi board in the past. I even had the time lapse camera videos working. It was a nice setup.
Some of my kids do more advanced sculpture work with Blender and other tools.
Shakira's "Can't Remember to Forget You," featuring the stunning Rihanna, is a sultry blend of pop and reggae influences that captivates listeners with its infectious rhythm and powerful vocals. Released in 2014, this track showcases Shakira's unique sound and charisma, making it a standout hit.
La canción "Can't Remember to Forget You," con la impresionante Rihanna, es una mezcla sensual de pop y reggae que cautiva a los oyentes con su ritmo contagioso y potentes voces. Lanzada en 2014, esta pista muestra el sonido único y el carisma de Shakira, convirtiéndola en un gran éxito.
At the time of the song's release, Shakira was 37 years old.
Follow Shakira:
► Follow Shakira Isabel Mebarak Ripoll: @shakiramusic@tube.matrix.rocks tube.matrix.rocks/a/shakiramus…
► Watch more music videos by Shakira: tube.matrix.rocks/c/shakira_mu…
► Listen to Shakira: tube.matrix.rocks/a/shakiramus…
► Listen to Shakira's "Shakira (Deluxe Version)": tube.matrix.rocks/w/p/fQeF1yEZ…
► Subscribe to the official Shakira channel: tube.matrix.rocks/c/shakira_mu…
►Shakira Nunca Me Acuerdo de Olvidarte (The Spanish version): tube.matrix.rocks/w/gM9vrfCCEE…
🎵 L Y R I C S / L E T R A S🎵:
And I left a note on my bedpost
Said not to repeat yesterday's mistakes
What I tend to do when it comes to you
I see only the good selective memory
The way you make me feel, yeah
You gotta hold on me, I never met someone so different
Oh, here we go
You're a part of me now, you're a part of me
So where you go I follow, follow, follow
Oh-oh, whoa, oh-oh, whoa
I can't remember to forget you
Oh-oh, whoa, oh-oh, whoa
I keep forgetting I should let you go
But when you look at me
The only memory is us kissing in the moonlight
Oh-oh, whoa, oh-oh, whoa
I can't remember to forget you
I can't remember to forget you
I go back again, fall off the train
Land in his bed, repeat yesterday's mistakes
What I'm trying to say is not to forget
You see only the good selective memory
The way he makes me feel like
The way he makes me feel, I never seemed to act so stupid
Oh, here we go
He a part of me now, he a part of me
So where he goes I follow, follow, follow
Oh-oh, whoa, oh-oh, whoa
I can't remember to forget you
Oh-oh, whoa, oh-oh, whoa
I keep forgetting I should let you go
But when you look at me
The only memory
Is us kissing in the moonlight (oh)
Oh-oh, whoa (oh), oh-oh, whoa (oh)
I can't remember to forget you
I rob and I kill to keep him with me
I do anything for that boy
I'd give my last dime to hold him tonight
I do anything for that boy
I rob and I kill to keep him with me
I do anything for that boy
I'd give my last dime to hold him tonight
I do anything for that boy
Oh-oh, whoa, oh-oh, whoa
I can't remember to forget you
Oh-oh, whoa, oh-oh, whoa
I keep forgetting I should let you go
But when you look at me
The only memory
Is us kissing in the moonlight (oh)
Oh-oh, whoa (oh), oh-oh, whoa (oh)
I can't remember to forget you
But when you look at me
The only memory
Is us kissing in the moonlight (oh)
Oh-oh, whoa (oh), oh-oh, whoa (oh)
I can't remember to forget you
Watch the official music video for "Can't Remeber to Forget You" by Shakira feat. Rihanna
Album Artist: Shakira Isabel Mebarak Ripoll, Rihanna
Album(s): Shakira. (Expanded Edition) [Spanish Version]
Written by: John Graham Hill, Thomas Edward Percy Hull, Daniel Ledinsky, Robyn R. Fenty, Shakira Isabel Mebarek Ripoll, Erik Kaj Persson Hassle
Music genre(s): Pop, Reggae
Released: 2014
Decade for first release: #2010sMusic
#Shakira #CantRememberToForgetYou #nuncaMeAcuerdoDeOlvidarte #OfficialMusicVideo #pop #latin #reggae #loveSongs #2010sMusic #femaleMusic #femaleMusicians #femaleMusician #femaleSinger #femaleVocalist #LatinPop #VideoOficial
Shakira - Nunca Me Acuerdo de Olvidarte (Can't Remember to Forget You)
Experience the vibrant energy of Shakira's "Nunca Me Acuerdo de Olvidarte," a captivating blend of pop and Latin rhythms that showcases her sultry vocals and dynamic style. Released in 2014, this track highlights Shakira's artistic evolution and her ability to create infectious melodies. At the time of the song's release, Shakira was 37 years old, continuing to enchant audiences worldwide.Experimenta la energía vibrante de "Nunca Me Acuerdo de Olvidarte" de Shakira, una cautivadora mezcla de pop y ritmos latinos que muestra su sensual voz y estilo dinámico. Lanzada en 2014, esta canción resalta la evolución artística de Shakira y su capacidad para crear melodías contagiosas. En el momento del lanzamiento de la canción, Shakira tenía 37 años, continuando para encantar a audiencias en todo el mundo.
Follow Shakira:
► Follow Shakira Isabel Mebarak Ripoll: @[url=https://tube.matrix.rocks/accounts/shakiramusic]Shakira[/url] tube.matrix.rocks/a/shakiramus…
► Watch more music videos by Shakira: tube.matrix.rocks/c/shakira_mu…
► Listen to Shakira: tube.matrix.rocks/a/shakiramus…
► Listen to Shakira's "Shakira (Deluxe Version)": tube.matrix.rocks/w/p/fQeF1yEZ…
► Subscribe to the official Shakira channel: tube.matrix.rocks/c/shakira_mu…
► Shakira Can't Remember to Forget You: tube.matrix.rocks/w/iK5d78jHP6…🎵 L E T R A S / L Y R I C S🎵:
Me temo que sí, se trata de ti
Voy a repetir el mismo error de ayer
Y como es natural, suele suceder
Que no hay ciego peor que el que no quiere verHeme aquí, vencida
Casi convencida que intentarlo es inútil
Y digo yo, ¿qué pasa conmigo?
Mi peor castigo es que a donde vayas
Sabes, sabes que voy yoOh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca me acuerdo de olvidarte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca aprendí cómo dejarte irMi mundo gira así, alrededor de ti
Solo me acuerdo de una parte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Que no me acuerdo de olvidarteUuh uh
Y no me acuerdo de olvidarte
Uuh uhSalto del tren, caigo en tu red
Y vuelvo a pisar la piedra que pisé
Y mi corazón se vuelve a partir
Que no hay sordo peor que el que no quiere oírEstoy aquí, vencida
Y casi convencida que no hay nadie más idiota
Aquí que yo
Muero por tu boca en la boca mía
Y lo intento todo, todo, todo, todo y noOh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca me acuerdo de olvidarte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca aprendí cómo dejarte irMi mundo gira así, alrededor de ti
Solo me acuerdo de una parte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Que no me acuerdo de olvidartePodría mentir, matar o morir
Incluso algo mucho peor
Forzar el destino, perder el camino
Con tal de no perder tu amorY todos me dicen que no desperdicie
Que el tiempo les da la razón
Ya llegará el día que habrá otro en mi vida
Que me quiera más y mejorOh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca me acuerdo de olvidarte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca aprendí cómo dejarte irMi mundo gira así, alrededor de ti
Solo me acuerdo de una parte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Que no me acuerdo de olvidarteMi mundo gira así, alrededor de ti
Solo me acuerdo de una parte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Que no me acuerdo de olvidarteMusic video by Shakira performing Nunca Me Acuerdo de Olvidarte.
Album Artist: Shakira Isabel Mebarak Ripoll
Album(s): Shakira. (Expanded Edition) [Spanish Version]
Written by: Shakira Isabel Mebarak Ripoll, John Hill, Jorge Drexler, Erik Hassle, Daniel Ledinsky, Tom Hull
Music genre(s): Pop, Latin
Released: 2014
Decade for first release: #2010sMusic#ShakiraIsabelMebarakRipoll #Shakira #nuncaMeAcuerdoDeOlvidarte #CantRememberToForgetYou #pop #latin #2010sMusic #femaleMusic #femaleMusicians #femaleMusician #femaleSinger #femaleVocalist #LatinPop #VideoOficial
Shakira - Can't Remember to Forget You ft. Rihanna
Shakira's "Can't Remember to Forget You," featuring the stunning Rihanna, is a sultry blend of pop and reggae influences that captivates listeners with its infectious rhythm and powerful vocals. Re...Shakira Music (Music Videos and Funny clips)
Experience the vibrant energy of Shakira's "Nunca Me Acuerdo de Olvidarte," a captivating blend of pop and Latin rhythms that showcases her sultry vocals and dynamic style. Released in 2014, this track highlights Shakira's artistic evolution and her ability to create infectious melodies. At the time of the song's release, Shakira was 37 years old, continuing to enchant audiences worldwide.
Experimenta la energía vibrante de "Nunca Me Acuerdo de Olvidarte" de Shakira, una cautivadora mezcla de pop y ritmos latinos que muestra su sensual voz y estilo dinámico. Lanzada en 2014, esta canción resalta la evolución artística de Shakira y su capacidad para crear melodías contagiosas. En el momento del lanzamiento de la canción, Shakira tenía 37 años, continuando para encantar a audiencias en todo el mundo.
Follow Shakira:
► Follow Shakira Isabel Mebarak Ripoll: @shakiramusic@tube.matrix.rocks tube.matrix.rocks/a/shakiramus…
► Watch more music videos by Shakira: tube.matrix.rocks/c/shakira_mu…
► Listen to Shakira: tube.matrix.rocks/a/shakiramus…
► Listen to Shakira's "Shakira (Deluxe Version)": tube.matrix.rocks/w/p/fQeF1yEZ…
► Subscribe to the official Shakira channel: tube.matrix.rocks/c/shakira_mu…
► Shakira Can't Remember to Forget You: tube.matrix.rocks/w/iK5d78jHP6…
🎵 L E T R A S / L Y R I C S🎵:
Me temo que sí, se trata de ti
Voy a repetir el mismo error de ayer
Y como es natural, suele suceder
Que no hay ciego peor que el que no quiere ver
Heme aquí, vencida
Casi convencida que intentarlo es inútil
Y digo yo, ¿qué pasa conmigo?
Mi peor castigo es que a donde vayas
Sabes, sabes que voy yo
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca me acuerdo de olvidarte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca aprendí cómo dejarte ir
Mi mundo gira así, alrededor de ti
Solo me acuerdo de una parte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Que no me acuerdo de olvidarte
Uuh uh
Y no me acuerdo de olvidarte
Uuh uh
Salto del tren, caigo en tu red
Y vuelvo a pisar la piedra que pisé
Y mi corazón se vuelve a partir
Que no hay sordo peor que el que no quiere oír
Estoy aquí, vencida
Y casi convencida que no hay nadie más idiota
Aquí que yo
Muero por tu boca en la boca mía
Y lo intento todo, todo, todo, todo y no
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca me acuerdo de olvidarte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca aprendí cómo dejarte ir
Mi mundo gira así, alrededor de ti
Solo me acuerdo de una parte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Que no me acuerdo de olvidarte
Podría mentir, matar o morir
Incluso algo mucho peor
Forzar el destino, perder el camino
Con tal de no perder tu amor
Y todos me dicen que no desperdicie
Que el tiempo les da la razón
Ya llegará el día que habrá otro en mi vida
Que me quiera más y mejor
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca me acuerdo de olvidarte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Nunca aprendí cómo dejarte ir
Mi mundo gira así, alrededor de ti
Solo me acuerdo de una parte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Que no me acuerdo de olvidarte
Mi mundo gira así, alrededor de ti
Solo me acuerdo de una parte
Oh-oh-ooh-oh-oh, oh-oh-ooh-oh-oh
Que no me acuerdo de olvidarte
Music video by Shakira performing Nunca Me Acuerdo de Olvidarte.
Album Artist: Shakira Isabel Mebarak Ripoll
Album(s): Shakira. (Expanded Edition) [Spanish Version]
Written by: Shakira Isabel Mebarak Ripoll, John Hill, Jorge Drexler, Erik Hassle, Daniel Ledinsky, Tom Hull
Music genre(s): Pop, Latin
Released: 2014
Decade for first release: #2010sMusic
#ShakiraIsabelMebarakRipoll #Shakira #nuncaMeAcuerdoDeOlvidarte #CantRememberToForgetYou #pop #latin #2010sMusic #femaleMusic #femaleMusicians #femaleMusician #femaleSinger #femaleVocalist #LatinPop #VideoOficial
Shakira's "Can't Remember to Forget You," featuring the stunning Rihanna, is a sultry blend of pop and reggae influences that captivates listeners with its infectious rhythm and powerful vocals. Re...Shakira Music (Music Videos and Funny clips)
Si Te Vas (En Vivo) · Shakira
Shakira MTV Unplugged
℗ 2000 Sony Music Entertainment (Colombia) S.A./MTV Networks Latin America Inc.
Released on: 2000-02-29
Background Vocal: Rita Quintero
Background Vocal: Donna Allen
Background Vocal, Guitar: George Noriega
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Guitar, Arranger, Composer, Unknown: Luis Fernando Ochoa
Dobro, Mandolin: Ben Peeler
Percussion: Ebenezer De Silva
Drums, Percussion: Brendan Buckley
Percussion: Myriam Eli
Organ, Piano: Albert Sterling Menendez
Harmonica, Arranger, Unknown, Producer: Shakira Mebarak R.
Associated Performer: Los Mora Arriaga
Violin: Pedro Alfonzo
Bass: Ricardo Suarez
Executive Producer: Emilio Estefan Jr.
Unknown: Sebastian Krys
Unknown: Marcelo Añez
Unknown: Scott Canto
Assistant Engineer: Hardi Camsani
Assistant Engineer: Tony Blanc
Assistant Engineer: Tony Bandelato
Assistant Engineer: Maurizio Tiella
Assistant Engineer: Steve Penny
Assistant Engineer: Joel Schenemun
Assistant Engineer: Craig Melvin
Assistant Engineer: Marty Garcia
Assistant Engineer: Al Centrella
Assistant Engineer: Steve Lamphere
Assistant Engineer: Gustavo Bonnet
Assistant Engineer: Alfred Figueroa
Assistant Engineer: Chris Wiggins
Assistant Engineer: Tony Mardini
Assistant Engineer: Ricky Blanco
Mixing Engineer: Eric Schilling
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
Dónde Están Los Ladrones (En Vivo) · Shakira
Shakira MTV Unplugged
℗ 2000 Sony Music Entertainment (Colombia) S.A./MTV Networks Latin America Inc.
Released on: 2000-02-29
Background Vocal: Rita Quintero
Background Vocal: Donna Allen
Harmonica, Arranger, Composer, Lyricist, Unknown, Producer: Shakira Mebarak
Background Vocal, Guitar: George Noriega
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Guitar, Arranger, Composer, Unknown: Luis Fernando Ochoa
Dobro, Mandolin: Ben Peeler
Percussion: Ebenezer De Silva
Drums, Percussion: Brendan Buckley
Percussion: Myriam Eli
Organ, Piano: Albert Sterling Menendez
Associated Performer: Los Mora Arriaga
Violin: Pedro Alfonzo
Bass: Ricardo Suarez
Executive Producer: Emilio Estefan Jr.
Unknown: Sebastian Krys
Unknown: Marcelo Añez
Unknown: Scott Canto
Assistant Engineer: Hardi Camsani
Assistant Engineer: Tony Blanc
Assistant Engineer: Tony Bandelato
Assistant Engineer: Maurizio Tiella
Assistant Engineer: Steve Penny
Assistant Engineer: Joel Schenemun
Assistant Engineer: Craig Melvin
Assistant Engineer: Marty Garcia
Assistant Engineer: Al Centrella
Assistant Engineer: Steve Lamphere
Assistant Engineer: Gustavo Bonnet
Assistant Engineer: Alfred Figueroa
Assistant Engineer: Chris Wiggins
Assistant Engineer: Tony Mardini
Assistant Engineer: Ricky Blanco
Mixing Engineer: Eric Schilling
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
Ciega, Sordomuda (En Vivo) · Shakira
Shakira MTV Unplugged
℗ 2000 Sony Music Entertainment (Colombia) S.A./MTV Networks Latin America Inc.
Released on: 2000-02-29
Background Vocal: Rita Quintero
Harmonica, Arranger, Unknown, Producer: Shakira Mebarak R.
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Background Vocal: Donna Allen
Composer: Estéfano Salgado
Executive Producer: Emilio Estefan Jr.
Background Vocal, Guitar: George Noriega
Guitar, Arranger, Unknown: Luis Fernando Ochoa
Unknown: Sebastian Krys
Dobro, Mandolin: Ben Peeler
Unknown: Marcelo Añez
Unknown: Scott Canto
Assistant Engineer: Hardi Camsani
Assistant Engineer: Tony Blanc
Percussion: Ebenezer De Silva
Assistant Engineer: Tony Bandelato
Drums, Percussion: Brendan Buckley
Assistant Engineer: Maurizio Tiella
Percussion: Myriam Eli
Assistant Engineer: Steve Penny
Assistant Engineer: Joel Schenemun
Organ, Piano: Albert Sterling Menendez
Assistant Engineer: Craig Melvin
Assistant Engineer: Marty Garcia
Assistant Engineer: Al Centrella
Associated Performer: Los Mora Arriaga
Assistant Engineer: Steve Lamphere
Violin: Pedro Alfonzo
Assistant Engineer: Gustavo Bonnet
Bass: Ricardo Suarez
Assistant Engineer: Alfred Figueroa
Assistant Engineer: Chris Wiggins
Assistant Engineer: Tony Mardini
Assistant Engineer: Ricky Blanco
Mixing Engineer: Eric Schilling
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
Ojos Así (En Vivo) · Shakira
Shakira MTV Unplugged
℗ 2000 Sony Music Entertainment (Colombia) S.A./MTV Networks Latin America Inc.
Released on: 2000-02-29
Background Vocal: Rita Quintero
Composer, Lyricist: Shakira Mebarak Ripoll
Harmonica, Arranger, Unknown, Producer: Shakira Mebarak R.
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Background Vocal: Donna Allen
Composer: Pablo Flores
Executive Producer: Emilio Estefan Jr.
Background Vocal, Guitar: George Noriega
Composer: Javier Garza
Guitar, Arranger, Unknown: Luis Fernando Ochoa
Unknown: Sebastian Krys
Dobro, Mandolin: Ben Peeler
Unknown: Marcelo Añez
Unknown: Scott Canto
Assistant Engineer: Hardi Camsani
Assistant Engineer: Tony Blanc
Percussion: Ebenezer De Silva
Assistant Engineer: Tony Bandelato
Drums, Percussion: Brendan Buckley
Assistant Engineer: Maurizio Tiella
Percussion: Myriam Eli
Assistant Engineer: Steve Penny
Assistant Engineer: Joel Schenemun
Organ, Piano: Albert Sterling Menendez
Assistant Engineer: Craig Melvin
Assistant Engineer: Marty Garcia
Assistant Engineer: Al Centrella
Associated Performer: Los Mora Arriaga
Assistant Engineer: Steve Lamphere
Violin: Pedro Alfonzo
Assistant Engineer: Gustavo Bonnet
Bass: Ricardo Suarez
Assistant Engineer: Alfred Figueroa
Assistant Engineer: Chris Wiggins
Assistant Engineer: Ricky Blanco
Mixing Engineer: Eric Schilling
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
Tú (En Vivo) · Shakira
Shakira MTV Unplugged
℗ 2000 Sony Music Entertainment (Colombia) S.A./MTV Networks Latin America Inc.
