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Just gonna stand there and watch me burn? Well, that's alright because I like the way it hurts Just gonna stand there and hear me cry? Well, that's alright because I love the way you lie I love the way you lie
I can't tell you what it really is I can only tell you what it feels like And right now, there's a steel knife in my windpipe I can't breathe, but I still fight while I can fight As long as the wrong feels right, it's like I'm in flight High off of love, drunk from my hate It's like I'm huffing paint, and I love her the more I suffer, I suffocate And right before I'm about to drown, she resuscitates me She fuckin' hates me, and I love it
"Wait! Where you going?" "I'm leaving you" "No, you ain't, come back" We're running right back, here we go again It's so insane 'cause when it's going good, it's going great I'm Superman with the wind at his back, she's Lois Lane But when it's bad, it's awful I feel so ashamed, I snapped, "Who's that dude?" I don't even know his name I laid hands on her, I'll never stoop so low again I guess I don't know my own strength
Just gonna stand there and watch me burn? Well, that's alright because I like the way it hurts Just gonna stand there and hear me cry? Well, that's alright because I love the way you lie I love the way you lie I love the way you lie
You ever loved somebody so much You can barely breathe when you're with 'em? You meet and neither one of you even know what hit 'em Got that warm fuzzy feeling, yeah, them chills, used to get 'em Now you're getting fuckin' sick of looking at 'em You swore you'd never hit 'em, never do nothing to hurt 'em Now you're in each other's face, spewin' venom in your words when you spit 'em You push, pull each other's hair, scratch, claw, bit 'em Throw 'em down, pin 'em So lost in the moments when you're in 'em
It's the rage that took over, it controls you both So they say, yeah, best to go your separate ways Guess that they don't know you 'cause today, that was yesterday Yesterday is over, it's a different day Sound like broken records playin' over, but you promised her Next time, you'll show restraint You don't get another chance Life is no Nintendo game, but you lied again Now you get to watch her leave out the window Guess that's why they call it windowpane
Just gonna stand there and watch me burn? Well, that's alright because I like the way it hurts Just gonna stand there and hear me cry? Well, that's alright because I love the way you lie I love the way you lie I love the way you lie
Now I know we said things, did things that we didn't mean And we fall back into the same patterns, same routine But your temper's just as bad as mine is You're the same as me, when it comes to love, you're just as blinded Baby, please come back, it wasn't you, baby, it was me Maybe our relationship isn't as crazy as it seems Maybe that's what happens when a tornado meets a volcano All I know is I love you too much to walk away, though
Come inside, pick up your bags off the sidewalk Don't you hear sincerity in my voice when I talk? Told you this is my fault, look me in the eyeball Next time I'm pissed, I'll aim my fist at the drywall "Next time? There will be no next time" I apologize, even though I know it's lies I'm tired of the games, I just want her back I know I'm a liar, if she ever tries to fucking leave again I'ma tie her to the bed and set this house on fire
Just gonna stand there and watch me burn? Well, that's alright because I like the way it hurts Just gonna stand there and hear me cry? Well, that's alright, because I love the way you lie I love the way you lie I love the way you lie
Written by: Marshall B. Iii Mathers, Alexander Junior Grant, Holly Hafermann Album: #Recovery Released: #2010
Command. A combat-tested F-15E pilot with 3,300+ flight hours (650 in combat), he also holds a Master’s in Public Policy from Harvard. A key advocate for the U.S. Space Force, Kwast now leads innovation in space technology and speaks on national security, space policy, and economic development beyond Earth.
Steven Kwast is a retired U.S. Air Force Lt Gen & the Co-founder and CEO of SpaceBilt, a company reimagining the entire spacecraft lifecycle to enable scalable, sustainable space infrastructure. A 1986 US Air Force Academy graduate in astronautical engineering, he served 33 years, commanding units like the 455th Air Expeditionary Wing in Afghanistan & the Air Education & Training
Steven L. Kwast is a retired U.S. Air Force Lieutenant General and the Co-founder and CEO of SpaceBilt, a company reimagining the entire spacecraft lifecycle to enable scalable, sustainable space infrastructure. A 1986 U.S.
UN agencies and humanitarian experts had previously warned that the Israeli plan would reduce aid volume, increase risks for vulnerable populations, and violate humanitarian principles, as it faces internal dissent from key figures running the plan
"Alors, ça y est. On y est. Qu’est-ce qui s’est passé ? Comment ça s’est passé ? La Révolution française, même si tout le monde s’accorde sur le fait de ne pas en savoir assez pour ne pas se tromper à son sujet, personne ne se sent d’humeur à ne pas dire ce qu’il en pense. C’est un récit qui ne laisse personne indifférent. C’est une histoire que personne ne connaît bien, mais sur laquelle tout le monde a un avis. Comme Jésus. Voilà ce dont nous allons essayer de parler dans deux épisodes successifs de L’Empire n’a jamais pris fin."