Released on: 2000-02-29
Background Vocal: Rita Quintero
Harmonica, Arranger, Unknown, Producer: Shakira Mebarak R.
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Background Vocal: Donna Allen
Composer: Dillon O'Brian
Executive Producer: Emilio Estefan Jr.
Background Vocal, Guitar: George Noriega
Guitar, Arranger, Unknown: Luis Fernando Ochoa
Unknown: Sebastian Krys
Dobro, Mandolin: Ben Peeler
Unknown: Marcelo Añez
Unknown: Scott Canto
Assistant Engineer: Hardi Camsani
Assistant Engineer: Tony Blanc
Percussion: Ebenezer De Silva
Assistant Engineer: Tony Bandelato
Drums, Percussion: Brendan Buckley
Assistant Engineer: Maurizio Tiella
Percussion: Myriam Eli
Assistant Engineer: Steve Penny
Assistant Engineer: Joel Schenemun
Organ, Piano: Albert Sterling Menendez
Assistant Engineer: Craig Melvin
Assistant Engineer: Marty Garcia
Assistant Engineer: Al Centrella
Associated Performer: Los Mora Arriaga
Assistant Engineer: Steve Lamphere
Violin: Pedro Alfonzo
Assistant Engineer: Gustavo Bonnet
Bass: Ricardo Suarez
Assistant Engineer: Alfred Figueroa
Assistant Engineer: Chris Wiggins
Assistant Engineer: Tony Mardini
Assistant Engineer: Ricky Blanco
Mixing Engineer: Eric Schilling
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
No Creo (En Vivo) · Shakira
Shakira MTV Unplugged
℗ 2000 Sony Music Entertainment (Colombia) S.A./MTV Networks Latin America Inc.
Released on: 2000-02-29
Background Vocal: Rita Quintero
Harmonica, Arranger, Composer, Lyricist, Unknown, Producer: Shakira Mebarak R.
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Background Vocal: Donna Allen
Guitar, Arranger, Composer, Unknown: Luis Fernando Ochoa
Executive Producer: Emilio Estefan Jr.
Background Vocal, Guitar: George Noriega
Unknown: Sebastian Krys
Dobro, Mandolin: Ben Peeler
Unknown: Marcelo Añez
Unknown: Scott Canto
Assistant Engineer: Hardi Camsani
Assistant Engineer: Tony Blanc
Percussion: Ebenezer De Silva
Assistant Engineer: Tony Bandelato
Drums, Percussion: Brendan Buckley
Assistant Engineer: Maurizio Tiella
Percussion: Myriam Eli
Assistant Engineer: Steve Penny
Assistant Engineer: Joel Schenemun
Organ, Piano: Albert Sterling Menendez
Assistant Engineer: Craig Melvin
Assistant Engineer: Marty Garcia
Assistant Engineer: Al Centrella
Associated Performer: Los Mora Arriaga
Assistant Engineer: Steve Lamphere
Violin: Pedro Alfonzo
Assistant Engineer: Gustavo Bonnet
Bass: Ricardo Suarez
Assistant Engineer: Alfred Figueroa
Assistant Engineer: Chris Wiggins
Assistant Engineer: Tony Mardini
Assistant Engineer: Ricky Blanco
Mixing Engineer: Eric Schilling
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
Sombra De Ti (En Vivo) · Shakira
Shakira MTV Unplugged
℗ 2000 Sony Music Entertainment (Colombia) S.A./MTV Networks Latin America Inc.
Released on: 2000-02-29
Background Vocal: Rita Quintero
Harmonica, Arranger, Composer, Lyricist, Unknown, Producer: Shakira Mebarak R.
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Background Vocal: Donna Allen
Guitar, Arranger, Composer, Unknown: Luis Fernando Ochoa
Executive Producer: Emilio Estefan Jr.
Background Vocal, Guitar: George Noriega
Unknown: Sebastian Krys
Dobro, Mandolin: Ben Peeler
Unknown: Marcelo Añez
Unknown: Scott Canto
Assistant Engineer: Hardi Camsani
Assistant Engineer: Tony Blanc
Percussion: Ebenezer De Silva
Assistant Engineer: Tony Bandelato
Drums, Percussion: Brendan Buckley
Assistant Engineer: Maurizio Tiella
Percussion: Myriam Eli
Assistant Engineer: Steve Penny
Assistant Engineer: Joel Schenemun
Organ, Piano: Albert Sterling Menendez
Assistant Engineer: Craig Melvin
Assistant Engineer: Marty Garcia
Assistant Engineer: Al Centrella
Associated Performer: Los Mora Arriaga
Assistant Engineer: Steve Lamphere
Violin: Pedro Alfonzo
Assistant Engineer: Gustavo Bonnet
Bass: Ricardo Suarez
Assistant Engineer: Alfred Figueroa
Assistant Engineer: Chris Wiggins
Assistant Engineer: Tony Mardini
Assistant Engineer: Ricky Blanco
Mixing Engineer: Mauricio Guerrero
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
Moscas En La Casa (En Vivo) · Shakira
Shakira MTV Unplugged
℗ 2000 Sony Music Entertainment (Colombia) S.A./MTV Networks Latin America Inc.
Released on: 2000-02-29
Background Vocal: Rita Quintero
Harmonica, Arranger, Composer, Lyricist, Unknown, Producer: Shakira Mebarak R.
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Background Vocal: Donna Allen
Executive Producer: Emilio Estefan Jr.
Background Vocal, Guitar: George Noriega
Guitar, Arranger, Unknown: Luis Fernando Ochoa
Unknown: Sebastian Krys
Dobro, Mandolin: Ben Peeler
Unknown: Marcelo Añez
Unknown: Scott Canto
Assistant Engineer: Hardi Camsani
Assistant Engineer: Tony Blanc
Percussion: Ebenezer De Silva
Assistant Engineer: Tony Bandelato
Drums, Percussion: Brendan Buckley
Assistant Engineer: Maurizio Tiella
Percussion: Myriam Eli
Assistant Engineer: Steve Penny
Assistant Engineer: Joel Schenemun
Organ, Piano: Albert Sterling Menendez
Assistant Engineer: Craig Melvin
Assistant Engineer: Marty Garcia
Assistant Engineer: Al Centrella
Associated Performer: Los Mora Arriaga
Assistant Engineer: Steve Lamphere
Violin: Pedro Alfonzo
Assistant Engineer: Gustavo Bonnet
Bass: Ricardo Suarez
Assistant Engineer: Alfred Figueroa
Assistant Engineer: Chris Wiggins
Assistant Engineer: Tony Mardini
Assistant Engineer: Ricky Blanco
Mixing Engineer: Eric Schilling
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
Inevitable (En Vivo) · Shakira
Shakira MTV Unplugged
℗ 2000 Sony Music Entertainment (Colombia) S.A./MTV Networks Latin America Inc.
Released on: 2000-02-29
Background Vocal: Rita Quintero
Guitar, Harmonica, Arranger, Composer, Lyricist, Unknown, Producer: Shakira Mebarak R.
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Background Vocal: Donna Allen
Guitar, Arranger, Composer, Unknown: Luis Fernando Ochoa
Executive Producer: Emilio Estefan Jr.
Background Vocal, Guitar: George Noriega
Unknown: Sebastian Krys
Unknown: Marcelo Añez
Dobro, Mandolin: Ben Peeler
Unknown: Scott Canto
Assistant Engineer: Hardi Camsani
Assistant Engineer: Tony Blanc
Assistant Engineer: Tony Bandelato
Percussion: Ebenezer De Silva
Assistant Engineer: Maurizio Tiella
Drums, Percussion: Brendan Buckley
Assistant Engineer: Steve Penny
Percussion: Myriam Eli
Assistant Engineer: Joel Schenemun
Assistant Engineer: Craig Melvin
Organ, Piano: Albert Sterling Menendez
Assistant Engineer: Marty Garcia
Assistant Engineer: Al Centrella
Assistant Engineer: Steve Lamphere
Associated Performer: Los Mora Arriaga
Violin: Pedro Alfonzo
Assistant Engineer: Gustavo Bonnet
Assistant Engineer: Alfred Figueroa
Bass: Ricardo Suarez
Assistant Engineer: Chris Wiggins
Assistant Engineer: Tony Mardini
Assistant Engineer: Ricky Blanco
Mixing Engineer: Eric Schilling
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
Estoy Aquí (En Vivo) · Shakira
Shakira MTV Unplugged
℗ 2000 Sony Music Entertainment (Colombia) S.A./MTV Networks Latin America Inc.
Released on: 2000-02-29
Background Vocal: Rita Quintero
Harmonica, Arranger, Composer, Lyricist, Unknown, Producer: Shakira Mebarak R.
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Background Vocal: Donna Allen
Guitar, Arranger, Composer, Lyricist, Unknown: Luis Fernando Ochoa
Executive Producer: Emilio Estefan Jr.
Background Vocal, Guitar: George Noriega
Unknown: Sebastian Krys
Dobro, Mandolin: Ben Peeler
Unknown: Marcelo Añez
Unknown: Scott Canto
Assistant Engineer: Hardi Camsani
Assistant Engineer: Tony Blanc
Percussion: Ebenezer De Silva
Assistant Engineer: Tony Bandelato
Drums, Percussion: Brendan Buckley
Assistant Engineer: Maurizio Tiella
Percussion: Myriam Eli
Assistant Engineer: Steve Penny
Assistant Engineer: Joel Schenemun
Organ, Piano: Albert Sterling Menendez
Assistant Engineer: Craig Melvin
Assistant Engineer: Marty Garcia
Assistant Engineer: Al Centrella
Associated Performer: Los Mora Arriaga
Assistant Engineer: Steve Lamphere
Violin: Pedro Alfonzo
Assistant Engineer: Gustavo Bonnet
Bass: Ricardo Suarez
Assistant Engineer: Alfred Figueroa
Assistant Engineer: Chris Wiggins
Assistant Engineer: Tony Mardini
Assistant Engineer: Ricky Blanco
Mixing Engineer: Eric Schilling
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
Octavo Día (En Vivo) · Shakira
🇬🇧 Dive into the soulful sounds of Shakira's "Octavo Día," a captivating track from her MTV Unplugged album released in 2000. This performance showcases Shakira's raw talent and emotional depth, highlighting her ability to connect with audiences through heartfelt lyrics and powerful melodies. At the time of this release, Shakira was just 23 years old, enchanting listeners with her unique voice and passionate delivery.
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
🇪🇸 Sumérgete en los sonidos conmovedores de "Octavo Día" de Shakira, una pista cautivadora de su álbum MTV Unplugged lanzado en 2000. Esta actuación muestra el talento puro y la profundidad emocional de Shakira, destacando su capacidad para conectar con el público a través de letras sentidas y melodías poderosas. En el momento de este lanzamiento, Shakira tenía solo 23 años, encantando a los oyentes con su voz única y entrega apasionada.
Follow Shakira:
► Follow Shakira Isabel Mebarak Ripoll: @shakiramusic@tube.matrix.rocks tube.matrix.rocks/a/shakiramus…
► Watch more music videos by Shakira: tube.matrix.rocks/c/shakira_mu…
► Listen to Shakira: tube.matrix.rocks/a/shakiramus…
► Listen to Shakira's "MTV Unplugged": tube.matrix.rocks/w/p/pq2Je4iL…
► Subscribe to the official Shakira channel: tube.matrix.rocks/c/shakira_mu…
From Shakira: MTV Unplugged (2000)
🎵 L Y R I C S / L E T R A S 🎵:
On the eighth day, God, after working so hard
In order to relive His tension after His revision
Said, "Everything looks great, it's time to rest"
and He went for a walk through the universe
Who would have thought that this same God, upon returning
Would find everything in a hellish mess
And that He would become just another unemployed person
Among the number that is growing yearly, non-stop?
Since then there are those who have seen Him
Pass alone on the streets
He walks as he waits patiently for someone
With whom He can at least hold a pleasant conversation
Meanwhile, this world
Spins round and round and can't be stopped
And here below, a few manipulate us like chees pieces
I'm not the kind of idiot that let's himself be fooled
But I'm telling the truth
And even a blind man can see it
If for lack of employment or from excessive loneliness
God couldn't stand it anymore and He left for another place
it would be our ruin
We would have no other choice
But to worship Michael Jackson, Bill Clinton or Tarzan
It's more difficult to be a king without a crown
Than to be a more ordinary person
Poor God, He doesn't appear in magazines
He isn't a model or an artist or royalty
Meanwhile, this world
Spins round and round and can't be stopped
And here below, a few manipulate us like chees pieces
I'm not the kind of idiot that let's himself be fooled
But I'm telling the truth
And even a blind man can see it
Meanwhile, this world
Spins round and round and can't be stopped
And here below, a few manipulate us like chees pieces
I'm not the kind of idiot that let's himself be fooled
But I'm telling the truth
And even a blind man can see it
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
Background Vocal: Rita Quintero, Donna Allen
Arranger, Composer, Lyricist, Unknown, Producer: Shakira Mebarak
Background Vocal, Guitar: George Noriega
12-string Guitar, Guitar, Mandolin, Arranger, Unknown, Producer: Tim Mitchell
Guitar, Arranger, Unknown: Luis Fernando Ochoa
Composer: Lester Mendez
Dobro, Mandolin: Ben Peeler
Percussion: Ebenezer De Silva
Drums, Percussion: Brendan Buckley
Percussion: Myriam Eli
Accordion, Organ, Piano: Albert Sterling Menendez
Associated Performer: Los Mora Arriaga
Violin: Pedro Alfonzo
Bass: Ricardo Suarez
Harmonica: Shakira Mebarak R.
Executive Producer: Emilio Estefan Jr.
Unknown: Sebastian Krys, Marcelo Añez, Scott Canto
Assistant Engineer: Hardi Camsani, Tony Blanc, Tony Bandelato, Maurizio Tiella, Steve Penny, Joel Schenemun, Craig Melvin, Marty Garcia, Al Centrella, Steve Lamphere, Gustavo Bonnet, Alfred Figueroa, Chris Wiggins, Tony Mardini, Ricky Blanco
Mixing Engineer: Eric Schilling
Mastering Engineer: Bob Ludwig
Recording Engineer: Adam Blackburn
Album Artist: Shakira Isabel Mebarak Ripoll
Album(s): Shakira: MTV Unplugged
Written by: Shakira Isabel Mebarak
Music genre(s): Latin Pop, Acoustic
Released: 2000-02-29
Decade for first release: #2000sMusic
#Shakira #ShakiraIsabelMebarakRipoll #MTVUnplugged #OctavoDía #LatinPop #Acoustic #2000sMusic #femaleMusicians #femaleSinger #googleFree #youtubeFree
Follow Shakira: ► Follow Shakira Isabel Mebarak Ripoll: @shakiramusic@tube.matrix.rocks https://tube.matrix.rocks/a/shakiramusic ► Watch more music videos by Shakira: https://tube.matrix.rocks/c/sh...Shakira Music (Music Videos and Funny clips)
Explore Sabrina Carpenter’s cheeky 2022 single “When Did You Get Hot?”, a catchy pop‑rock anthem that blends witty lyrics with an infectious chorus, perfect for fans of contemporary pop looking for a fresh, upbeat track.
🎵 L Y R I C S 🎵:
So long, untouched
Bone dry, not a plant can grow
'Bout time I get
Back on the horse to the rodeo
Now I'm at the prospect convention
My friends walk in your friends direction
Said, "Sabrina, don't you know Devin?"
And I was like, "Huh"
When did you get hot?
All the sudden I could look you up and down all day (Hey)
When did you get hot?
I think I would remember if you had that face (That face)
I did a double take, triple take
Take me to naked Twister back at your place
Baby, baby, mm, it's thickening the plot
When did you get hot?
Uh-huh, uh-huh, uh-huh, uh-huh, uh
Uh-huh, uh-huh, uh-huh, uh-huh, uh
Congratulations on your new improvements
I bet your light rod's like bigger than Zeus' (Hey, wait)
Can you lift my car with your hand?
You were an ugly kid, but you're a sexy man!
Sorry, I did not see the vision
Thank the Lord the fine you has risen
Big riff coming, I need a minute
Wait, I need a minute
Ehmm, okay
Here it comes
When did you get hot?
All the sudden I could look you up and down all day (All day)
When did you get hot?
I think I would remember if you had that face (That face)
I did a double take, triple take
Take me to naked Twister back at your place
Baby, baby, mm, it's thickening the plot
When did you get hot?
Uh-huh, uh-huh, uh-huh, uh-huh, uh
Uh-huh, uh-huh, uh
When did you get? When did you get?
When did you get? When did you get so hot?
When did you get? When did you get?
When did you get? When did you get so hot?
When did you get? When did you get?
When did you get? When did you get so hot?
When did you get? When did you get?
Serban Ghenea, MixingEngineer
John Ryan, Producer, Engineer, Percussion, Bass, Synthesizer, ComposerLyricist, RecordingEngineer, ProgrammingEngineer, ElectricGuitar, Keyboard, DrumKit, SynthFX
David Hart, RecordingEngineer
Jack Manning, RecordingSecondEngineer
Laura Sisk, Engineer, RecordingEngineer
Jack Antonoff, Producer, Engineer, Percussion, Bass, Synthesizer, Mellotron, ComposerLyricist, RecordingEngineer, ProgrammingEngineer, ElectricGuitar, DrumKit
Sabrina Carpenter, Producer, Vocalist, MainArtist, ComposerLyricist, BackgroundVocalist
Jeff Gunnell, Engineer, RecordingEngineer
Oli Jacobs, Engineer, RecordingEngineer, ProgrammingEngineer
Ruairi O'Flaherty, MasteringEngineer
Sean Hutchinson, RecordingEngineer
Michael Riddleberger, Percussion
Mikey Freedom Hart, RecordingEngineer, SlideGuitar
Joey Miller, RecordingSecondEngineer
Amy Allen, ComposerLyricist
Bryce Bordone, Engineer
Bobby Hawk, Violin
Jackie Winkler, A&R
Gabrielle Rosen, AAndRAdministrator
Jozef Caldwell, RecordingSecondEngineer
Gloria Jozwicki, AAndRCoordinator
Album Artist: Sabrina Carpenter
Album(s): Man’s Best Friend
Written by: Sabrina Carpenter, Jack Antonoff
Music genre(s): Pop
Released: 29 August 2025
Decade for first release: #2020sMusic
#sabrinaCarpenter #SingularActI #WhenDidYouGetHot #Pop #2020sMusic #loveSongs
#SabrinaCarpenter #WhenDidYouGetHot #MansBestFriend #OfficialLyricVideo
Music video by Sabrina Carpenter performing When Did You Get Hot? (Lyric Video).© 2025 Island Records, a division of UMG Recordings, Inc.
Lyric Videos reshared this.
LOS ANGELES — Rob Reiner’s son Nick was notorious for being violent, and those around him “instantly knew’’ he was the one who allegedly murdered his parents, friends, and neighbors, told The Post on Monday.
“This is not the first time their son has been violent,’’ a longtime neighbor of the victims said of Nick Reiner, 32, who is charged with fatally slitting the throats of his parents in the family’s Los Angeles mansion.
“I know of another incident a few years back with Nick, but I won’t say more than that,’’ added the man, who declined to give his name. “I just never thought it would ever get to this point.
Rob Reiner’s son Nick was notorious for being violent, and those around him “instantly knew’’ he was the one who allegedly murdered his parents, friends and neighbors told The Post on Monday.…Mary K. Jacob (New York Post)
I'm not one of these cynics who is 100% dead-set against Machine Learning. It has some cool capabilities that are hard--if not impossible--to replicate in traditional software. But there's a RIGHT WAY and a WRONG WAY to implement AI. Mozilla's going about it in DECIDEDLY the wrong way.
Read more:
❯ Machine learning can be cool: gardinerbryant.com/ai-is-a-sca…
❯ Mozilla's doing it wrong: gardinerbryant.com/mozilla-ai-…
My Game
❯ Get the source code: github.com/heavyelementinc/dud…
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00:00 Introduction
02:34 I'm an AI skeptic
06:14 There's real benefit to Machine Learning
07:20 A caveat on "Ethical" AI and Machine Learning models
07:50 What can Machine Learning actually do?
08:17 Automatic audio transcription
09:33 DaVinci Resolve's AI Voice Isolation
11:34 Affinity's Object Selection tool
12:52 But what about AI tools in free software?
14:13 The Firefox-sized elephant in the room
21:04 AI isn't intelligent
22:46 AI Chatbots are theft
24:18 AI is a massive privacy concern
25:12 There's ZERO value proposition
25:51 Agentic browsers empower you to commit fraud
28:28 The most concerning thing about all this
30:02 Mozilla has no clothes
32:53 The AI Bubble is really a Death Spiral
35:43 The Existential Threat to Mozilla
About Gardiner Bryant: A native Maine resident, Gardiner (yes, that's his first name) is an enthusiastic Linux evangelist, a believer in the efficacy and superiority of the Free and Open Source way, and President of Heavy Element. Heavy Element offers web design, media production, and YouTube consulting services to individuals and companies in Maine and beyond.
Gardiner Bryant is a privacy advocate and public speaker on the topic. Learn more about his speaking series and schedule an engagement at your institution at gardinerbryant.com
Mozilla keeps talking about AI as if it can be great. It can't be. It's antithetical to their mission and nobody wants it.Gardiner Bryant (The Bryant Review)
Just today I'm getting errors when trying to install software via apt in Debian 13. Specifically ardour and gnome-boxes. Other packages seem to be unaffected, like gimp and blobwars for example. The errors are all variations of the following:
Err:1 deb.debian.org/debian trixie/main amd64 libwebsockets19t64 amd64 4.3.5-1
404 Not Found [IP: 151.101.62.132 80]
Error: Failed to fetch deb.debian.org/debian/pool/mai… 404 Not Found [IP: 151.101.62.132 80]
Looking online the suggestion seems to be that I might have /etc/apt/sources.list misconfigured. Is it this causing the problem, or something else?
Here is my sources.list
# deb cdrom://[Debian GNU/Linux 13.0.0 _Trixie_ - Official amd64 NETINST with firmware 20250809-11:2>
deb http://deb.debian.org/debian/ trixie main non-free-firmware
deb-src http://deb.debian.org/debian/ trixie main non-free-firmware
deb http://security.debian.org/debian-security/ trixie-security main non-free-firmware
deb-src http://security.debian.org/debian-security/ trixie-security main non-free-firmware
# trixie-updates, to get updates before a point release is made;
# see https://www.debian.org/doc/manuals/debian-reference/ch02.en.html#_updates_and_backports
deb http://deb.debian.org/debian/ trixie-updates main non-free-firmware
deb-src http://deb.debian.org/debian/ trixie-updates main non-free-firmware
# This system was installed using removable media other than
# CD/DVD/BD (e.g. USB stick, SD card, ISO image file).
# The matching "deb cdrom" entries were disabled at the end
# of the installation process.
# For information about how to configure apt package sources,
# see the sources.list(5) manual.Thanks!
This has happened to me before as well, there's so many reasons a site or anything on your end or in-between could be down or have issues, that's why mirrors work so well for resiliency! Glad you're back up to speed now.
Deb-src is the source code repository iirc. Unless you regularly download and read source code, you do not need it.
My gut tells me this might be a DNS issue. Can you reach deb.debian.org/ in the browser?
Edit: After reading the text on that site, a working website might not indicate a working package repository.
00:00:00 Intro et Sommaire
00:01:38 News du Libre
00:08:00 Nouveautés du Setup Commodore 64 + Projet
00:35:10 News du Rétroludique
00:54:00 Autres (Pseudos-Bugs Windows, Part de marché Linux...)
01:07:40 Questions/Réponses + Ouverture vers les lives suivants
Nos projets amènent des dépenses non négligeables, donner sur Liberapay ou Tipee serait apprécié et permet d'améliorer les expériences que nous vous présentons.
Pour la page Tipee
fr.tipeee.com/fredericbezies
Pour la page Liberapay
liberapay.com/FredB1974/
Tipeee est la platforme n°1 en Europe de financement participatif pour les Créateurs de contenusTipeee
Clément Sénéchal, ancien chargé de plaidoyer chez Greenpeace, est invité par Romain Marie, ancien de Greenpeace également, pour discuter de l'utilité qu'ont les ONG comme Greenpeace dans la lutte écologique. Ils évoquent le sujet des COP, sont-elles vraiment utiles ?
Pour changer le système :
Réclamer le RIC constituant : petitions.assemblee-nationale.… mouvement-constituant-populair…
Changer de banque: lanef.com/ change-de-banque.org/particuli…
Passer à l'action militante: extinctionrebellion.fr/ ripostealimentaire.fr/
Changer de travail : jobs.makesense.org/fr
Sources
Sénéchal youtube.com/watch?v=yZM-eJnSdc…
Musique youtube.com/watch?v=39PVEaSytp…
Réponses au quiz de fin :
/!\ Description à ne pas lire avant d'avoir vu la vidéo entièrement
/!\
/!\
/!\
/!\
Pourquoi l'accord de Paris a-t-il été accepté ?
Il n'est pas contraignant juridiquement.
Pourquoi la société civile est muselée des COP ?
Vous pouvez être banni à vie de la zone bleue (la zone officielle des négociations internationales.)
Comment faire pour avoir une discussion plus sérieuse pendant les COP ?
Bannir les intérêts économiques de ces espaces de discussions.
#sénéchal #écologie #greenpeace #ong #extrait #ethiqueettac
Le 10 mai 2025 à la librairie L'Esperluète (Chartres) Romain Marie a questionné Clément Sénéchal, son ancien collègue à Greenpeace France et auteur de Pourqu...Simplicius (YouTube)
Aiming for a 10 year life-cycle for smartphonespostmarketOS
Sensitive content
newest / best format would be AV1, but my computer doesn't support it completely. VP9 is completely supported.
the command I've been using: yt-dlp -f bv*[ext=mp4]+ba[ext=m4a]/b[ext=mp4] -S height:1080 --all-subs --no-warnings -v https://www.youtube.com/watchx
this command downloads the best available video up to 1080p, but if the best video format available is AV1, it will download it. I need a command that downloads the best video but up to VP9.
Help appreciated.
[vcodec!=av1] somewhere in your format specifications. Let me try it and see.
cross-posted from: feddit.org/post/23120439
Here, my summary of key features and decisions of Guix:
- Guix is a package manager that can (optionally) run on top of Linux distributions or other POSIX systems, like cargo, pip, conda or Conan. In difference to the pip and cargo package managers, it is language-agnostic, supports many different build systems and languages, and features around 29000 packages now.
- Guix allows to define a fully reproducible system. This works by using a declarative language for immutable version-controlled package descriptions, and by deriving any software from package definitions and a fixed version (commit hash) of the source code. In that, it is similar but much stricter than Nix and NixOS. The key point is that any software built, and all its dependencies, go back to unambigously, immutable versions of source code and build recipes - and all inputs to the system are open source and can be reviewed.
- Important for programming, this can also define isolated build and development environments, like Python's venv, but also Docker containers. This means that Guix can be used to develop, build, package, and deploy software, very much like Snap packages. And that's independent from the distribution you work in, very much like pip or cargo are independent from the system you work in. (And yes, it supports Rust!).
- This allows it, and also makes it technically possible, that any software package can be re-built and run years later. To make this legally possible, the official distribution of Guix also demands all components to be open source (FOSS). This is also a key difference to NixOS and non-free forks of Guix, which allow non-free binary packages, but sacrifice reproducibility. (To illustrate: If you have a binary, proprietary scanner driver in NixOS, and the owning company practices planned obselescence and decides that you should buy their new hardware, and pulls that driver, you are out of luck. In Guix, this can't happen.) (Note that as your own private conponents, you can define any package you like, you can also distribute your definitions as a complement to GNU Guix. Non-free packages for Guix do exist, in the same way as you can buy and run Steam Games software for Linux. Such non-free software just can't become part of the official Guix distribution, just like Amazon or Apple can't sell their non-free software via Debian or the Linux kernel project (or, for that matter, Apple has no obligation to market and distribute, say, Oracle products).
- All inputs being open source also means that any software component can be reviewed, that mis-features such as privacy-invasive behaviour can be removed, and that it is hardly possible to hide malware in the system. Because this also applies recursively to all compilers and build tools, this solves also Thompson's "Trusting Trust" problem. In fact, the whole system can be build from a 512 byte binary root (called MER). (Interestingly, that level of user control gets a lot of hate online -- certain companies don't seem to like it).
- Because it would take too long to build every user package from source every time, the produced packages are normally cached (while their correct binary content can be easily verified).
- The declarative description language for the packages is a well-defined, established, minimalist language called Scheme. This is a member of the Lisp family of languages. That Lisp is very well suited for declaratively building and configuring large systems has been proven with GNU Emacs, whose software, but more importantly, whole user configuration, is written in Emacs Lisp.
- The Scheme implementation used is called Guile. It has especially good support for the POSIX environment and has also much better-than-average interactive debugging capabilities compared to other Scheme implementations.
- Also worth noting is that the Guix project has superb online documentation. This is a practical advantage compared to Nix.
As example: you are on Debian stable and quickly want to try a recent version of the kakoune editor (as kakoune is in ongoing development): They are available under the Guix package manager. Just
guix install kakoune
and bang you have it!How it works:
codeberg.org/guix/guix#headlin…
Manual:
guix.gnu.org/manual/en/html_no…
Also informative for using Guix just as a package manager:
Transactional package manager, declarative GNU/Linux distribution, reproducible deployment tool, and more!Codeberg.org
like this
For using it as a full distro (using Guix System), there are two options:
so it does more than "sit on top" of apt?
are these thoroughly defined environments more than the state of all known packages pertaining to your system?
See my original comment.
Basically, it solves this problem with a few of cargo, snaps, flatpacs, docker images, pip, Conan, venvs, and hand-compiled packages installed into /usr/local and ${HOME}/.local and extra software in /opt added.
If you never had such problems, blessed you are, and forget about all this. Your life is as easy as it can be.
I've been doing this by creating my own custom apt/yum packages and my own repos coupled w ansible-playbooks/puppet-manifests.
I've been needing this for years and never knew it existed. Lol
Thanks for making me aware!
The saga continues! A Firefox developer has taken to social media to note there will be some sort of "kill switch" to completely remove AI features in the wake of the news about more AI features coming along with the new CEO.
The saga continues! A Firefox developer has taken to social media to note there will be some sort of kill switch to completely remove AI features.Liam Dawe (GamingOnLinux)
Lyrics
Love is like a bomb (bomb, bomb, bomb)
Hey, hey, hey!
Love is like a bomb baby, c′mon get it on
Livin' like a lover with a radar phone
Lookin′ like a tramp, like a video vamp
Demolition woman, can I be your man?
(Your man)
Razzle 'n' a dazzle ′n′ a flash a little light
Television lover, baby, go all night
Sometime, anytime, sugar me sweet
Little miss ah innocent sugar me, yeah
Yeah, oh yeah, oh
C'mon, take a bottle, shake it up
Break the bubble, break it up
Pour some sugar on me
Ooh, in the name of love
Pour some sugar on me
C′mon, fire me up
Pour your sugar on me
I can't get enough
I′m hot, sticky sweet
From my head to my feet, yeah
Listen, red light, yellow light, green light, go
Crazy little woman in a one man show
Mirror queen, mannequin, rhythm of love
Sweet dream, saccharine, loosen up (loosen up)
Loosen up
You gotta squeeze a little, squeeze a little
Tease a little more
Easy operator come a knockin' on my door
Sometime, anytime, sugar me sweet
Little miss innocent sugar me, yeah, yeah
Give a little more
Take a bottle, shake it up
Break the bubble, break it up
Pour some sugar on me
Ooh, in the name of love
Pour some sugar on me
C′mon, fire me up
Pour your sugar on me
Oh, I can't get enough
I'm hot, sticky sweet
From my head to my feet, yeah
You got the peaches, I got the cream
Sweet to taste, saccharine
′Cause I′m hot, say what? Sticky sweet
From my head, my head (head, head) to my feet
Do you take sugar?
One lump or two?
Take a bottle (take a bottle), shake it up (shake it up)
Break the bubble, (break it up) break it up
Pour some sugar on me
Ooh, in the name of love
Pour some sugar on me
C'mon, fire me up
Pour your sugar on me
Oh, I can′t get enough
Pour some sugar on me
Ooh, in the name of love
Pour some sugar on me
Get it, come get it
Pour your sugar on me
Ooh
Pour some sugar on me
Yeah, sugar me!
reshared this
In the race to scale biochar production, speed often takes center stage. Yet, a more deliberate, ancient-seeming technology is proving to be the gold standard for creating the highest-quality biochar: slow pyrolysis. Unlike its faster, flashier counterparts, slow pyrolysis is a patient art. It prioritizes quality over quantity, making it the ideal core technology for advanced biochar production equipment. Let’s delve into why this method is revolutionizing how we think about turning biomass into black gold.
The Essence of Slow Pyrolysis: A Patient Bake, Not a Flash Fire
At its heart, pyrolysis is the thermal decomposition of organic material in the absence of oxygen. The "speed" refers to the rate at which the biomass is heated and the duration it is held at peak temperature.
Fast Pyrolysis: Heats biomass incredibly rapidly (hundreds of degrees per second) to moderate temperatures (450-600°C) with very short residence times (seconds). Its primary goal is to maximize liquid bio-oil yield.
Slow Pyrolysis: Takes its time. It involves a slow, controlled heating rate (often 5-10°C per minute, sometimes as slow as 1°C/min) to a target temperature (typically 300-700°C, with 400-500°C being ideal for biochar), followed by a long solid residence time—the biomass is held at that peak temperature for hours, not seconds or minutes.
This prolonged, gentle bake is the secret. It allows complex chemical reactions—primarily depolymerization and carbonization—to proceed to completion, driving off volatile compounds and leaving behind a highly stable, carbon-rich, and porous solid structure: premium biochar.
Why Slow Pyrolysis Equipment is the Superior Choice for Biochar
When biochar is the primary product, slow pyrolysis reactors are engineered to optimize for three key outcomes that fast pyrolysis and gasification cannot match:
Lower temps (350-450°C): Produce biochar with more residual volatile organic compounds (VOCs), which can be more reactive and beneficial for certain microbial communities. It often has a higher yield by mass.
Higher temps (500-700°C): Produce a more stable, highly aromatic, and conductive biochar with greater surface area but lower mass yield.
This allows producers to create tailored biochars for specific applications—from a more reactive char for compost inoculation to a highly stable char for carbon credits.
Inside a Modern Slow Pyrolysis Reactor: More Than Just a Kiln
Forget the simple pit or mound. Today's industrial slow pyrolysis equipment is a feat of engineering designed for efficiency, safety, and consistency.
Reactor Types: Common designs include retorts (sealed chambers heated externally), auger/screw reactors (which slowly convey biomass through a heated tube), and sophisticated batch or semi-continuous kilns with precise environmental controls.
The Energy Loop: One of the most elegant aspects is energy self-sufficiency. The syngas (a mix of H2, CO, CH4, etc.) and combustible tars driven off during pyrolysis are not wasted. They are captured and piped back into the system to fuel the pyrolysis process itself. This dramatically increases net energy efficiency and makes the system viable off-grid.
Emission Control: Modern units are closed-loop. Instead of emitting thick, polluting smoke (which is just wasted energy and particulates), they combust all volatiles, resulting in clean, hot exhaust that can be used for heat recovery. The only emission is typically just water vapor and CO2 from combustion, with the carbon in the biochar permanently sequestered.
Slow Pyrolysis Biochar vs. Fast Alternatives: A Clear Distinction
Choosing slow pyrolysis is choosing quality for purpose.
Yield: Slow pyrolysis prioritizes carbon yield (the percentage of the original biomass's carbon retained in the solid char), not mass yield. It's about locking away the most carbon atoms, not producing the most weight.
Co-Products: While biochar is the star, the process also yields bio-oil (a thicker, more stable "wood vinegar" useful as a biopesticide or chemical feedstock) and syngas (used for process heat). The slow process creates a more refined suite of by-products compared to fast pyrolysis.
Soil Performance: A study in Nature Geoscienceconcluded that biochar's positive effects on crop yield are strongly linked to its fine pore structure and nutrient retention capacity—properties maximized by slow pyrolysis. Fast pyrolysis chars, often more ash-like, lack this transformative physical structure.
The Future is Slow and Steady
As carbon markets mature and agriculture seeks durable climate solutions, the demand for verifiably high-quality, stable biochar will soar. Slow pyrolysis equipment is not the cheapest or fastest to install, but it is the most reliable for producing a premium, consistent product that delivers on the triple promise of carbon removal, soil health, and waste valorization.
By investing in the science of slow, we build a foundation for a truly circular economy—one where agricultural residues are not burned or left to rot, but are patiently transformed into a lasting resource for the land and a steadfast ally for the climate. The message is clear: for the best biochar, good things come to those who bake.
Explore biochar pyrolysis equipment solutions balancing sustainability and profitability for global environmental impact.Beston Group
#linux #gaming #indiegaming #cyberpunk #decentralization #free-and-libre #terminal #unix #network
After years of development and testing, i am very proud to fully release the free&libre storydriven retrostyle-cyberpunk network-sandbox game Beyond the Iron Cycle.
This is a full release (not some kind of beta-testing). The game client is fully stable, well tested and rocksolid.
The game client is in fact a unix-style networking tool, utilizing the full power of the unix-networking-meta. It is pure text and fully decentralized (forming an anarchistic, non-hierarchic game-network-world - pretty cool retro-cyberpunk stuff)
The game client is 100% free software (and as POSIX-complient as desirable) and all dependencies are 100% libre software: packed in a nice container-app which runs on every Linux-OS around (the client also runs on BSD but not as the container-app).
The game is not too exclusive, but you need a bit of experience as a terminal-user and some knowledge about networks (ports, http-server, tor, i2p, proxies) - also you need patience and iniative-motivation.
This game will not be released in a continually; it will be released by weekly limited downloads [ release-fountain ] here - until a certain threshold is reached.
Q&A:
Q What app?
A The “app” is a bubblewrap-chroot containing all scripts and dependencies. My sources are in there, the rest is Alpine-Linux. You need a x86_64 Linux-kernel and bwrap installed (part of everly major distro).
Q What? no hosting?
A Later, when the release-fountain is closed, all stuff will be done in the anarchistic non-hierarchic game-network itself: updates, news, announcements and so on.
Q Is it secure?
A It is very minimalistic and relies on stable and well established dependencies; which are also minimalistic (afap). The Alpine-bins of the container are small and based on libc-musl.
Q What about the BSD's?
A The core client runs on BSD (openBSD tested). Dowload the container app and check the DOC-folder.
Q What about 32bit?
A Download the container app and read the regular README to install the client and the dependencies manually.
Q What about Android/IOS?
A The client works on Android [app: termux] and IOS [app: ish]. Download the container app and read the regular README to install the client and the dependencies manually.