Bienvenue dans L’Empire n’a jamais pris fin. Saison 2 épisode 6 : Revolution number 1
Auteur : Pacôme Thiellement Réalisation : Mathias Enthoven, Ameyes Aït-Oufella Montage : Ameyes Aït-Oufella Son : Baptiste Veilhan Graphisme : Morgane Sabouret, Margaux Simon Production : Hicham Tragha Directeur du développement des collaborations extérieures : Mathias Enthoven Co-directrice de la rédaction : Soumaya Benaïssa Directeur de la publication : Denis Robert
3.32K Posts, 25 Following, 36.8K Followers · Blast, nouvelle Web TV indépendante, nouveau site d’infos. Éditos, enquêtes, culture, tribunes et reportages. Lancé par Denis Robert.
https://www.blast-info.fr
Can a DSA candidate running on free buses, free childcare, and a rent freeze become mayor of New York? Polling first among declared candidates, NY Assembly m...
Independent musicians live and die by word of mouth! That's why I spend hours every week listening to and writing about independent musicians in every genre! If I can introduce you to some new music you'll love, I've done you AND the musician a great service!
"The efficiency gains of automation aren't just about using fewer workers to achieve the same output – it's about the fact that the workers you fire in this process can be used as a threat against the remaining workers: "Do your job and shut up or I'll fire you and give your job to one of your former colleagues who's now on the breadline..." - @pluralistic
Today’s broadcast of the “Judging Freedom” podcast of Judge Andrew Napolitano reported the Schiller Institute’s May 24-25 Conference, “A Beautiful Vision for Humanity in Times of Great Turbulence!” Immediately following his introduction of guest Ray …
@dgar Love this! It’s wonderful how she supports your efforts even though it’s not her style of music, and gracious of you to write a song for her in return. I feel like I can picture her from hearing the song, too. This is heartwarming. Cheers 🤘
I used to work with a lady who would always take an interest in my music. She’d ask how our jam sessions went and if I’d recorded anything new. But, anytime I had something new, she’d listen to it through, and then tell me that it’s “not her kind of music”. It always bemused me that she would take such an interest if she didn’t like what I was making. I decided to write her a song that she would enjoy. Music was being streamed at work all the time, so I knew what sort of songs she was into. Classic Rock. Australian Pub Rock in particular. She was a single mum in her 50’s, a strong, hard woman, an Aussie battler. I wrote Proud Woman in a weekend, and recorded it at home. A mate I regularly jam with did the vocals and when it was done, I uploaded it and shared it with her when I got to work.
She liked it. The experience taught me the value of an audience of one. The focus on writing a song for one person, with the aim that they - that person in particular - enjoys it, gave me a different perspective on the whole creative process.
This is a copypasta of a previous toot, adding the Tidal link for the track. Love all the support from everyone boosting and following along! 🫶 Let’s get this one trending!! ☝️😊🤘
What a great song. It may be a function of my generation and being pretty, but I was often treated like an object. Your song captures how real, fierce, and capable women are. It’s the way women should be seen.
Provided to YouTube by Repost NetworkIt's Always Monday On The Moon · DgarIt's Always Monday On The Moon℗ DgarReleased on: 2021-07-12Auto-generated by YouTube.
Your story doves tales into another one I read about band (think it was REM) . Not so much about writing for one person but still writing with someone else in mind can influence positively. They said live shows, even poorly attended ones, gave them real time feedback on how songs was working to improve them over time.
I’ve been an independent musician for 30+ years, and I have written many songs for one person numerous times.
I feel that because I’ve come across and known so many special people in my life, that: A. They deserve to feel special B. It’s important to me to let them know how inspirational and supportive they’ve been for me.
One of these songs, for a Russian bartender friend of mine, was included on this collection
4 Non Blondes' "What's Up" is an empowering rock anthem that resonates with themes of frustration and self-discovery. Released in 1992, the song features powerful vocals from Linda Perry and a catchy chorus that has made it a timeless classic. Its relatable lyrics and energetic sound continue to inspire listeners, solidifying its place in 90s music history.
Lyrics: 25 years of my life and still I'm trying to get up that great big hill of hope For a destination I realized quickly when I knew I should That the world was made up of this brotherhood of man For whatever that means
And so I cry sometimes When I'm lying in bed Just to get it all out What's in my head And I, I am feeling... a little peculiar.