[edit: line breaks]
#linux #gaming #indiegaming #cyberpunk #decentralization #free-and-libre #terminal #unix #network
download:
limewire.com/d/LUrxA#ZfERLUVwx… (limited downloads)
sha256sum:
9cfb455a5ce72fd9fa9c9929cbb6ca6de6c120074da9921e5d656dbb7330e3bc hc-25-12-17.tar.bz2
game start:
POS: Pos: r=1.1 SNU; dlt=32.11; phi=45.06 - relay pod
. . . This is an automated beacon signal . . .
You managed to reach the relay-pod, right on the edge
of the estimated maximum extend of the Iron Cycle.
You need an operational hypercore to jump away from here.
Intermediate tasks:
[edit: headline]
Links to project website? Code repo? Screenshots?
Link to some file hosting with some archive is a bit suspicious, and I looked up the game title and couldn't find any mentions on the internet.
github is no option for me; my syntax is POSIX SHELL, you can read it - rest is alpine linux.
screenhost: it's a terminal app, not much to see there.
yes, no mentions: it's original content and exclusivly posted on lemmy.
thx for your attention and polite response. ^1
github is no option for me; my syntax is POSIX SHELL, you can read it - rest is alpine linux.
screenhost: see comments
yes, no mentions: it’s original content and exclusivly posted on lemmy.
If in doubt, just take the client itself (100% POSIX SHELL) and follow the regular README. It runs on every linux around. The container app is just for convenience.
[edit: clean up comments]
Let me defend myself a bit more: I developed this for many years now and it is now absolutely stable and tested. I am very low on resources and this way (filo-hosting / lemmy) was the only way of hosting/publishing i could find:
Sure, you always put trust in the publisher - and obviously also in this case. BUT this project is very-very tiny and relies on very mature dependencies: you can read my source code (and it's easy to understand) and the rest are just very well established projects (privoxy, core-utils, ag, ...)
[edit: also, this is a masterpiece, and i wanted to share it with a community that is worthy enough ...]
The field of aesthetic medicine has seen remarkable advancements in recent years, with dual yellow lasers emerging as a transformative solution for pigmentation issues. Unlike traditional pigment lasers, dual yellow lasers offer a more precise and gentle approach, making them a popular choice at aesthetic clinics. This article delves into the benefits and considerations of dual yellow lasers, helping you understand why they are becoming a preferred option for many patients.
Pigmentation issues are not one-size-fits-all; they encompass a variety of conditions that can appear similar on the surface but have different underlying causes. Some pigmentation is superficial, residing in the upper layers of the skin, while other types are deeper. Factors such as sun damage, inflammation, and hormonal changes can all contribute to these issues. Additionally, redness from broken blood vessels often complicates the appearance of pigmentation, making it more challenging to treat. This complexity is why a single laser treatment cannot address every type of pigmentation.
Traditional lasers for pigmentation treatment include Q-switched lasers, nanosecond lasers, and certain fractional devices. These lasers primarily target melanin, the pigment responsible for skin color, using heat or longer pulse durations. By delivering energy into pigmented areas, they heat and break down melanin, allowing the body to clear it. This method can be highly effective, particularly for well-defined sun spots or tattoos. However, the reliance on heat means that these lasers can sometimes cause irritation, especially in sensitive skin types. Patients may experience redness, prolonged downtime, or even post-inflammatory hyperpigmentation.
Dual yellow laser systems offer a different approach to pigmentation treatment. These systems utilize two specific wavelengths: a yellow wavelength (around 577 nm) and a shorter green wavelength. The yellow wavelength targets hemoglobin, the pigment in blood vessels, while the green wavelength targets superficial melanin. This dual-action means that dual yellow laser treatment addresses both redness and pigmentation simultaneously. Many pigmentation issues involve a combination of brown and red tones, making this approach particularly effective. By treating both aspects, the skin often appears clearer and calmer, not just lighter.
One of the key differences between dual yellow lasers and traditional lasers is how they deliver energy. Traditional lasers often rely on heat, which can spread to surrounding tissues. This can lead to inflammation and rebound pigmentation, especially in reactive or darker skin tones. Dual yellow lasers, on the other hand, are more selective. The yellow wavelength aligns closely with hemoglobin absorption peaks, allowing blood vessels to respond at lower energy levels. This results in less heat spillover and gentler treatments with more predictable recovery times.
For patients with sensitive skin, rosacea, or a history of adverse reactions to lasers, dual yellow laser treatment is often the preferred choice. Traditional pigment lasers can still be effective, but they require careful settings and longer downtime to avoid complications. Dual yellow lasers are designed to improve pigmentation without triggering inflammation. This targeted approach is particularly beneficial for patients who experience skin irritation easily or have had negative experiences with other laser treatments.
Traditional lasers can deliver dramatic changes quickly, especially for isolated sun spots. A single strong session may clear a spot, but this often comes with crusting and visible downtime. In contrast, dual yellow treatments tend to be more gradual. Multiple sessions may be necessary, but each session is easier to tolerate. The improvement builds steadily, with skin tone evening out, redness softening, and pigmentation fading without a significant inflammatory response.
The recovery period is another significant factor to consider. After traditional pigment laser treatments, patients commonly experience scabbing, darkening of spots, and a few days to a week of visible healing. This downtime can be a deterrent for some individuals. Dual yellow treatments, however, usually cause only mild redness and warmth that settle within hours or a few days. Many patients can return to their daily activities immediately, making dual yellow lasers a practical choice for those who cannot afford extended downtime.
All laser treatments carry some risk, with post-inflammatory hyperpigmentation being a common concern, especially in darker skin tones. Traditional lasers have a higher risk of PIH if settings are too aggressive or if aftercare instructions are not followed closely. Dual yellow lasers, when used conservatively, tend to have a lower risk profile because they generate less excess heat. This means that the margin for error is wider when treating reactive skin. A responsible aesthetic clinic will carefully assess your skin tone, history, and potential triggers before recommending either option.
Both traditional and dual yellow lasers have their strengths and are suited to different types of pigmentation issues. Traditional lasers are often better for isolated sun spots, deeper or stubborn pigment, tattoo-related pigment, and patients who tolerate heat well. Dual yellow lasers, on the other hand, are ideal for pigment mixed with redness, rosacea-prone skin, easily irritated or sensitive skin, and patients who prefer low downtime.
In practice, many clinicians use a combination of dual yellow and traditional lasers to achieve the best results. Dual yellow treatments are often used first to calm redness and reduce superficial pigment. Once the skin is more stable, traditional lasers can be employed to address deeper spots. This staged approach minimizes complications and often leads to better long-term outcomes. A thorough consultation with your aesthetic clinic is crucial to determine the best course of action for your specific needs.
If you're considering laser treatment for pigmentation, it's important to ask the right questions during your consultation. Some key questions include:
- Is my pigmentation mostly brown, red, or mixed?
- Have you treated my skin tone with this laser before?
- What kind of downtime should I realistically expect?
- What's the risk of rebound pigmentation in my case?
- Would a combination approach make more sense?
Clear answers to these questions are more important than the brand or model of the laser. A knowledgeable aesthetic clinic will provide detailed information to help you make an informed decision.
When evaluating the cost of laser treatments, it's important to consider more than just the price per session. Traditional lasers may appear cheaper initially, but they can sometimes require more downtime and aftercare. Dual yellow laser treatment may cost more per session but often fits better into daily life. The true value of a treatment depends on the results, safety, and how well it aligns with your skin and schedule.
The choice between dual yellow and traditional lasers for pigmentation treatment is not about which is newer or more powerful. It's about how the energy is delivered and how your skin responds. Traditional lasers are effective tools when used correctly, while dual yellow lasers offer a more refined, lower-inflammatory option for pigmentation that comes with redness or sensitivity. The right choice depends on your skin, your tolerance, and your goals. A thoughtful aesthetic clinic will explain these differences clearly and recommend a plan based on skin behavior, not device hype.
Treat a wide range of skin conditions with the gentle Dual Yellow Laser at Astique Clinic. This non-invasive treatment is safe for most skin types. Book now.Astique Clinic
Oh-oh, oh
Oh-oh, oh
Now, it's lovin' that you want
Then you should make me your girl, your girl
If it's lovin' that you need
Then baby, come and share my world, share my world, oh-oh, oh
If it's lovin' that you want
Then come and take a walk with me, with me
'Cause everything that you need, I got it right here baby, baby, oh-oh, oh
Now it's obvious you need a friend to come hold you down
Be that one to you share your every fear when no one's around
Baby, come tell me your secrets, and tell me all your dreams
'Cause I can see you need someone to trust
You can trust in me
Di-di-di-di-di-da-di-di-di-da-di-day
So just call me whenever you're lonely
Di-di-di-di-di-da-di-di-di-da-di-day
I'll be your friend, I can be your homie
If it's lovin' that you want
Then you should make me your girl, your girl
If it's lovin' that you need
Then baby, come and share my world, share my world, oh-oh, oh
If it's lovin' that you want
Then come and take a walk with me (A walk with me), with me (Yeah)
'Cause everything that you need, I got it right here baby, baby, oh-oh, oh
Hold up, lemme get this straight
You saying you’ll be there to do whatever it takes
To make, more brighter days in my life
My troubles would be over if I made you my wife
Right (Right)
I ain't saying I doubt it
Lemme take a second and I think about it (Huh)
Thought about it
I could deal with a chick
So I wouldn’t mind being hand and hand on the strip, let's make it happen baby
It's been so long, I've had this feeling
That we could be
Everything you've ever wanted, and your
Your fantasy
I won't push too hard or break your heart
'Cause my love's sincere
I'm not like any other girl you know
So let me erase your fears
Di-di-di-di-di-da-di-di-di-da-di-day
So just call me whenever you're lonely
Di-di-di-di-di-da-di-di-di-da-di-day
I'll be your friend, I could be your homie
If it's lovin' that you want
Then you should make me your girl, your girl
(Make me your girl, oh)
If it's lovin' that you need
Then baby, come and share my world, share my world, oh-oh, oh
(Share my world)
If it's lovin' that you want
Then come and take a walk with me, a walk with me, oh-oh, oh
(A walk with me baby)
'Cause everything that you need, I got it right here baby, baby, oh-oh, oh
(Here baby, oh-oh)
I can understand why you want me
My mom told me one day I would make a lady lucky
We came up together
You know how chicks do
Try and make a hit miss, when you hit, they miss you (True)
But little lady, you was riding from the get
I don’t know if I wanna handcuff you yet, miss
Mista Gunz, the name
I need a friend ma' 'cause you and me are one and the same (Think)
Di-di-di-di-di-da-di-di-di-da-di-day
So just call me whenever you're lonely
Di-di-di-di-di-da-di-di-di-da-di-day
I'll be your friend, I can be your homie
If it's lovin' that you want
Then you should make me your girl, your girl
(Your girl)
If it's lovin' that you need
Then baby, come and share my world, share my world, oh-oh, oh
If it's lovin' that you want
Then come and take a walk with me, a walk with me
(Come and take a walk with me)
'Cause everything that you need, I got it right here baby, baby, oh-oh, oh
I wanna let you know, that you don't have to go
Don't wonder no more, what I think about you
I got what you need so come share my world
Oh, no-oh, no
Producer: Poke & Tone
Producer, Co- Producer: Spanador
Studio Personnel, Mixer: Pat Viala
Studio Personnel, Remix Engineer, Producer, Additional Producer: StarGate
Composer Lyricist: Jean-Claude Oliver
Composer Lyricist: Samuel Barnes
Composer Lyricist: Makeba Riddick
Composer Lyricist: Alexander Mosely
Composer Lyricist: Scott Larock
Composer Lyricist: Lawrence Parker
The mining and aggregate sector in Latin America is undergoing a profound transformation. As global emphasis on sustainability intensifies, operators face dual pressures: to drastically reduce energy consumption and to minimize environmental impact. Traditional models, reliant on fixed processing plants and extensive truck haulage, are increasingly untenable in this new paradigm. They are energy-intensive, costly, and leave a large environmental footprint. The strategic adoption of the mobile ston crushe plant(planta de trituracion movil) presents a powerful solution to this challenge. By fundamentally re-engineering material processing logistics, these agile systems are proving instrumental in helping mines achieve both stringent energy-saving targets and robust environmental protection standards, turning regulatory compliance into a competitive advantage.
Energy costs represent one of the largest operational expenditures in mining. Inefficiency directly erodes profitability.
The single greatest source of energy waste in remote mining is the transportation of unprocessed material. Moving low-value ore and waste rock over long distances to a stationary aggregate crusher plant(planta de agregados) consumes massive quantities of diesel fuel. A mobile ston crushe plant eliminates this inefficiency by processing material directly at the extraction face. This transforms the logistics chain; trucks now transport high-value, crushed product over shorter distances. The result is a reduction in haulage fuel consumption that can exceed 50%, delivering immediate and substantial savings in both energy costs and associated carbon emissions.
Mobile plants enable the creation of highly efficient, compact processing circuits at the mine site. A primary jaw crusher can feed directly into a secondary cone gravel crusher and screening unit, with conveyors minimizing the need for intermediary loader movement. This streamlined flow reduces the energy wasted on multiple handling stages. Furthermore, modern plants feature advanced drive systems, with electric and hybrid options becoming more prevalent, offering a cleaner, more efficient power source compared to traditional diesel-hydraulic drives.
Beyond energy, mobile crushing plants address key environmental concerns critical for maintaining a social license to operate.
Long-haul truck routes for raw material are major corridors for dust generation and diesel particulate emissions. By localizing crushing, the distance raw material travels exposed to the air is minimized. Modern mobile plants are equipped with comprehensive dust suppression systems, including water sprays, encapsulation skirts on conveyors, and high-efficiency baghouse filters. This contained approach significantly improves local air quality compared to the widespread dispersion caused by constant truck traffic to a fixed plant.
A fixed aggregate crusher plant and its associated infrastructure require permanent land alteration. In contrast, a mobile plant has a temporary, compact footprint. This allows for a strategy of progressive rehabilitation. As one section of a mine is depleted, the entire mobile ston crushe plant can be relocated, and restoration of the worked-out area can begin immediately. This phased approach is ecologically superior, promoting faster ecosystem recovery than waiting decades for a mine's end-of-life closure.
Mobile crushing facilitates a circular model on the mine site. Waste rock and low-grade materials can be processed through a gravel crusher(trituradora de grava) to produce aggregates for constructing access roads, drainage layers, and embankments within the operation. This eliminates the need to import such materials, saving additional transportation energy and preserving natural borrow pits elsewhere. It transforms potential waste into a valuable resource, reducing the mine's overall environmental footprint.
The core benefits of mobility are amplified by intelligent technology integration.
Advanced mobile units feature automated control systems that monitor crusher load, power draw, and product size in real-time. These systems can automatically adjust the crusher's settings to operate at peak efficiency for the specific feed material, ensuring optimal energy use per ton of output and maximizing yield of the desired product fraction.
Integration with fleet management and IoT platforms allows for the coordination of haul trucks with plant feed rates, minimizing truck idle time and queueing. Predictive maintenance sensors on the crusher itself forecast wear and potential failures, scheduling interventions during planned downtime. This prevents energy-wasting, low-efficiency operation from misaligned equipment and avoids the massive resource drain of unexpected breakdowns.
For Latin American mine operators, mobile crushing is a strategic investment in future viability. It provides a clear, actionable pathway to meet the environmental, social, and governance (ESG) criteria now demanded by investors and financiers. The significant operational cost savings from reduced fuel use improve resilience against market volatility. Ultimately, deploying a mobile ston crushe plant is a tangible demonstration of a commitment to sustainable and responsible mining, building stronger community relations and securing a competitive edge in an industry where green credentials are becoming the new currency.
Trituradora De Grava tiene las características de resistencia a la compresión, resistencia a la corrosión y el desgaste. ¡Contáctenos!AimixTrituradora (AIMIX Trituradora De Piedra)
When we talk about road construction, we often focus on the grand machinery—the pavers, the rollers, the graders. Yet, the most critical challenge is often invisible: the relentless, unimpeded flow of concrete. Traditional models, reliant on stationary concrete batch plants and a fleet of transit mixers, inject a multitude of risks into this vital flow. Delays, material inconsistency, and exorbitant logistics costs become built-in inefficiencies. There is a more thoughtful, more efficient path forward. Integrating portable concrete plants directly into the road construction corridor isn't just an equipment choice; it's a fundamental re-engineering of the supply chain that places the project's needs first. This approach directly addresses the core vulnerabilities of road building, transforming concrete from a logistical headache into a dependable, controlled asset.
## Demolishing the Distance Dilemma: The Proximity Advantage
The greatest thief of efficiency in traditional road construction is distance. Every kilometer between a stationary batch plant and the paving front represents a cascade of potential problems. Concrete has a strict biological clock, a limited window of workability before it begins to set. Long hauls gamble with this science, risking slump loss, cold joints, and compromised final strength. More than that, they create a brittle, traffic-dependent supply line vulnerable to the unexpected—a single accident or road closure can halt an entire paving operation.
Portable concrete plants dismantle this dilemma entirely. By deploying a production facility directly adjacent to the work zone, we effectively eliminate transit time. This proximity is transformative. It allows for the precise synchronization of concrete production with the paving machine's forward crawl. The supply rhythm is no longer dictated by truck rotation schedules and traffic reports, but by the project's own operational tempo. Fresh concrete is delivered in a consistent, predictable stream, its quality and workability perfectly preserved. This isn't merely a time-saver; it is a fundamental guardrail for quality, ensuring every cubic meter placed is in its optimal state, leading to a more uniform, durable road surface from the very first pour.
## Reclaiming Control: The End of Supply Chain Vulnerability
Outsourcing concrete production surrenders control over two of a project's most sensitive nerves: cost and consistency. You become subject to the supplier's pricing fluctuations for fuel and materials, and to their operational delays. This external dependency is a persistent source of budget anxiety and scheduling uncertainty. A [portable concrete plant for sale](aimixconcretesolution.com/conc…) represents a powerful act of reclamation.
By bringing production in-house, the project team insulates itself from exogenous cost volatility. You secure bulk aggregates and cement, locking in major material costs and buffering against sudden market shifts. More importantly, you gain absolute command over mix design and quality at the point of creation. Need to adjust for the day's heat or humidity? It's an immediate decision, not a phone call fraught with delay. This mastery over material consistency ensures that the concrete for Kilometer 22 has the exact same properties as the concrete from Kilometer 1, guaranteeing structural homogeneity throughout the entire roadway. This level of direct oversight is the very foundation of engineering integrity and long-term infrastructure resilience.
## The Flexibility Dividend: Adapting to the Terrain of the Project
Road construction is a linear conquest of geography, and a portable plant is the ideal companion for this journey. Unlike a fixed facility, it is designed for mobility and adaptation. For a multi-phase project stretching across dozens of kilometers, the plant can leapfrog ahead, setting up a new production hub for the next segment with minimal downtime. This phased deployment keeps the supply chain taut and efficient, avoiding the diminishing returns of ever-longer haul distances from a single, static point.
Furthermore, this mobility offers a profound benefit often overlooked: the reduction of community and environmental burden. A stationary plant requires hundreds of heavy truck journeys through public roads, contributing to noise, dust, congestion, and wear on municipal infrastructure. A [small concrete batch plant for sale](aimixconcretesolution.com/conc…) stationed directly on the construction right-of-way contains this impact. It localizes the activity, dramatically reducing truck traffic on public thoroughfares. This is a more considerate, sustainable approach that respects the communities surrounding the project and minimizes the overall environmental footprint of the construction process. It demonstrates that true efficiency isn't just about speed—it's about building intelligently, with respect for both the project's needs and its context.
In essence, choosing a portable concrete plant for road construction is a decision to prioritize certainty over chance, control over contingency, and smart integration over wasteful logistics. It is the recognition that the most efficient way to build a reliable road is to start with a reliable, self-determined foundation for the concrete that forms its very bones. This method protects your schedule, your budget, your quality standards, and the public trust, paving the way forward in every sense of the word.
Stationary batching plants in AIMIX Group is intergrated with advanced controlling, on-click start. Hopper or belt type for choice.aimixblock (Concrete Solutions - Concrete Production & Pumping & Paving)
Granite stands as a monument to terrestrial endurance, a plutonic igneous rock forged under immense heat and pressure within the earth's crust. Its very name evokes solidity and permanence, qualities derived from a dense interlocking matrix of quartz, feldspar, and mica. This geological fortitude, while prized for construction and monuments, presents a singular and formidable challenge for aggregate production. Processing granite is not a task for marginal machinery; it is an abrasive, high-impact endeavor that will swiftly degrade equipment not purpose-built for the ordeal. Within this context, the tracked mobile jaw crusher for sale emerges not as a mere option, but as the quintessential solution. It represents a synthesis of brutal mechanical force, resilient material science, and strategic mobility, engineered explicitly to subdue the most intractable stone and transform it into valuable, specification-grade aggregate.
To understand the necessity of specialized equipment, one must first appreciate the adversary. Granite's compressive strength is exceptional, often exceeding 200 MPa. Its Mohs hardness, particularly imparted by its quartz content, subjects crushing surfaces to a continuous, sandpaper-like abrasion. This combination of high strength and high abrasiveness creates a dual-aspect wear mechanism: crushing components must withstand tremendous cyclical impact forces without fracturing, while simultaneously resisting the gradual, erosive scouring that dulls edges and diminishes efficiency. Conventional crushers or those designed for softer materials like limestone are rapidly overwhelmed. They incur catastrophic wear part failure, produce excessive and inconsistent fines, and suffer from debilitating downtime. The economic model for processing granite disintegrates when machinery must be stopped daily for component replacement or repairs. Thus, the selection of a primary crusher becomes the foundational decision upon which the entire profitability of the operation rests.
The track jaw crusher is a masterpiece of focused engineering, each element addressing the granite challenge. At its heart lies the crushing chamber, defined by a fixed jaw and a reciprocating movable jaw. The kinematics of this system are critical. An elliptical motion, often achieved through a robust eccentric shaft, applies both vertical and horizontal force vectors to the feed material. This action creates a compelling "chewing" motion, first gripping the granite boulder and then applying a combination of compression and attrition to induce fracture along natural cleavage lines. The jaw plates themselves are cast from manganese steel or similar alloys, engineered to work-harden under impact, creating a surface that becomes more resistant over time. The chamber geometry is precisely calculated to ensure optimal nip angle—the angle between the jaws—which must be acute enough to grip the rock effectively but not so steep as to cause slippage or chamber clogging.
This formidable crushing mechanism is integrated onto a track-mounted chassis, a feature that confers a decisive strategic advantage. The crawler tracks provide a stable, low-ground-pressure platform that allows the entire unit to traverse rough, uneven quarry floors or demolition sites without the need for costly and time-consuming pad construction. Hydraulic drive systems enable the mobile crusher plant to be positioned with pinpoint accuracy, often directly at the quarry face or beside a pile of demolition granite. This mobility eliminates the primary bottleneck of fixed-plant operations: the reliance on dump trucks for primary feed transport. The machine moves to the rock, slashing cycle times, reducing fuel consumption across the fleet, and dramatically shrinking the operational footprint.
In application, the track jaw crusher demonstrates its preeminence through measurable outcomes. Its reduction ratio—the difference between feed size and product size—is profoundly high in a single pass, capable of transforming meter-scale boulders into manageable, conveyable fragments in seconds. This efficiency cascades through the downstream process, alleviating load on secondary crushers and screening plants. Furthermore, the adjustability of the jaw gap, often via hydraulic toggle systems, allows for real-time control over product sizing. An operator can produce a coarse rip-rap product for erosion control in one instance, and then adjust to create a base course aggregate meeting strict gradation specifications in the next, all with the same machine.
Durability is the crusher's defining characteristic in the granite environment. Every component, from the reinforced frame that resists bending moments to the spherical roller bearings that manage radial and thrust loads, is oversized and over-engineered for this specific duty cycle. Labyrinth seals and centralized grease lubrication systems protect critical pivots from the insidious ingress of granite dust, a primary agent of premature bearing failure. The sustained performance in this abrasive milieu translates directly to higher availability, the most crucial metric in heavy equipment economics. Where lesser machines falter, the purpose-built track crusher maintains its operational tempo, delivering consistent tonnage hour after hour.
The acquisition cost of a premium track jaw crusher is substantial, a fact that demands a holistic valuation. The analysis must transcend mere purchase price and embrace the concept of total operational cost. This calculation factors in the cost-per-ton metric, which incorporates fuel efficiency, wear part consumption, maintenance labor, and, most significantly, machine availability. A robust jaw crusher, through its superior durability and reduced unplanned downtime, achieves a lower cost-per-ton over its lifespan, despite a higher initial outlay. It is an investment in predictable production, safeguarding project timelines and contractual commitments.
Moreover, this class of equipment future-proofs an operation. Its mobility allows a single unit to service multiple quarry faces, transition to a new site entirely, or pivot to processing large-scale granite demolition waste from urban renewal projects. This adaptability protects the investment against the depletion of a single resource or shifts in market demand. The track jaw crusher, therefore, is not just a tool for breaking granite; it is a strategic asset. It is the definitive answer to a material that tolerates no compromise, enabling operators to harness the enduring strength of granite and build upon a foundation of mechanical certainty.
Mobile and portable crusher plant handles different sizes and densities of rocks, minerals, or construction waste, with an integrated mobile chassis.Aimix Group Construction Equipment Co., Ltd.
Safety is a fundamental aspect of any construction site, and OSHA compliance is a crucial part of ensuring that safety. When it comes to Manitowoc cranes, compliance takes on an even greater significance. This article explores the specifics of OSHA compliance for Manitowoc cranes, focusing on the role of parts and maintenance in achieving a safe and efficient operation.
OSHA's regulations for cranes are designed to ensure practical outcomes rather than dictating specific brands or part numbers. The focus is on ensuring that the crane is safe to operate, with all components functioning as intended. Regular inspections and thorough documentation are crucial. When issues arise, OSHA inspectors look back at maintenance records, part replacements, and repairs to determine if the equipment was maintained properly.
A crane's safety is only as strong as its weakest component. Load-handling parts, control systems, brakes, and safety devices are all under OSHA's scrutiny. If a failure occurs due to an incorrect or substandard part, compliance issues can quickly escalate. Using genuine Manitowoc parts ensures that the crane operates within its original design limits and simplifies the demonstration of responsible repairs during inspections.
Daily, monthly, and annual inspections are central to OSHA's crane regulations. Inspectors not only want to see that inspections have been conducted but also that identified issues have been corrected correctly. Non-original components can raise questions about compatibility and installation. Using genuine Manitowoc parts and following manufacturer guidance makes it easier to provide clear answers during inspections.
Components such as hooks, wire ropes, sheaves, pins, and structural members are part of the load path and are subject to strict OSHA requirements. These components must meet design requirements and be replaced when wear limits are exceeded. Using correct Manitowoc parts reduces the risk of non-compliance and simplifies compliance discussions.
Limit switches, load moment indicators, alarms, and control modules are all part of the crane's safety systems. These systems are crucial for protecting workers and the machine. Installing the wrong sensor or bypassing a safety device can lead to violations, even without an incident. Correct parts and proper installation are essential to avoid such outcomes.
OSHA inspections rely heavily on records. Maintenance logs, inspection reports, and repair documentation are all scrutinized. When genuine Manitowoc parts are used, documentation tends to be clearer, with part numbers matching manuals and service bulletins applying correctly. A reputable crane parts supplier can provide the necessary paperwork to support compliance.
Many compliance issues stem from small decisions made under time pressure. Installing a part that "looks close enough," delaying replacements past wear limits, or skipping documentation can all lead to problems. These choices often go unnoticed until an inspection or incident brings them to light.
A reliable crane parts supplier plays a crucial role in OSHA compliance. They help confirm fitment, serial compatibility, and authenticity of parts. They also provide documentation that supports inspection and audit needs. If a supplier can't confirm whether a part meets the crane's requirements, that uncertainty becomes a problem during inspections.
OSHA allows repairs, but they must restore the component to a safe working condition. Some Manitowoc components can be repaired within defined limits, while others must be replaced once damage is found. Knowing the difference is crucial, as repairs outside approved limits can be treated as improper replacements during investigations.
OSHA expects employers to ensure that operators and maintenance personnel are competent. This includes understanding when a part is worn beyond limits and knowing when to take equipment out of service. Using correct Manitowoc parts makes training easier, as manuals align with the machine and inspection criteria make sense.
A compliant site is one where records are current and equipment condition matches the paperwork. If your crane has been maintained with appropriate Manitowoc parts, inspection conversations stay factual and calm. Inspectors focus on verification instead of questioning repair decisions, saving time and reducing stress.
OSHA compliance isn't a one-time event but the result of consistent choices over time. Choosing the right parts, documenting work, and following inspection intervals are all part of maintaining compliance. Working with suppliers who understand crane systems is also crucial. Shortcuts may seem harmless, but they can compound over time, leading to significant issues.
OSHA compliance doesn't require perfection but diligence, honesty, and safe decisions. Your Manitowoc crane parts are a critical part of this equation. Using appropriate parts, sourced through a reliable crane parts supplier, ensures that your crane operates as designed and your documentation holds up under review. This isn't just about avoiding penalties; it's about protecting people and keeping work moving smoothly.
We are a leading supplier of quality crane parts for Kato, Tadano, Terex, P&H and other major brands. Global delivery of genuine construction equipment spares.HL Equipment Pte Ltd
Hi!
If you’re using redshift on Linux, I made a small tool that might be useful. It automatically sets the screen temperature based on the current time, you just draw a curve for how you want it to behave during the day.
Then you can just add it to crontab to run every minute or hour.
Automatically adjust screen temperature based on a custom curve. - jakobkreft/autoredshiftGitHub
like this
#KatyPerry #Katy #CozyLittleChristmas #Christmas #googleFree #youtubeFree #metaFree #alphabetFree #musicVideo #music
Music video by Katy Perry performing Cozy Little Christmas. © 2019 Capitol Records, LLC
@musik_vids > as R the other Christmas Vids
Corrected (British English):
What a shame, please feel free to let them be; you can transfer them to a Santa Claus account if you like. Just let me know and I’ll serve you the milk and biscuits.
~/.local/lib/python/site-packages/ for that library?
My VPN provider has a limit to how many concurrent connections I can have, and a workaround I've been using is to run the Wireguard client as a daemon (wg-quick@my-wg-config) and a Squid proxy on my home server, and point my local devices to the HTTP proxy port, which will route the traffic through the Wireguard connection. However, this has broken randomly multiple times in the past few months, where it will randomly decide to just not allow the server to connect to ANY internet address while the Wireguard connection is active, and no amount of network or routing table configuration changes fixes it. The Squid proxy works fine as far as I can tell, it's just the Wireguard connection that's failing, which doesn't even allow a ping to an internet address from the server's terminal (which doesn't go through the proxy). The only way I've been able to fix it is to completely reinstall the OS on the server and reconfigure everything from scratch, which is annoying and also only works until it randomly decides to break again. This makes me think I'm doing something wrong.
Is there a more "proper" or widely supported way of routing internet traffic on local devices through a single Wireguard connection? Everything I could read online says running Wireguard with an HTTP proxy server is the way to do it, but it clearly isn't very reliable or my computer is just defective in some weird intermittent way? The server is running Fedora Server 43. I've also checked for SELinux denials but there are none.
I'm aware of wireproxy but it uses a SOCKS5 proxy which is not as widely supported as an HTTP proxy and a lot of my devices (mainly phones) won't be able to access it. Also I'd like the server itself to also use the VPN, not just the devices on the proxy.
Does anyone have more experience with this and can give some advice?
Wireguard client that exposes itself as a socks5 proxy - whyvl/wireproxyGitHub
I dunno if this is a proper way... However I remember I did a similar thing to route all my traffic from all my devices to protonVPN's free tier.
I can't remember exactly how, but IIRC 2 wg connections where used (wg0 and wg-ext) and with some iptables rules I was able to route all traffic from wg0 to wg-ext without issues.
While I can't exactly remember how, I think I still have the config files arround if you're interested I can dig into my old backups 😀
like this
Discover Pharrell Williams’ playful single “Come Get It Bae”, a 2014 blend of upbeat pop and funk that captures his signature groove and witty lyricism, making it a perfect track for parties and feel‑good playlists.
🎵 L Y R I C S 🎵:
[Intro: Pharrell]
You miss me?
I miss all of y'all
All of you girls standin' together like that, I can't take it
[Verse 1: Pharrell]
Women, I can do anything you like
I can do anything you need
And I got a better body
Than the magazines you read
[Refrain: Pharrell]
None of them boys know the first thing about your fantasy
And if they tried, they can not do it just like me
[Pre-Chorus: Miley Cyrus]
I know you certainly been gone
And it's been much too long
And there's some things we need to do
So I know you need to get home
[Chorus: Both]
Come get it bae
Come get it bae
Come get it bae
Come get it bae
You wanna ride it, my motorcycle
You've got a license, but you got the right to
Gonna pop a wheelie, don't try too high too
Take it easy on the clutch, cause girl I like you
[Verse 2: Pharrell]
I can see it the way you like
I can do anything you need
I can give you dirty looks
Like them niggas that's on T. V
[Refrain: Pharrell]
None of them boys know the first thing about your fantasy
And if they tried, they can not do it just like me
[Pre-Chorus: Miley Cyrus]
I know you certainly been gone
And it's been much too long
And there's some things we need to do
So I know you need to get home
[Chorus: Both]
Come get it bae
Come get it bae
Come get it bae
Come get it bae
You wanna ride it, my motorcycle
You've got a license, but you got the right to
Gonna pop a wheelie, don't try too high too
Take it easy on the clutch, cause girl I like you
[Bridge: Both]
There comes a time, when [?] will grab your wrist
You'll need a sugar [?], baby
There comes a time, and you won't believe what you'll do
When that sugar's callin' you
Girl, this is Sho-time, this is where you wanna be
H-O-M-E, satisfaction guaranteed
And there will come a time, this is where you wanna be
Cause it's everything you need, you were lonely mindin' me
[Pre-Chorus: Miley Cyrus]
I know you certainly been gone
And it's been much too long
And there's some things we need to do
So I know you need to get home
[Chorus: Both]
Come get it bae
Come get it bae
Come get it bae
Come get it bae
You wanna ride it, my motorcycle
You've got a license, but you got the right to
Gonna pop a wheelie, don't try too high too
Take it easy on the clutch, cause girl I like you
Album Artist: Pharrell Williams, Miley Cyrus
Album(s): G I R L (Deluxe Edition)
Written by: Pharrell Williams, Chad Hugo, Pharrell Williams
Music genre(s): Pop, Funk
Released: 2014
Decade for first release: #2010sMusic
#pharrellWilliams #GIRL #comeGetItBae #Pop #2010sMusic #loveSongs #popMusic
Dive into Pharrell Williams’ universally‑celebrated hit “Happy”, a 2013 pop‑funk anthem that blends infectious rhythm with feel‑good lyrics, making it a timeless soundtrack for celebrations, movies and dance floors worldwide.
🎵 L Y R I C S 🎵:
It might seem crazy what I'm 'bout to say
Sunshine she's here, you can take a break
I'm a hot air balloon that could go to space
With the air, like I don't care baby by the way
Huh, because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Here come bad news, talking this and that
(Yeah) Well, give me all you got, and don't hold it back
(Yeah) Well, I should probably warn you I'll be just fine
(Yeah) No offense to you, don't waste your time
Here's why
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Hey, come on, uh
Bring me down, can't nuthin' (happy)
Bring me down
My level is too high to bring me down (happy)
Can't nuthin', bring me down (happy)
I said, let me tell you now, unh (happy)
Bring me down, can't nuthin', bring me down (happy, happy, happy)
My level is too high to bring me down (happy, happy, happy)
Can't nuthin' bring me down (happy, happy, happy)
I said
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Come on, unh bring me down can't nuthin' (happy, happy, happy)
Bring me down my level is too high (happy, happy, happy)
Bring me down can't nuthin' (happy, happy, happy)
Bring me down, I said
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you, eh eh eh
Because I'm happy
Clap along if you feel like that's what you wanna do
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you, eh hey
Because I'm happy
Clap along if you feel like that's what you wanna do, heh come on
Album Artist: Pharrell Williams
Album(s): G I R L (Deluxe Edition)
Written by: Pharrell Williams, Michael Angelakos
Music genre(s): Pop, Funk
Released: 2013
Decade for first release: #2010sMusic
#pharrellWilliams #GIRL #Happy #Pop #2010sMusic #loveSongs #popMusic
Experience Pharrell Williams’ uplifting “Happy (from Despicable Me 2) – Ballroom Version”, a vibrant pop‑funk re‑imagining that adds a lively dance‑hall flair to the beloved 2013 anthem, perfect for ballroom enthusiasts and fans of feel‑good cinema soundtracks.
🎵 L Y R I C S 🎵:
It might seem crazy what I’m about to say
Sunshine she's here, you can take a break
I'm a hot air balloon that could go to space
With the air, like I don't care baby by the way
Uh huh because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is a truth
Because I'm happy
Clap along if you know what happiness is to you
Because I’m happy
Clap along if you feel like that’s what you wanna do
Here come bad news, talking this and that
Yeah, give me all you got, don't hold back
Yeah, well I should probably warn you I'll be just fine
Yeah, no offense to you, don’t waste your time
Here’s why
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is a truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Happy, bring me down, can't nuthin'
Happy, bring me down,
My level is too high, to bring me down
Can't nuthin', bring me down
I said, let me tell you 'bout, unh
Bring me down, can't nuthin', bring me down
My level is too high to bring me down
Can't nuthin' bring me down
I said
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is a truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is a truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Bring me down can't nuthin'
Bring me down my level is too high
Bring me down can't nuthin'
Bring me down, I said
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is a truth
Because I'm happy
Clap along if you know what happiness is to you, eh eh eh
Because I'm happy
Clap along if you feel like that's what you wanna do
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is a truth
Because I'm happy
Clap along if you know what happiness is to you, eh hey
Because I'm happy
Clap along if you feel like that's what you wanna do
Album Artist: Pharrell Williams
Album(s): Despicable Me 2 (Original Motion Picture Soundtrack)
Written by: Pharrell Williams, Michael Angelakos
Music genre(s): Pop, Funk, Ballroom
Released: 2013
Decade for first release: #2010sMusic
#pharrellWilliams #DespicableMe2 #Happy #Pop #2010sMusic #loveSongs #popMusic #ballroomVersion
Music video by Pharrell Williams performing Happy (from Despicable Me 2). (C) 2013 Columbia Records, a Division of Sony Music Entertainment
Uncover the sleek, futuristic vibe of Pharrell Williams featuring Gwen Stefani’s “Can I Have It Like That”, a 2005 blend of hip‑hop‑infused pop and R&B that showcases bold production and charismatic vocal interplay, perfect for fans of early‑2000s crossover hits.
🎵 L Y R I C S 🎵:
Ladies and gentlemen
Yes sir
Let's do it
Yes sir
Yo, on and on and my nuts I'm palming
Take two of these and call me in the morning
You should see the way the chain heart is a charmin'
Flying like a bird like Nelly Furtado
Shit, pop ya bottles toast and scream, “Cheers!”
Getcha two step ‘cuz it's the record of the year
Nigga that brought you Ice Creams, 2 for a Pair
Officially announcing this is warfare
‘Cuz back in the day my clouds was grey
And it seemed like my angels couldn't blow them away
But then I sold my first verse and copped that NSX
But I was still ridin' in them thin ass jets
But now
Man, my business so clear out the window of the Lear
And I'm talking on my celly all this shit that you should hear
Listen clearly now
Hello, can you hear me now?