And so I wake in the morning And I step outside And I take a deep breath and I get real high And I scream from the top of my lungs What's going on?
And I say: Hey yeah yeaaah! Hey yeah yeah. I said hey What's going on?
And I say: Hey yeah yeaaah! Hey yeah yeah. I said hey What's going on?
Uhh, uh, uhuhuh uhuhuh Uhh, uh, uhuhuh uhuhuh
And I try Oh my God do I try I try all the time In this institution
John Denver's "Take Me Home, Country Roads" is a beloved folk-country classic that evokes a sense of nostalgia and longing for home. Released in 1971, the song features heartfelt lyrics and a memorable melody, capturing the beauty of rural life and the comfort of familiar places. Its enduring popularity has made it an anthem for many, celebrating the spirit of the countryside.
Lyrics: Almost heaven, West Virginia, Blue Ridge Mountains, Shenandoah River Life is old there, older than the trees, younger than the mountains, growing like a breeze
Country roads, take me home, to the place I belong West Virginia, mountain mamma, take me home, country roads
All my memories gather round her, miner's lady, stranger to blue water Dark and dusty, painted on the sky, misty taste of moonshine, teardrop in my eye
Country roads, take me home, to the place I belong West Virginia, mountain mamma, take me home, country roads
I hear her voice in the morning hour, she calls me, the radio reminds me of my home far away And driving down the road I get a feeling that I should have been home yesterday, yesterday
Country roads, take me home, to the place I belong West Virginia, mountain mamma, take me home, country roads
Everybody singing…
Country roads, take me home, to the place I belong West Virginia, mountain mamma, take me home, country roads
Take me home, down country roads Take me home, down country roads
All my memories gather round her, miner's lady, stranger to blue water. Dark and dusty, painted on the sky, misty taste of moonshine, teardrop in my eye. Country roads, take me home to the place I belong. West Virginia, mountain momma, take me home, country roads.
Starving Palestinians have expressed anger and dismay after the Israeli military shot at crowds of Palestinians who gathered at an aid distribution centre in Rafah, southern Gaza, on Tuesday.
When fans hear “salary cap,” they often think it’s a way to keep the game fair, no more big-market teams hoarding star players. But behind the scenes, the salary cap and the luxury tax operate like tools to suppress wages,…
Would have been interesting to see what would have happened if enough liberals had cared about the genocide in Palestine. Would things have been different? I guess we’ll never know. hachyderm.io/@molly0xfff/11458…
How can you see into my eyes like open doors? Leading you down into my core where I've become so numb Without a soul (soul), my spirit's sleeping somewhere cold Until you find it there and lead it back home
(Wake me up) wake me up inside (I can't wake up) wake me up inside (Save me) call my name and save me from the dark (Wake me up) bid my blood to run (I can't wake up) before I come undone (Save me) save me from the nothing I've become
Now that I know what I'm without, you can't just leave me Breathe into me and make me real Bring (bring) me (me) to life
(Wake me up) wake me up inside (I can't wake up) wake me up inside (Save me) call my name and save me from the dark (Wake me up) bid my blood to run (I can't wake up) before I come undone (Save me) save me from the nothing I've become
Bring me to life I've been living a lie There's nothing inside Bring me to life
Frozen inside without your touch, without your love Darling, only you are the life among the dead All this time, I can't believe I couldn't see Kept in the dark, but you were there in front of me I've been sleeping a thousand years, it seems Got to open my eyes to everything Without a thought, without a voice, without a soul Don't let me die here, there must be something more Bring me to life
(Wake me up) wake me up inside (I can't wake up) wake me up inside (Save me) call my name and save me from the dark (Wake me up) bid my blood to run (I can't wake up) before I come undone (Save me) save me from the nothing I've become
Bring me to life I've been living a lie (bring me to life) There's nothing inside Bring me to life
Album Artist: Evanescence Album(s): Fallen Written by: David Hodges, Amy Lee, Ben Moody Music genre(s): Gothic Rock, Alternative Rock Released: #2003 Decade for first release: #2000sMusic
Don’t get me wrong: I really do think there’s an employment market threat from gen AI.
Huge swaths of white-collar jobs — particularly entry-level jobs — have long been mostly bullshit (in the Office Space sense that what matters is the •appearance• of progress, and not actual results). Automated bullshit generators certainly threaten those jobs.
AI can certainly generate TPS reports that nobody reads.
And there’s an even larger segment of jobs where the job truly is, “Eh, autopilot is good enough, just repeat the obvious pattern, it only needs to be right sometimes. Better than the garbage we’re replacing!”