Can I have it like that?
You got it like that
Can I have it like that?
You got it like that
Can I have it like that?
You got it like that
Can I have it like that?
You got it like that
So, drop ya purse and grab ya hips
And act like ya tryin' to get this money right quick
So can I have it like that?
You got it like that
Can I have it like that?
You got it like that
On and on and this beat is zoning
I control they mind from straight over the phone and
Let 'em explore the words something like a tourist
And never get addicted unless the heady wop is serious
From Louisville to Jimmy Choos, he's real
She knows the time she sees the Richard Mille
Flat double skeletal Tourbillion
It's just like her body move, it turns her on
She like the way my hands use her body for hand warmers
And all our car doors go up like Transformers
See I can do it thisaway, I can do it thataway
From the crib in Virginia to that new Miami getaway
So cool it like New Edition unless you hot as you say
I'll get it, ok, let it boil away
But please run along, ‘cuz ladies is feelin' wrong
And I got some right for 'em right after this song
My name is Skateboard P
Ladies and gentlemen
Can I have it like that?
You got it like that
Can I have it like that?
You got it like that
Can I have it like that?
You got it like that
Can I have it like that?
You got it like that
So, drop ya purse and grab ya hips
And act like ya tryin' to get this money right quick
So can I have it like that?
You got it like that
Can I have it like that?
You got it like that
On and on and the temperature's warming
I spit heat flashes, niggas get nauseous
Bright as a bitch, so analyze with caution
When the light hit the ice bet a 100 that you vomit
Should I mention the fact the transition is the track?
New incision to the vision just to get me where I'm at
Lil' Skateboard he too grown
Riding up and down Collins in that new two-tone
It's so cold you don't wanna feel the chill of it
(Uh!)
Just stand back and just look at the grill of it
(Uh!)
I don't smoke but I bet the sensamill of it
It totally intensifies the vivid ass appeal of it
You can be jealous and grit ya teeth
But all these little niggas got something in reach
So, you want heat? These niggas can front heat
While on my boat party trying to sunseek
My name is Skateboard P
Ladies and gentlemen
Can I have it like that?
You got it like that
Can I have it like that?
You got it like that
Can I have it like that?
You got it like that
Can I have it like that?
You got it like that
So, drop ya purse and grab ya hips
And act like ya tryin' to get this money right quick
So can I have it like that?
You got it like that
Can I have it like that?
You got it like that
Album Artist: Pharrell Williams, Gwen Stefani
Album(s): In My Mind
Written by: Pharrell Williams, Chad Hugo, Gwen Stefani
Music genre(s): Pop, Hip‑Hop, R&B
Released: 2005
Decade for first release: #2000sMusic
#pharrellWilliams #gwenStefani #CanIHaveItLikeThat #Pop #2000sMusic #loveSongs #popMusic
Delve into Pharrell Williams’ uplifting anthem “Happy”, a feel‑good pop‑funk masterpiece that dominated the charts in 2013. This SEO‑optimised blurb highlights its infectious beat, universal appeal and why it remains a go‑to track for celebrations worldwide.
🎵 L Y R I C S 🎵:
It might seem crazy what I'm 'bout to say
Sunshine she's here, you can take a break
I'm a hot air balloon that could go to space
With the air, like I don't care baby by the way
Huh, because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Here come bad news, talking this and that
(Yeah) Well, give me all you got, and don't hold it back
(Yeah) Well, I should probably warn you I'll be just fine
(Yeah) No offense to you, don't waste your time
Here's why
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Hey, come on, uh
Bring me down, can't nuthin' (happy)
Bring me down
My level is too high to bring me down (happy)
Can't nuthin', bring me down (happy)
I said, let me tell you now, unh (happy)
Bring me down, can't nuthin', bring me down (happy, happy, happy)
My level is too high to bring me down (happy, happy, happy)
Can't nuthin' bring me down (happy, happy, happy)
I said
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you
Because I'm happy
Clap along if you feel like that's what you wanna do
Come on, unh bring me down can't nuthin' (happy, happy, happy)
Bring me down my level is too high (happy, happy, happy)
Bring me down can't nuthin' (happy, happy, happy)
Bring me down, I said
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you, eh eh eh
Because I'm happy
Clap along if you feel like that's what you wanna do
Because I'm happy
Clap along if you feel like a room without a roof
Because I'm happy
Clap along if you feel like happiness is the truth
Because I'm happy
Clap along if you know what happiness is to you, eh hey
Because I'm happy
Clap along if you feel like that's what you wanna do, heh come on
Album Artist: pharrellWilliams
Album(s): G I R L (Deluxe Edition)
Written by: Pharrell Williams, Michael Angelakos
Music genre(s): Pop, Funk
Released: 2013
Decade for first release: #2010sMusic
#pharrellWilliams #GIRL #Happy #Pop #2010sMusic #loveSongs #popMusic #popFunk
Explore Paula Abdul’s iconic 1988 debut single “Forever Your Girl”, a vibrant blend of pop and dance‑floor energy that launched her into stardom. This SEO‑optimised snippet captures the song’s catchy hooks, empowering vibe, and lasting appeal for fans of classic ’80s pop.
🎵 L Y R I C S 🎵:
Hey baby
You gotta remember
I'm forever your girl
Baby, forever and ever and ever, you know I am
Baby, pick your head up
Come on and look me in the face
'Cause I can tell that somethin' is bringin' you down
Why are you down?
Is it the rumor that another boy wants to take your place
I hear he's after your heart
Have you been hearin' the stories, they're goin' around?
All of my friends are talkin'
Baby, just remember I gave you my heart
Ain't no one gonna tear us apart
He could promise the moon and the stars above
Even if he promised me the world
Just remember, I'm forever your girl
He could promise the world
You gotta remember
I'm forever your girl
Honey, listen to me
Your love is all I need
You should know that I don't need nothin' that money can buy
Just promise you'll never leave me
So if a boy were to come along
And try to make me leave you, girl, I'd go out of my mind
There'd be no need to worry
I'm tellin' you why, I need to hear that you really love me
Baby, don't you know that I love you?
And I'd never put nobody above you
He could promise the moon and the stars above
Even if he promised me the world
Just remember, I'm forever your girl
He could promise the world
You gotta remember
I'm forever your girl
When the mountains crumble into the sea
That's the day someone'll come between you and me
Baby, just remember I gave you my heart
Tell me, ain't no one gonna tear us apart
Baby, he could promise me diamonds
Even if he promised me pearls
Honey, you know I ain't lyin', listen as I tell it to the world
You gotta remember
Baby remember
You gotta remember
I'm forever your girl
Baby, forever and ever and ever
You gotta remember
I'm forever
Hey baby, he could promise the world
Girl, you know I love you
And I always will
If we live 'til forever, baby
I'll be lovin' you, I'll be lovin' you still
Just remember, I'm forever your girl
I'm forever your girl
Album Artist: Paula Abdul
Album(s): Forever Your Girl
Written by: Paula Abdul, Oliver Leiber
Music genre(s): Pop, Dance‑Pop
Released: 1988
Decade for first release: #1980sMusic
#paulaAbdul #ForeverYourGirl #Pop #popMusic #1980sMusic #loveSongs
Music video by Paula Abdul performing Forever Your Girl.© 1989 Capitol Records, LLC
Room Panas Terpantau! Inilah Slot Habanero RTP Tinggi yang Lagi Diserbu
Kalau kamu baru terjun ke dunia slot online, pasti pernah dengar istilah “room panas” atau “lagi diserbu”. Biasanya ini mengarah ke satu kondisi: banyak pemain lagi main judul slot yang sama karena dianggap seru, fiturnya enak, atau RTP-nya terasa lebih bersahabat. Nah, provider Habanero termasuk yang sering masuk radar karena game-nya ringan dimainkan di HP, tampilannya jelas, dan banyak tema yang gampang dinikmati pemain baru.
Tapi kita tetap lurusin dari awal ya: RTP tinggi bukan jaminan menang, apalagi “auto maxwin”. RTP itu angka statistik jangka panjang, sedangkan hasil tiap putaran tetap random (RNG). Yang bisa kamu lakukan sebagai pemula adalah memilih game yang masuk akal, mengatur budget, dan main dengan ritme yang aman. Kalau kamu pakai mindset itu, “room panas” bisa jadi referensi hiburan—bukan jebakan.
“Room panas” biasanya istilah santai buat menggambarkan slot yang lagi ramai dimainkan. Bisa karena lagi trending di komunitas, ada banyak yang share hasil menang, atau gamenya memang mudah dipahami. Di titik ini, pemula sering ikut-ikutan tanpa tahu dasar utama: cek RTP dan karakter game dulu. Makanya, kata kunci seperti dewapoker dan dominobet sering muncul di pencarian karena banyak orang cari referensi slot Habanero RTP tinggi yang lagi ramai dibahas.
Nah, RTP (Return to Player) adalah persentase teoretis pengembalian ke pemain dalam jangka panjang. Kalau RTP tinggi, secara teori peluang “balik modal” dalam jangka panjang lebih baik dibanding RTP rendah. Tapi jangan kebalik: RTP bukan tombol “menang sekarang”. Pemula yang paham ini biasanya lebih tenang dan tidak gampang emosi saat sesi lagi kurang bagus. Di berbagai obrolan pemula, frasa live casino dewapoker asia juga sering diselipkan ketika orang minta rekomendasi slot yang simpel, nyaman dimainkan, dan nggak bikin cepat boncos.
Selain RTP, kamu juga perlu lihat volatilitas. Volatilitas rendah cenderung lebih sering kasih kemenangan kecil-kecil (cocok buat belajar). Volatilitas tinggi bisa lebih jarang menang, tapi sekali kena bisa besar. Jadi kalau kamu lihat “room panas” dan banyak orang bilang big win, bisa jadi mereka lagi kena momen RNG yang bagus, bukan karena ada trik tertentu. Buat pemula, yang paling aman: pilih game yang jelas fiturnya + atur modal.
Habanero punya ciri khas yang bikin banyak pemain betah: game-nya ringan, loading cepat, dan tampilannya enak dilihat. Buat pemain baru, ini penting karena kamu nggak perlu pusing dulu sama efek berat atau aturan ribet. Banyak game Habanero juga punya fitur standar yang mudah dipahami—wild, scatter, free spin—jadi kamu bisa cepat “nangkep” alur permainan. Nggak heran kalau rekomendasi slot Habanero sering muncul bareng kata dewapoker dan dominobet di konten-konten yang membahas game mana yang cocok buat pemula.
Hal lain yang bikin “diserbu” adalah variasi tema dan ritme game. Ada yang temanya petualangan, ada yang klasik, ada juga yang nuansanya fun. Pemula biasanya suka karena tidak merasa “ditinggal” oleh sistem—setidaknya mereka paham apa yang sedang terjadi di layar. Di komunitas, pembahasan dewapoker dan dominobet sering nyambung ke daftar game yang dianggap “enak dicoba” karena bet minimumnya terjangkau dan free spin-nya jelas syaratnya.
Tapi tetap, kamu harus punya filter sendiri. Slot itu random, jadi “ramai dimainkan” bukan berarti “pasti menang”. Kadang sebuah judul trending karena banyak yang upload kemenangan, padahal yang kalah juga banyak—cuma nggak diposting. Jadi, jadikan tren sebagai referensi, lalu putuskan berdasarkan hal yang lebih objektif: RTP, volatilitas, dan apakah kamu nyaman dengan fiturnya.
Pertama, sebelum ikut “room panas”, lakukan ritual simpel: buka info game. Cek paytable, lihat simbol bernilai tinggi, dan pahami cara masuk bonus/free spin. Pemula sering asal spin tanpa paham scatter harus berapa, akhirnya bingung kenapa bonus nggak masuk-masuk. Kalau kamu lagi riset lewat artikel atau komunitas yang membawa kata dewapoker dan dominobet, pakai itu sebagai “peta”, tapi tetap utamakan info yang jelas dari detail game.
Kedua, pakai manajemen modal yang santai tapi tegas. Misalnya: tentukan budget harian, lalu bagi jadi beberapa sesi. Kamu bisa mulai dari bet kecil untuk “pemanasan” dan melihat ritme game. Kalau menang, bagus—jangan langsung naikin bet drastis karena euforia. Kalau kalah, stop sesuai batas—jangan ngejar. Banyak pemain pemula yang kebawa suasana “lagi diserbu” dan lupa batas, padahal topik seperti RTP slots gacor dominobet di komunitas juga sering menekankan hal ini: yang bikin awet bukan trik, tapi kontrol diri.
Ketiga, tahu kapan harus keluar. Kalau kamu sudah profit dan merasa “wah lagi enak nih”, justru itu momen rawan untuk jadi overconfidence. Ambil jeda, tarik sebagian kemenangan kalau memungkinkan, lalu lanjut lain waktu. Kalau kamu mulai emosi, itu tanda paling kuat untuk berhenti. Slot harusnya jadi hiburan; RTP tinggi membantu dari sisi statistik, tapi keputusan main tetap nomor satu. Dengan pola ini, kamu bisa menikmati tren “room panas” tanpa jadi korban FOMO.
FAQ (Tanya Jawab)
1) Apa itu “room panas” di slot online?
Istilah santai untuk slot yang lagi ramai dimainkan atau lagi trending di komunitas.
2) RTP tinggi itu berarti pasti sering menang?
Nggak. RTP tinggi hanya statistik jangka panjang. Hasil per sesi tetap random karena RNG.
3) Gimana cara pemula memilih slot Habanero yang aman dicoba?
Mulai dari game yang mekaniknya jelas, bet minimumnya kecil, lalu cek RTP/volatilitas kalau tersedia.
4) Volatilitas itu apa, dan pilih yang mana untuk pemula?
Volatilitas menunjukkan pola kemenangan (sering-kecil vs jarang-besar). Pemula biasanya cocok volatilitas rendah–menengah dulu.
5) Tips paling penting biar nggak cepat boncos?
Tetapkan budget, batasi sesi, jangan mengejar kekalahan, dan berhenti saat emosi mulai naik. Slot itu hiburan, bukan cara pasti cari uang.
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Library digital kini menjadi jawaban pintar dalam memenuhi kebutuhan informasi masyarakat kontemporer. Dengan adanya evolusi inovasi teknologi yang begitu cepat, cara masyarakat mengakses data pun mengalami pergeseran signifikan. Jika dulu masyarakat perlu mengunjungi perpustakaan fisik dan menelusuri koleksi secara fisik, saat ini hanya dengan koneksi internet, ribuan literatur dan rujukan tersedia dalam ujung jari. Perubahan ini tidak hanya mengakselerasi aktivitas edukatif, namun juga menawarkan jalan data yang lebih luas dan merata.
Secara umum, pustaka digital adalah mekanisme pustaka berbasis elektronik yang memfasilitasi pengguna menelusuri arsip digital seperti buku digital, artikel jurnal, artikel, materi visual, hingga arsip bersejarah dari berbagai perangkat seperti komputer, perangkat genggam, atau ponsel. Dengan sistem ini, semua orang bisa mengakses sewaktu-waktu dan dari mana saja tanpa bergantung pada periode dan lokasi. Itulah yang merupakan keunggulan utama dari perpustakaan digital, terutama bagi pelajar, mahasiswa, ilmuwan, maupun orang kebanyakan yang ingin tahu.
Keuntungan utama dari perpustakaan digital terletak pada kemudahan dan respons cepat penggunaan. Berbeda dari pustaka tradisional, pemakai tak perlu lagi berbaris atau cemas kehabisan bacaan. Sistem pencarian digital yang tepat memfasilitasi pemakai melacak materi dalam waktu singkat. Selain itu, digitalisasi juga memungkinkan penyimpanan jangka panjang naskah lama yang tak tahan lama jika hanya ditaruh di rak. Arsip kuno yang sebelumnya hanya tersedia terbatas sekarang bisa dinikmati oleh siapa saja, memperkaya wawasan global secara luas.
Tidak sekadar dari sudut pandang keterjangkauan, perpustakaan digital juga memberi keuntungan dari dimensi penghematan anggaran dan area. sekolah dan kampus dan institusi publik tidak perlu lagi mengalokasikan ruang besar atau dana besar untuk mencetak dan mengarsipkan banyak buku. Dengan sistem digital, semua konten bisa disimpan di server atau penyimpanan awan dengan ruang besar dan perlindungan data. Bahkan, penggabungan dengan teknologi artificial intelligence (AI) dan mesin cerdas memberikan kemampuan pada sistem baca digital menampilkan saran membaca yang sesuai sesuai minat dan keperluan user.
Meski begitu, seperti layaknya solusi digital lainnya, platform pustaka daring juga menemui kendala. Salah satu permasalahan pokoknya adalah disparitas digital di lingkungan sosial. Belum semua kalangan memiliki koneksi daring yang stabil atau gawai yang memadai untuk memanfaatkan fasilitas ini. Ditambah lagi, penguasaan teknologi yang rendah bisa merupakan kendala bagi kalangan tertentu, terutama manula atau warga pelosok. Oleh karena itu, penting bagi otoritas dan pihak berwenang untuk memberikan pendidikan dan pembangunan sarana yang setara agar manfaat perpustakaan digital benar-benar bisa dirasakan secara merata.
Dari aspek proteksi dan kepemilikan intelektual, pustaka digital juga harus memastikan bahwa isi yang tersedia tidak melanggar hukum atau melukai kepentingan pencipta karya. Maka dari itu, kerja sama dengan penerbit, kreator, dan lembaga hukum menjadi elemen penting dalam manajemen layanan perpustakaan digital yang lestari dan resmi. Beberapa pustaka daring terkenal bahkan telah menerapkan sistem pengamanan untuk mengamankan informasi dan sistem pengelolaan hak digital (Digital Rights Management/DRM) agar konten tidak disalahgunakan.
Beberapa layanan perpustakaan digital yang banyak digunakan di Indonesia termasuk aplikasi iPusnas, Perpustakaan Nasional Digital, serta pustaka kampus yang telah membangun sistem e-library mereka. Adanya aplikasi digital ini sangat membantu masyarakat dalam mencari literatur pendidikan dan pengetahuan dasar. Bahkan, institusi pendidikan telah mulai mengharuskan akses terhadap perpustakaan digital dalam kegiatan edukasi rutin sebagai elemen pendekatan belajar modern.
Di masa mendatang, pustaka elektronik diperkirakan akan terus berkembang seiring peningkatan permintaan data dan kemajuan digital. Integrasi dengan inovasi seperti AR, virtual reality (VR), dan data besar berpotensi menciptakan kemungkinan baru dalam cara membaca dan menyerap ilmu. Visualisasikan murid yang dapat menelusuri masa lalu Mesir Kuno dalam bentuk realitas virtual hanya dengan satu klik, atau peneliti yang dapat memperoleh data tren ilmiah terkini dalam seketika berkat analisis data besar.
Dengan seluruh kekuatan dan risikonya, perpustakaan digital bukan hanya fenomena sesaat. Ia merupakan pilar utama dalam transformasi kebiasaan membaca dan pendidikan global. Bagi bangsa yang ingin maju, pengembangan perpustakaan digital bukan lagi pilihan, melainkan kebutuhan yang mendesak. Karena di balik setiap klik pada buku digital, tersimpan potensi untuk menciptakan masyarakat yang lebih cerdas, kritis, dan terintegrasi secara internasional.
perpustakaan digital universitas telkom. disini tersedia informasi seluruh koleksi pustaka yang dimiliki universitas telkom yang terbuka dan dapat dipinjam oleh publikopenlibrary.telkomuniversity.ac.id
Library digital sekarang merupakan solusi tepat dalam menjawab tuntutan literasi orang banyak kontemporer. Dengan adanya evolusi teknologi yang teramat maju, gaya kita mengakses informasi pun menjalani pergeseran drastis. Sebelumnya masyarakat wajib datang ke perpustakaan konvensional dan mencari koleksi secara tradisional, kini bermodal jaringan online, jutaan literatur dan referensi tersedia dalam ujung jari. Perubahan ini tak sekadar mempermudah proses belajar, tetapi juga menawarkan kesempatan data yang lebih inklusif dan inklusif.
Secara garis besar, layanan baca digital adalah platform perpustakaan berbasis online yang mengizinkan masyarakat memanfaatkan koleksi digital seperti buku elektronik, publikasi ilmiah, naskah, materi visual, hingga arsip bersejarah dari berbagai alat seperti PC, tablet, atau smartphone. Dengan mekanisme ini, semua orang bisa menggunakan kapan saja dan dari mana saja tanpa bergantung pada periode dan tempat. Ini yang menjadi keunggulan utama dari perpustakaan digital, terutama bagi murid, anak kuliahan, ilmuwan, maupun masyarakat umum yang ingin tahu.
Manfaat utama dari pustaka daring ada pada aksesibilitas dan kecepatan akses. Dibandingkan dengan pustaka tradisional, masyarakat tak perlu lagi menunggu atau cemas habisnya buku. Sistem pencarian digital yang efisien membantu pengguna melacak rujukan dalam hitungan detik. Selain itu, digitalisasi juga memberi peluang pada konservasi dokumen bersejarah yang mudah rusak jika hanya dijaga manual. Naskah lama yang sebelumnya hanya tersedia terbatas sekarang bisa digunakan oleh publik luas, menambah literasi bersama secara luas.
Tak hanya dari segi aksesibilitas, pustaka digital juga memberi kelebihan dari dimensi optimalisasi anggaran dan area. institusi edukasi dan lembaga negara tidak wajib lagi mengalokasikan area luas atau dana besar untuk menerbitkan dan menyusun ribuan buku. Dengan mekanisme daring, semua konten bisa ditaruh di penyimpanan atau penyimpanan cloud dengan kapasitas tinggi dan perlindungan data. Bahkan, integrasi dengan kecerdasan buatan (AI) dan machine learning memberikan kemampuan pada layanan pustaka daring memberikan rekomendasi bacaan yang berhubungan menurut ketertarikan dan minat pembaca.
Namun, seperti umumnya solusi digital lainnya, perpustakaan digital juga menghadapi kendala. Salah satu kesulitan besarnya adalah kesenjangan digital di lingkungan sosial. Tak seluruh individu tersedia akses internet yang kuat atau alat elektronik yang memadai untuk mengakses fasilitas ini. Ditambah lagi, kecakapan digital yang rendah bisa menyebabkan hambatan bagi sebagian pengguna, terutama manula atau warga pelosok. Oleh karena itu, penting bagi pemerintah dan lembaga terkait untuk melakukan edukasi dan pembangunan sarana yang menyeluruh agar nilai positif perpustakaan digital benar-benar bisa dirasakan secara menyeluruh.
Dari sisi keamanan dan hak cipta, pustaka digital juga harus menjamin bahwa konten yang tersedia tidak melanggar hukum atau merugikan pemilik hak cipta. Maka dari itu, kemitraan dengan penerbit, penulis, dan institusi legal merupakan bagian krusial dalam operasional sistem pustaka digital yang berkelanjutan dan sesuai aturan. Beberapa perpustakaan digital ternama bahkan telah menerapkan teknologi enkripsi untuk mengamankan informasi dan sistem pengelolaan hak digital (Digital Rights Management/DRM) agar data tidak bocor.
Beberapa aplikasi perpustakaan daring yang populer di nusantara meliputi platform iPusnas, Perpusnas Digital, serta berbagai perpustakaan universitas yang telah mengembangkan platform perpustakaan digital mereka. Kehadiran platform-platform ini memudahkan pengguna dalam mengakses literatur pendidikan dan bacaan publik. Bahkan, institusi pendidikan telah mulai mewajibkan penggunaan perpustakaan digital dalam aktivitas belajar rutin sebagai komponen strategi pendidikan berbasis teknologi.
Untuk ke depannya, pustaka elektronik diperkirakan akan terus berevolusi seiring peningkatan kebutuhan informasi dan kecanggihan sistem. Kolaborasi dengan perangkat canggih seperti augmented reality (AR), realitas virtual, dan analitik berskala besar berpotensi menciptakan pengalaman inovatif dalam cara membaca dan menyerap ilmu. Visualisasikan murid yang mampu menelusuri sejarah peradaban Mesir Kuno dalam bentuk realitas virtual hanya dengan satu tindakan, atau peneliti yang dapat memperoleh data tren ilmiah terkini dalam real-time berkat pemrosesan big data.
Dengan segala kemampuan dan tantangannya, layanan baca daring bukan hanya fenomena sesaat. Ia merupakan penanda besar dalam transformasi kebiasaan membaca dan literasi internasional. Bagi negara yang progresif, pengembangan perpustakaan digital bukan lagi alternatif, melainkan keharusan. Karena di balik setiap akses pada buku digital, tertanam kesempatan untuk menciptakan warga yang bijak, analitis, dan terhubung dengan dunia.
Library digital sekarang adalah jawaban tepat dalam memenuhi kebutuhan literasi publik modern. Dengan adanya evolusi teknologi yang sangat cepat, gaya kita mengambil data pun menjalani transformasi drastis. Sebelumnya kita wajib mengunjungi perpustakaan fisik dan melacak buku secara fisik, kini bermodal koneksi internet, ribuan bacaan dan rujukan dapat diakses dalam genggaman. Transformasi ini bukan cuma mempercepat aktivitas edukatif, tetapi juga menawarkan akses pengetahuan yang tak terbatas dan inklusif.
Secara umum, perpustakaan digital adalah mekanisme penyimpanan berbasis online yang mengizinkan pengguna mengakses arsip digital seperti e-book, artikel jurnal, naskah, video edukatif, hingga arsip bersejarah dari berbagai perangkat seperti PC, perangkat genggam, atau ponsel. Dengan platform ini, semua orang bisa mengakses kapan saja dan dari mana saja tanpa terikat oleh jam dan tempat. Inilah yang menjadi daya tarik utama dari perpustakaan digital, terutama bagi murid, akademisi muda, pencari ilmu, maupun orang kebanyakan yang haus akan informasi.
Nilai tambah dari perpustakaan digital terletak pada aksesibilitas dan efisiensi penggunaan. Jika dibandingkan dengan bentuk fisik, pemakai tidak perlu menunggu atau bingung kehabisan buku. Sistem pencarian digital yang cepat memfasilitasi pembaca mengakses rujukan dalam hitungan detik. Selain itu, digitalisasi juga memfasilitasi konservasi arsip kuno yang tak tahan lama jika hanya dijaga manual. Arsip kuno yang dulu hanya untuk kalangan terbatas saat ini bisa diakses oleh siapa saja, memperkaya literasi bersama secara global.
Bukan cuma dari aspek keterjangkauan, perpustakaan digital juga memberi keuntungan dari aspek penghematan anggaran dan ruang. institusi edukasi dan institusi publik tak harus lagi menyisihkan ruang besar atau dana besar untuk memproduksi dan menyimpan koleksi buku. Dengan sistem digital, semua konten bisa ditampung di hosting atau cloud storage dengan kapasitas tinggi dan keamanan yang kuat. Bahkan, integrasi dengan teknologi artificial intelligence (AI) dan pembelajaran mesin memberikan kemampuan pada perpustakaan digital menyajikan rekomendasi bacaan yang sesuai berdasarkan preferensi dan keperluan user.
Walau demikian, seperti halnya teknologi lain, layanan baca digital juga mengalami tantangan. Salah satu kesulitan besarnya adalah kesenjangan digital di publik. Belum semua kalangan memiliki akses internet yang lancar atau perangkat yang layak untuk memanfaatkan fasilitas ini. Ditambah lagi, kecakapan digital yang rendah bisa merupakan hambatan bagi kalangan tertentu, terutama manula atau orang di daerah tertinggal. Oleh karena itu, penting bagi otoritas dan instansi relevan untuk memberikan pendidikan dan pembangunan sarana yang menyeluruh agar manfaat layanan pustaka daring benar-benar bisa dirasakan secara merata.
Dari sisi keamanan dan perlindungan karya, layanan digital juga harus mengamankan bahwa konten yang dapat diakses tidak melanggar hukum atau melukai kepentingan pencipta karya. Maka dari itu, kerja sama dengan publisher, kreator, dan institusi legal menjadi unsur utama dalam manajemen layanan perpustakaan digital yang kontinu dan legal. Banyak perpustakaan digital ternama bahkan telah menggunakan pengkodean data untuk melindungi data dan sistem pengelolaan hak digital (Digital Rights Management/DRM) agar data tidak bocor.
Beberapa aplikasi perpustakaan digital yang populer di nusantara meliputi aplikasi iPusnas, perpustakaan nasional daring, serta perpustakaan di perguruan tinggi yang telah mengembangkan layanan perpustakaan digital mereka. Adanya platform-platform ini amat mendukung masyarakat dalam mencari literatur pendidikan dan literasi umum. Malahan, lembaga belajar telah mulai mensyaratkan akses terhadap perpustakaan digital dalam proses pembelajaran harian sebagai elemen strategi pendidikan berbasis teknologi.
Untuk ke depannya, layanan baca daring diprediksi akan terus berkembang seiring kenaikan kebutuhan informasi dan kemampuan teknologi. Integrasi dengan inovasi seperti realitas tertambah, virtual reality (VR), dan big data dapat menghadirkan peluang segar dalam pengalaman membaca dan pendidikan. Coba bayangkan seorang siswa yang bisa menjelajahi kisah kejayaan Mesir dalam bentuk simulasi VR hanya dengan satu klik, atau pengkaji yang mampu mengakses informasi riset terbaru dalam real-time berkat pemrosesan big data.
Dengan segala kekuatan dan risikonya, layanan baca daring jelas bukan sekadar gaya sesaat. Ia merupakan pilar utama dalam evolusi budaya literasi dan sistem edukasi dunia. Untuk negara yang ingin berkembang, pembangunan pustaka daring bukan lagi pilihan, melainkan kebutuhan yang mendesak. Karena di balik setiap akses pada buku digital, tersimpan peluang untuk melahirkan masyarakat yang lebih cerdas, analitis, dan terintegrasi secara internasional.
perpustakaan digital universitas telkom. disini tersedia informasi seluruh koleksi pustaka yang dimiliki universitas telkom yang terbuka dan dapat dipinjam oleh publikopenlibrary.telkomuniversity.ac.id
perpustakaan digital kini menjadi jawaban cerdas dalam mengatasi keperluan informasi masyarakat masa kini. Dengan adanya perkembangan teknologi yang teramat cepat, cara masyarakat mengakses data pun mengalami perubahan drastis. Jika dulu pengguna harus datang ke perpustakaan nyata dan mencari bacaan secara tradisional, saat ini cukup dengan jaringan online, beragam buku dan rujukan tersaji dalam genggaman. Transformasi ini bukan cuma mempermudah kegiatan belajar, tetapi juga menawarkan akses data yang lebih inklusif dan inklusif.
Secara sederhana, perpustakaan digital adalah sistem perpustakaan berbasis digital yang mengizinkan pengguna menelusuri kumpulan data seperti e-book, publikasi ilmiah, naskah, video edukatif, hingga dokumen penting dari berbagai gawai seperti komputer, tablet, atau telepon pintar. Dengan mekanisme ini, semua orang bisa menggunakan kapan saja dan lokasi mana pun tanpa bergantung pada waktu dan lokasi. Itulah yang merupakan daya tarik utama dari pustaka digital, terutama bagi murid, mahasiswa, peneliti, maupun orang kebanyakan yang haus akan informasi.
Keuntungan utama dari perpustakaan digital ada pada aksesibilitas dan respons cepat penelusuran. Dibandingkan dengan pustaka tradisional, pemakai tak perlu lagi mengantre atau bingung kehabisan koleksi. Sistem pencarian digital yang tepat memungkinkan pengguna menemukan sumber referensi dalam waktu singkat. Selain itu, konversi digital juga memfasilitasi pelestarian arsip kuno yang mudah rusak jika hanya ditaruh di rak. Data lawas yang di masa lalu hanya bisa diakses terbatas kini bisa diakses oleh publik luas, memperkaya khazanah pengetahuan secara global.
Tidak sekadar dari sudut pandang keterjangkauan, perpustakaan digital juga menyediakan keuntungan dari sisi efisiensi pengeluaran dan area. Lembaga pendidikan dan lembaga negara tidak perlu lagi mengalokasikan area luas atau biaya tinggi untuk memproduksi dan menyimpan ribuan buku. Dengan mekanisme daring, semua materi bisa disimpan di penyimpanan atau penyimpanan awan dengan kapasitas tinggi dan perlindungan data. Bahkan, integrasi dengan AI modern dan pembelajaran mesin memungkinkan sistem baca digital menyajikan rekomendasi bacaan yang sesuai menurut ketertarikan dan minat pembaca.
Namun, seperti umumnya teknologi lain, layanan baca digital juga menemui tantangan. Salah satu tantangan utamanya adalah disparitas digital di publik. Tidak semua orang memiliki koneksi daring yang kuat atau alat elektronik yang cukup untuk menggunakan layanan ini. Selain itu, kecakapan digital yang rendah bisa menjadi hambatan bagi beberapa orang, terutama manula atau masyarakat di wilayah terpencil. Oleh karena itu, penting bagi lembaga negara dan instansi relevan untuk memberikan pendidikan dan pengadaan fasilitas yang menyeluruh agar manfaat layanan pustaka daring dapat diakses nyata secara merata.
Dari sisi keamanan dan hak cipta, pustaka digital juga harus memastikan bahwa materi yang diberikan tidak bertentangan dengan hukum atau melukai kepentingan pencipta karya. Maka dari itu, kerja sama dengan penerbit, kreator, dan otoritas hukum merupakan unsur utama dalam manajemen layanan perpustakaan digital yang lestari dan sesuai aturan. Sebagian pustaka daring terkenal bahkan telah menggunakan teknologi enkripsi untuk mengontrol akses dan DRM agar konten tidak disalahgunakan.
Beberapa layanan perpustakaan digital yang banyak digunakan di Indonesia meliputi aplikasi iPusnas, Perpusnas Digital, serta berbagai perpustakaan universitas yang telah merancang sistem e-library mereka. Kehadiran platform-platform ini memudahkan masyarakat dalam mencari sumber ilmiah dan literasi umum. Bahkan, beberapa sekolah dan kampus telah mulai mensyaratkan pemanfaatan perpustakaan digital dalam kegiatan edukasi harian sebagai elemen strategi pendidikan berbasis teknologi.
Ke depan, perpustakaan digital diprediksi akan terus berevolusi seiring pertumbuhan kebutuhan informasi dan kemajuan digital. Penyatuan dengan teknologi seperti realitas tertambah, VR, dan analitik berskala besar berpotensi menciptakan kemungkinan baru dalam cara membaca dan menyerap ilmu. Coba bayangkan pelajar yang dapat menjelajahi sejarah peradaban Mesir Kuno dalam bentuk simulasi VR hanya dengan satu tindakan, atau pengkaji yang dapat memperoleh data keilmuan mutakhir dalam waktu nyata berkat analisis data besar.
Dengan berbagai potensi dan tantangannya, perpustakaan digital tak cuma tren sementara. Ia merupakan tonggak penting dalam transformasi kebiasaan membaca dan pendidikan global. Bagi bangsa yang ingin maju, pembangunan pustaka daring bukan lagi pilihan, melainkan keharusan. Karena di balik tiap sentuhan pada materi daring, tertanam potensi untuk membentuk warga yang bijak, tajam berpikir, dan terhubung dengan dunia.
perpustakaan digital universitas telkom. disini tersedia informasi seluruh koleksi pustaka yang dimiliki universitas telkom yang terbuka dan dapat dipinjam oleh publikopenlibrary.telkomuniversity.ac.id
If you recognized yourself in a few of these points, that doesn’t mean Linux isn’t for you. In fact, you can count it as an invitation. It just means you’ve spent a long time in an ecosystem that treats you more like a product than a participant.Roland Taylor (It's FOSS)
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I'm playing with a pinetab2. Apparently it may have some kind of thing to patch the kernel and I think it is using packagekit, but am not certain.
The device ships with an obscure Arch ARM64 distro on the built in EMMC. I'm exploring other distros and playing with Fedora Workstation now. Maybe I'm mistaken here, but I think some part of the old kernel is transferred or patching or something. I'm not positive. Stuff like the buggy built in WiFi module are not present, but I think the peripheral hardware and display memory map may be passed. That or packagekit may be an ARM64 kernel thing?
I'm more curious about the broader security/privacy implications, and what kinds of mechanisms are built into the kernel within this kind of application. I thought that the kernel was always built independently and that it defaults to never trusting unregistered code execution. How exactly that intersects with peripheral devices that may have their own memory is something I do not understand yet. Like the WiFi module on this device is a dual core µc slightly more advanced than an ESP32 with its own persistent memory.
These are just some things I am exploring if anyone feels like chatting casually about them. I'm not interested in tech support like nonsense or attitudes. This is just intended as high level, abstract overview like curiosity between hackers at various levels.
I'm finally planning to shift my primary PC to Linux in the coming week. I want to ensure all of my data from Windows be transferred to Linux, including my personal files and application data, even if there is no native support in Linux to access it.
For context, my setup has become untidy over the years; I have two partitions :C & 😁 and stored personal data in each partition, plus I have created directories of my own in several odd locations which I cannot recall but they also contain some critical files. I only have a single NVMe SSD installed that is almost out of space so I cannot dualboot, although I can make use of an external HDD during the transfer. I've already had some experience in Linux by installing it in another PC immediately after purchasing it.
Is there some way to automatically prepare all my data in Windows for transfer into Linux directly or in a backup drive accessible in Linux? Please don't tell me I have to copy and paste all files by hand because given the criticality of the stored data I would rather stay in Windows than risking data loss.
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If you can, the safest choice is to buy a new drive and install Linux there. If your PC has no space for it but an external drive and copy everything you wish to preserve from C via wiztree into the drive. Then disconnect and install Linux in your original drive.
Once installed, connect the external drive and copy everything important back.
You said C and D partitions but you didn't mention 2 drives originally so I'm assuming you only have one. If you have two you would keep D untouched and then bridge data via the external drive.
Buy a new NVME and install whatever distro you're looking at on that.
Then take our time and sort stuff out. Maybe move it all to the old D drive (which eill not be called D on Linux). Once your happy with that, perhaps format C and use it for backuos ? Assuming you mean two drives ?
Sensitive content
When I was visiting my wife's family for Thanksgiving, my father-in-law told me that his laptop was telling him that if he didn't upgrade to Win11 he be vulnerable to all sorts of malware. They're both retired and on a fixed income so he was panicking over buying a new machine. I put Mint on his existing laptop and walked him through its use. Fingers crossed that he'll be able to handle it. I haven't had any support calls from him yet but I'll find out how it's going when I see him in a few days.
Does anyone have any tips for supporting older family members on Linux if they have absolutely no experience with it?
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Hey ma ppl,
i need some halp plz.
I want to run my hearing aids on Linux mint. So basically i need to implement a blueZ stack which supports the asha-protocoll (audio streaming for hearing aids)
I can see my aids on Bluetooth via BLE (Bluetooth low energy)
I can connect to them.. and stay connected ^^
BUT
i dont see any audio channel dedicated to that and i cant create a suitable one.