Something that detects and randomly regenerates contextually relevant patterns certainly could displace some of that work. As long as it doesn’t really matter if it’s wrong, just as long as it sort of has the correct shapes…well, sure, LLMs!
I once worked at a company that sold industry-specific core-business software to deep-pocketed corps who couldn’t / wouldn’t / shouldn’t roll their own. I got into a discuss with my manager about whether our products were essentially — my words — a hoax.
Me: “Look, our products are riddled with bugs and holes. They’re nearly impossible to deploy, manage, and maintain. They frequently don’t even work •at all• on the putative release date, and we sell the mop-up as expensive ‘consulting.’”
As the article says, all of this especially threatens entry-level work. In so many worlds, we keep new people busy with something a bit mechanical where the results don’t really matter so that they can get acculturated, get socially integrated in the company and the industry, learn the lingo, learn the business. (If we get robots to do all our “wax on! wax off!” then how do you train the next Karate Kid?)
So yes: the job threat from BS generators is real, because jobs are full of BS.
“This technology is so dangerous that it will wipe out 20% of the job economy! turn into Skynet! turn into a vengeful god!!”
…all of that is not well-rooted prediction. It’s marketing hype. It’s marketing being laundered through gullible reporters and disguised as news. It’s CEO fanfic.
It’s marketing that targets executives and investors who are eyeballs-deep in the cost-cutting cult, for whom that these doom narratives are just pure crack.
“Hardly anyone is paying attention?!?” Bullshit. The executive class can’t shut up about this. They send all-company emails about it, with drool visibly running down their chins.
Right now, there is a •preposterous• amount of money devoted to propping up an AI industry that is causing massive environmental damage, sits on unethical foundations, is enriching some of the worst people on earth, nurses a whole mountain of fascist fantasies (hachyderm.io/@inthehands/11455…), and isn’t even profitable.
For all those reasons, I’m really, really careful about what kind of hype I share. And — this is important! — I’m careful about what kind of hype I allow to get inside my own head.
The details could use some more subtle teasing out, but in broad strokes, the current AI hype scratches a bunch of authoritarian itches for the oligarchs:
- threatens labor
- consolidates wealth
- consolidates power
- both justifies and powers a Pan…
Whatever LLMs and gen AI may or may not •actually• be good for, whatever jobs they may or may not actually reshape or displace, right now we’re in the middle of a bubble. The sheer amount of money involved makes it almost impossible to think clearly about this, much less have a useful public discussion. Even well-founded hopes and fears for the tech fuel a fire that I very much do not want to fuel.
So look, if you talk to me about the job threat from the things we currently call “AI,” well…
…if where you’re going with that is “The concentration of wealth is an existential crisis! Establish UBI! 99% marginal tax rate! Capital gains tax! Wealth tax! Abolish billionaires!” then yes, I’m •all• ears. My pitchfork is already sharpened.
But if where you’re going is “Get in on it now while you still can! Buy the AI vendors’ products! Drink radium for that youthful glow!” then…kthanksbye. I am not going to be a vector for your marketing propaganda, no matter how agitated you are.
P.S. Hat tip to @pluralistic for the radium reference. He was talking about other things (pluralistic.net/2024/09/19/jus…), but the whole vibe of that “Radium will magically restore you to health!” era is by far the best historical comparison I’ve found from the current froth-mouthed AI hype.
»Military intervention must be used to stop the #genocide in #Gaza. In Kosovo, Nato intervened in 1999 after mass killings and the threat of further ethnic cleansing. Why aren’t Gazans being protected in the same way?« by Ahmad Ibsais #Israel theguardian.com/commentisfree/…
»Bezalel Smotrich, the Israeli finance minister, declared last week: “We are destroying everything in Gaza, the world isn’t stopping us.” So let’s say what must be said, without apology: military intervention to defend Gaza is not only justified – it is required. It is humanitarian. It is overdue. Israel must be stopped.«
»A nofly zone must be set up to prevent further aerial bombing; & a coalition of willing states should come together to form a corridor to 1) end Israel’s colonial mechanism that is set to take 65% of Gaza’s land & 2) allow for the immediate dispersal of humanitarian aid. Military intervention should not merely be aimed at pausing the killing – it should be used to protect Palestinians’ right to exist as a people, with dignity, sovereignty & full unconditional control over their land & futures.«
Recently, there has been a series of blackouts at air traffic control towers in the nation’s airports. On April 28, 2025, a 90-second radar and radio outage for Newark Liberty International Airport led to over a thousand delays and cancellations…
BREAKING: Secretary of State Marco Rubio has announced a new policy to ban visas for foreign officials who engage in censorship of American citizens and American social media companies.