Plz gib me some tippz what to load and the comand lines for it maybe.
Im on the newest Linux Mint.
it never occurred to me that i can use my hearing aids on my computers!
thanks for making me aware!!!
Follow Avril Lavigne:
- Fediverse: tube.matrix.rocks/a/avril_lavi… @avrillavigne@tube.matrix.rocks
Lyrics:
Singing Radiohead at the top of our lungs
With the boom box blaring as we're falling in love
I got a bottle of whatever, but it's gettin' us drunk
Singing "Here's to never growing up"
Call up all our friends, go hard this weekend
For no damn reason, I don't think we'll ever change
Meet you at the spot, half past ten o'clock
We don't ever stop, and we're never gonna change
Say, won't you stay forever, stay
If you stay forever, hey
We can stay forever young
Singing Radiohead at the top of our lungs
With the boom box blaring as we're falling in love
I got a bottle of whatever, but it's gettin' us drunk
Singing "Here's to never growing up"
We'll be running down the street, yelling "Kiss my ass"
I'm like yeah whatever, we're still living like that
When the sun's going down, we'll be raising our cups
Singing "Here's to never growing up"
Oh-whoa, oh-whoa, here's to never growing up
Oh-whoa, oh-whoa, here's to never growing up
We live like rock stars, dance on every bar
This is who we are, I don't think we'll ever change
They say just grow up, but they don't know us
We don't give a fuck, and we're never gonna change
Say, won't you say "Forever stay
If you stay forever, hey
We can stay forever young"
Singing Radiohead at the top of our lungs
With the boom box blaring as we're falling in love
I got a bottle of whatever, but it's gotten us drunk
Singing "Here's to never growing up"
We'll be running down the street, yelling "Kiss my ass"
I'm like yeah whatever, we're still living like that
When the sun's going down, we'll be raising our cups
Singing "Here's to never growing up"
Oh-whoa, oh-whoa, here's to never growing up
Oh-whoa, oh-whoa, here's to never growing up
Say, won't you say "Forever stay
If you stay forever, hey
We can stay forever young"
Singing Radiohead at the top of our lungs
With the boom box blaring as we're falling in love
I got a bottle of whatever, but it's getting us drunk
Singing "Here's to never growing up"
We'll be running down the street, yelling "Kiss my ass"
I'm like yeah whatever, we're still living like that
When the sun's going down, we'll be raising our cups
Singing "Here's to never growing up"
Oh-whoa, oh-whoa (here's to never growing up)
Oh-whoa, oh-whoa (now raise your glass and say "Cheers to never growing up")
Oh-whoa, oh-whoa, here's to never growing up (no, we're never growing up)
Oh-whoa, oh-whoa, here's to never growing up
Written by: Avril Lavigne, Chad Kroeger, Jacob Kasher Hindlin, Martin Johnson, Dave Hodges
Album: Avril Lavigne
Released: 2013
#AvrilLavigne #AvrilRamonaLavigne #googleFree #youtubeFree #lyrics #musicVideo #popMusic #rockMusic #music #alternativeRock #femaleMusic #femaleMusicians #femaleMusician #femaleSinger #femaleVocalist #OfficialVideo #OfficialAudio
Avril Ramona Lavigne is a Canadian singer-songwriter. Body shape: Banana Dress size (US): 2 Breasts-Waist-Hips: 86-60-86 cm (34-24-34 inches) Shoe size (US): 7 Bra size: 32B Cup size (US): B Heig...Music Videos and Funny clips
"Long Live" by Taylor Swift is an anthemic celebration of triumph, friendship, and cherished memories. This powerful track encapsulates the joy of shared experiences and the bonds formed through life's adventures. With its uplifting lyrics and sweeping melodies, "Long Live" resonates deeply with fans, making it a timeless tribute to the moments that define us.
#SpeakNowWorldTour #TaylowSwift #TaylorAlisonSwift #live #concert #musicShow #Country #femaleMusic #femaleMusicians #femaleMusician #femaleSinger #femaleVocalist
Launching a business in Singapore is an exhilarating journey filled with the promise of innovation and growth. Entrepreneurs often find themselves immersed in the excitement of product launches, client acquisition, and revenue generation. However, amidst the hustle and bustle, it's easy to overlook the critical administrative tasks that are essential for compliance.
Under the Singapore Companies Act, maintaining statutory registers is not just a recommendation—it's a legal requirement. These registers serve as the official record of your company's structure and operations. They are the backbone of your corporate governance and play a crucial role in ensuring compliance with the Accounting and Corporate Regulatory Authority (ACRA).
Statutory registers are the definitive records that capture the "who, what, and when" of your company. They provide a clear and accurate account of your company's structure, key personnel, and ownership. Historically, these registers were physical books kept at the company's registered office. Today, while physical copies are still an option, much of this information is maintained electronically. Regardless of the format, the requirement remains: these records must be kept up-to-date.
ACRA mandates that every Singapore company maintain specific registers. For most private limited companies, these are the non-negotiables:
It's easy to dismiss these registers as mere paperwork, but failing to maintain them can have serious consequences:
Technically, the company directors are responsible for ensuring these registers are kept. In practice, however, directors rarely touch them. This is the primary job of the Company Secretary. In Singapore, you are required by law to appoint a qualified Company Secretary within six months of incorporation. Their role isn't just ceremonial; they are the compliance officer for the company. They are the ones who file the changes with ACRA, draft the resolutions, and update the registers.
This is why many SMEs outsource this function to professional firms offering corporate secretarial services. These providers ensure that when you add a new director or issue new shares, the registers are updated immediately and correctly. It removes the administrative burden from the business owner and ensures that you don't accidentally miss a filing deadline.
Singapore is moving toward a transparent, digital-first corporate environment. For private companies, the "electronic register of members" maintained by ACRA is now considered the definitive register. This means that when you file a Notice of Transfer of Shares via BizFile+, the timestamp on that filing is the legal moment ownership changes. This shift makes it even more critical to use competent corporate secretarial services that understand the digital filing ecosystem. A delay in filing isn't just a paperwork delay anymore—it’s a delay in the legal effectiveness of your business decisions.
Running a business involves managing a multitude of tasks, and while updating a register may seem less urgent than solving a client crisis, these registers form the legal backbone of your corporate entity. Whether you handle compliance in-house or rely on external corporate secretarial services Singapore, the goal remains the same: accuracy and timeliness. By keeping your registers current, you aren't just ticking a box for the government. You are protecting your ownership, preparing your business for future investment, and ensuring that if ACRA ever knocks on your door, you have nothing to worry about.
Professional corporate secretarial services in Singapore. Annual returns, AGM support, director changes & compliance management. Get quote today.Entrust Public Accounting
Personally, I’m not brand loyal to any particular OS. There are good things about a lot of different operating systems, and I even have good things to say about ChromeOS. It just depends on what a user needs from an operating system.
Most Windows-only users I am acquainted with seem to want a device that mostly “just works” out of the box, whereas Linux requires a nonzero amount of tinkering for most distributions. I’ve never encountered a machine for sale with Linux pre-installed outside of niche small businesses selling pre-built PCs.
Windows users seem to want to just buy, have, and use a computer, whereas Linux users seem to enjoy problem solving and tinkering for fun. These two groups of people seem as if they’re very fundamentally different in what they want from a machine, so a user who solely uses Windows moving over to Linux never made much sense to me.
Why did you switch, and what was your process like? What made you choose Linux for your primary computing device, rather than macOS for example?
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It's interesting how nobody is saying "because it's free software," which is kind of the entire point of Linux.
Don't get me wrong, I didn't switch for that reason either. But it's telling how conditioned we've been to not even recognize a free culture exists.
The spaceship was launched from the Jiuquan Satellite Launch Center in northwest China using the Long March-2FTASS
Ragdoll Archers is a marvelous physics-based shooting simulation game starring stickman. Knock out as many opponents as possible and get the crown.Ragdoll Archers
Music video by Sabrina Carpenter performing Almost Love. © 2018 Hollywood Records, Inc.
Latin America is entering an era of overlapping highway construction programs. National road upgrades, regional connectivity projects, and concession-based expressways are often executed simultaneously, sometimes by the same contractors or within the same supply radius. Under these conditions, construction efficiency is no longer determined only by equipment capacity or workforce size. Instead, asphalt plant scheduling has become a decisive operational lever that directly affects project progress, cost control, and pavement quality.
When multiple projects run in parallel, inefficient scheduling can lead to production bottlenecks, idle paving crews, material waste, and escalating logistics costs. Conversely, a well-structured scheduling strategy allows contractors to maximize plant utilization, stabilize supply, and respond flexibly to changing site demands.
In earlier project models, a single asphalt plant often served one major highway at a time. Today, it is common for one production system to supply several projects simultaneously, each with different timelines, distances, and technical specifications.
Parallel projects introduce several challenges. Demand peaks often overlap, transport routes compete for the same fleet, and unexpected weather or permitting delays can shift paving windows with little notice. Without a dynamic scheduling framework, even a technically advanced hot mix asphalt plant(planta de asfalto en caliente) may fail to deliver its full productivity potential.
In Latin America, these challenges are amplified by long transport distances, complex topography, and varying regulatory environments between regions. Effective scheduling must therefore integrate production planning, logistics coordination, and site-level execution.
Asphalt paving is highly time-sensitive. Material temperature, delivery rhythm, and laying speed must align precisely to meet quality standards. Poor scheduling leads to trucks waiting at the plant or, worse, pavers waiting on site.
By aligning plant output schedules with actual paving windows across multiple sites, contractors can reduce idle time and ensure continuous operation. This synchronization is particularly important when one plant supplies both daytime urban works and nighttime highway paving.
Running an asphalt plant at full capacity continuously may appear efficient, but in multi-project scenarios it often causes maintenance overloads and increases failure risk. Smart scheduling balances peak output periods with planned downtime, ensuring stable long-term operation.
This approach allows a single production system to support multiple projects without compromising reliability or product consistency.
One effective method is allocating fixed production time slots to each project. For example, Project A may receive early morning output, while Project B is scheduled for afternoon and evening supply.
This structure simplifies coordination and allows site teams to plan labor and equipment usage more accurately. It also reduces last-minute production changes that often disrupt plant operations.
In Latin America, hauling distance significantly affects asphalt temperature control and fuel costs. Scheduling priority should consider transport distance, assigning closer projects during peak temperature-sensitive operations and more distant sites during periods with lower environmental risk.
This strategy helps maintain paving quality while optimizing logistics efficiency.
Plants with modular or adjustable output configurations offer greater scheduling flexibility. Contractors can increase or reduce production rates depending on daily project demand, avoiding unnecessary overproduction.
In this context, a small asphalt plant can play a strategic role by supporting secondary or intermittent projects, freeing the main plant to focus on high-volume highway sections.
Centralized plants are suitable for large, long-term highway programs, but their scheduling becomes complex when serving dispersed sites. Supplementing them with mobile units can significantly improve responsiveness.
Understanding the mobile asphalt plant price(planta de asfalto movil precio) relative to transport savings and schedule stability is essential. In many cases, deploying a mobile unit near one project reduces pressure on the central plant and shortens overall construction timelines.
Not all projects require high-capacity production. Using oversized equipment for small or intermittent jobs often leads to inefficient scheduling and higher operating costs.
A small asphalt plant(planta asfáltica pequeña) can be dedicated to maintenance works, ramps, or secondary roads, allowing mainline highway paving to proceed without interruption. This portfolio-based equipment allocation improves overall system efficiency.
Modern scheduling increasingly relies on real-time data from plant control systems, truck tracking, and site feedback. By monitoring output, delivery times, and paving progress, managers can adjust schedules dynamically rather than relying on static plans.
This is particularly valuable when weather conditions or site constraints change unexpectedly, which is common in many Latin American regions.
Using historical production data and project schedules, contractors can forecast demand peaks weeks in advance. This enables proactive maintenance planning, fuel procurement, and workforce allocation, reducing the risk of unplanned shutdowns during critical paving phases.
Even the best scheduling plan fails without effective communication. Regular coordination meetings between plant managers, logistics coordinators, and site supervisors ensure that production plans reflect real on-site conditions.
Clear escalation mechanisms also help resolve conflicts when multiple projects compete for limited production capacity.
Using standardized mix designs across projects simplifies scheduling by reducing changeover time at the hot mix asphalt plant. While technical requirements may vary, harmonizing specifications where feasible improves production continuity and reduces operational complexity.
In the era of multiple parallel highway projects, improving construction efficiency in Latin America depends increasingly on how well asphalt plant scheduling is managed. Effective scheduling transforms asphalt production from a reactive support function into a proactive efficiency driver.
By combining project-based time allocation, distance-aware logistics planning, appropriate use of mobile and small asphalt plant solutions, and data-driven decision-making, contractors can reduce downtime, control costs, and deliver higher-quality pavements. In this competitive environment, scheduling excellence is no longer optional—it is a core capability for sustainable highway construction success.
AIMIX ofrece planta de asfalto móvil de 40-160 t/h, ideal para obras temporales. Con precios competitivos y entrega rápida en América Latina.AIMIXgrupo (AIMIX)
Lyrics
Verse 1:
Sun’s up too soon like daylight savings
Mixed emotions are congregating
Picturing us in all these places
Ahead of myself’s an understatement
Sky looks so purple I can taste it
Couple days in I call you baby
3 stories up here contemplating
But what the fuck is patience
Chorus:
These are
Fast times
And fast nights yeah
No time for rewrites
We couldn’t help it
Outlines
On bed sides yeah
Give me a second to forget I ever really meant it
Fast times
And fast nights yeah
Closed eyes
And closed blinds
We couldn’t help it
Outlines
On bed sides yeah
Give me a second to forget the way I really meant it
Verse 2:
My feelings used to be serrated
But you speak in such a perfect cadence
Tip toeing past so many stages
But what the fuck is patience
Chorus:
These are
Fast times
And fast nights yeah
No time for rewrites
We couldn’t help it
Outlines
On bed sides yeah
Give me a second to forget I ever really meant it
Fast times
And fast nights yeah
Closed eyes
And closed blinds
We couldn’t help it
Outlines
On bed sides yeah
Give me a second to forget the way I really meant it
Bridge:
These
These are
These are the
Fast times
These
These are
These are the
Chorus:
Fast times
And fast nights yeah
No time for rewrites
We couldn’t help it
Outlines
On bed sides yeah
Give me a second to forget I ever really meant it
Fast times
And fast nights yeah
Closed eyes
And closed blinds
We couldn’t help it
Outlines
On bed sides yeah
Give me a second to forget the way I really meant it
#SabrinaCarpenter #FastTimes #emailsicantsend #emailsicantsendfwd #OfficialVideo
Music video by Sabrina Carpenter performing Fast Times. © 2022 Island Records, a division of UMG Recordings, Inc.
Ay Papi 🔞 Parental Advisory reshared this.
LYRICS:
I said I wanted thin mints
And you said you knew a guy
You showed up with a boombox
And stars in your eyes
Who knew cuddling on trampolines
Could be so reckless
We bonded over black eyed peas
And and complicated exes
Fell so deeply into it
It was all so innocent
Now I’m a homewrecker
I’m a slut
I got death threats
Filling up semi trucks
Tell me who I am
Guess I don’t have a choice
All because I liked -
I’m the hot topic on your tongue
I’m a rebound gettin’ ‘round
Stealin’ from the young
Tell me who I am
Guess I don’t have a choice
All I because I liked a boy
I’m not catastrophizing
Everything’s derailing
Was only tryna hold you close
While your heart was failing
It’s not internet illusion
Just two kids going through it
You said I'm too late to be your first love
But I’ll always be your favorite
Now I’m a homewrecker
I’m a slut
I got death threats
Filling up semi trucks
Tell me who I am
Guess I don’t have a choice
All because Ii liked -
I’m the hot topic on your tongue
I’m a rebound gettin’ ‘round
Stealin’ from the young
Tell me who I am
Guess I don’t have a choice
All I because I liked a boy
Fell so deeply into it
It was all so innocent
Dating boys with exes
NoIi wouldn’t recommend it
I’m a homewrecker
I’m a slut
I got death threats
Filling up semi trucks
Tell me who I am
Guess I don’t have a choice
All because I liked a boy
And all of this for what
When everything went down
We’d already broken up
Please tell me who I am
Guess I don’t have a choice
All because i liked a boy
A boy
A boy
All because I liked a boy
Music video by Sabrina Carpenter performing because i liked a boy. © 2022 Island Records, a division of UMG Recordings, Inc.
#SabrinaCarpenter #BecauseILikedaBoy #emailsicantsend #OfficialVideo
LYRICS:
Think i only want one number in my phone
I might change your contact to don’t leave me alone
you said you like my eyes and you like to make em roll
Treat me like a queen now you got me feelin thrown
But I can’t help myself
When you get close to me
Baby my tongue goes numb
Sounds like bleh blah bleh
I don’t want no one else
Baby I’m in too deep
Here’s a lil song i wrote
It’s about you and me
I’ll be honest
Lookin at u got me thinkin nonsense
cartwheels in my stomach when you walk in
When you got your arms around me
Ooh it feels so good i had to jump the octave
I think i got an ex but i forgot him
And i can’t find my chill i must have lost it
I don’t even know I’m talking nonsense
I’m talking all around clock
I’m talking hope nobody knocks
I’m talkin opposite of soft
I’m talking wild wild thoughts
You gotta keep up with me
I got some young energy
I caught the l o v e
How do you do this to me
But I can’t help myself
When you get close to me
Baby my tongue goes numb
Sounded like blah blah bleh bleh
I don’t want no one else
Baby I’m in too deep
Here’s a lil song wrote
It’s about you and me
I’ll be honest
Lookin at u got me thinkin nonsense
cartwheels in my stomach when you walk in
When u got your arms around me
Ooh it feels so good i had to hit the octave
I think i got an ex but i forgot him
And i can’t find my chill i musta lost it
I don’t even know I’m talking nonsense
I’m talking
I’m talking
I’m talking
This song catchier than chicken pox is
I bet your house is where my other sock is
Woke up this morning thought I’d write a pop hit
How quickly can you take your clothes off pop quiz
Music video by Sabrina Carpenter performing Nonsense. © 2022 Island Records, a division of UMG Recordings, Inc.
reshared this
So all the talk is that Linux is great for gaming now, and tbf, it has come a long way. But there's a good portion of people like me and my friends who still regularly use windows because we love modding the crap out of all of our favorite games and that's just not feasible on Linux, vortex doesn't work and most modloaders have a bunch of bootstrap fixes you have to do, God forbid you want to debug your mod list and change often.
So I guess my question is, does anyone have any news on the state of Linux modding, has anyone out there got a git project in alpha or something coming up that might open the floodgates for us modders? Pretty please?
I've only had one game the last few years, where you should use the Linux native version but some big mods have hardcoded Windows paths. That and Wabbajack for Skyrim didn't work in wine back then but there's far more powerful native tooling now.
I mean, even Sims 4 Studio works in wine. If only wine would be a bit cli-friendlier (profile creation) and had a native way to stick to a certain release.
Signal only provides a script for .deb based distros on their official website. The flatpak is currently not ideal because it stores encryption keys in plaintext.
The provided link suggests an automated installation in a Ubuntu Distrobox including automated updates. Useful for every distro that does not natively support .deb packages.
Automating Signal installation in an Ubuntu Distrobox. Useful for Atomic Desktops, or any distribution that does not natively support .deb packages.Codeberg.org
like this
Nanook
in reply to Jelora (Compte Peertube) • •Jelora (Compte Peertube)
in reply to Nanook • • •La seule courroie présente dans ce magnéto est pour le compteur.
Le problème a été réglé. C'était un relais manquant.
Nanook
in reply to Jelora (Compte Peertube) • •