Les tarés merz, macron et zelensky poussent à et attendent une réponse forte des Russes pour justifier ensuite l'escalade. Le même stratagème que l'israel avec le Hamas....
Des salons feutrés de BlackRock à l’atelier d’Anselm Kiefer, le leader de la CDU qui pourrait devenir le dixième chancelier allemand de l’après-guerre est un conservateur chimiquement pur qui a grandi à l’ombre de Wolfgang Schaüble.
Merz est également réputé pour son impatience, son irascibilité et son orgueil. Adolescent, il a dû quitter son lycée pour des raisons disciplinaires — et ses notes étaient si mauvaises qu’il a dû redoubler.
Aujourd’hui encore, il se laisse parfois gagner par ses démons. Son entêtement l’a souvent conduit à commettre des erreurs tactiques et à provoquer le mécontentement d’alliés potentiels.
The EUROF, the European regional office of the World Federation of Trade Unions, sends its warmest solidarity to the general strike called in the Valencian Country to protest against the disastrous management of the DANA and the terrible consequences…
Scientists have discovered a star behaving like no other seen before, giving fresh clues about the origin of a new class of mysterious objects. As described in our press release, a team of astronomers combined data from NASA’s Chandra X-ray Observatory and the SKA [Square Kilometer Array] Pathfinder (ASKAP) radio telescope on Wajarri Country in […]
»Die Mitschuld bleibt. Die Bilder der Toten, Verletzten, Hungernden in #Gaza sind inzwischen zu krass – und #Deutschland kritisiert #Israel's Kriegspolitik. Diese Einsicht kommt zu spät « taz.de/!6087220/
Die Bilder der Toten, Verletzten, Hungernden in Gaza sind inzwischen zu krass – und Deutschland kritisiert Israels Kriegspolitik. Diese Einsicht kommt zu spät
RUN DMC's "King Of Rock" is a groundbreaking hip-hop anthem that solidified the group's status as pioneers in the genre. Released in the mid-1980s, the track blends rap with rock elements, showcasing their innovative style. Its bold lyrics and energetic beat have made it a classic, influencing countless artists and shaping the future of hip-hop.
Lyrics: I'm the king of rock, there is none higher Sucker MCs should call me sire To burn my kingdom, you must use fire I won't stop rockin' 'til I retire
Now we rock the party and come correct Our cuts are on time and rhymes connect Got the right to vote and will elect And other rappers can't stand us, but give us respect
They called us and said we're gettin' iller There's no one chiller It's not Michael Jackson and this is not "Thriller" As one def rapper, I know I can hang I'm Run from Run-D.M.C., like Kool from Kool and the Gang Roll to the rock, rock to the roll D.M.C. stands for devastating mic control You can't touch me with a ten-foot pole And I even made the devil sell me his soul
Now we crash through walls, cut through floors Bust through ceilings and knock down doors And when we're on the tape, we're fresh out the box You can hear our sound for blocks and blocks For every living person we're a purple treat It's me and D.M.C., Jay, where's the beat?
Now we're the baddest of the bad, the coolest of the cool I'm D.M.C., I rock and roll, I'm DJ Run, I rock and rule It's not a Trick or Treat and it's not a April Fool It's all brand new, never ever old school
You got the music in your body and you can't comprehend When your mind won't wiggle and your knees will bend Music ain't nothin' but a people's jam It's DJ Run-D.M.C. rockin' without a band
Now I walked on ice and never fell I spent my time in a plush hotel I stood on many stages, held many mics Take airplane flights, at huge heights So all you sucker MCs, you gotta say please 'Cause when he jumps high, I'm pulling down weeds Got a song so strong, it's knocking down trees It isn't hard to believe it's Run-D.M.C.?
I am from, around the way And Run goes to school, every day And Jay plays the records he has to play And we get down with no delay, hey! I rock the party with the words I speak And Run says the rhymes that are unique And Jay cuts the records every day of the week And we are the crew that can never be beat
So don't try to diss me, try to be my friend 'Cause if you do, you'll get yours in the end The rhymes we say, shall set a trend Because a devestating rap is what we send
Every jam we play, we break two needles There's three of us but we're not The Beatles My name is Darryl, you can call him D You can call me Darryl Mack, or you can call him D.M.C. People always ask, "D.M.C., what does it mean?" D's for never dirty, MC for mostly clean
Like we said before, we rock hardcore I'm DJ Run, I can scratch, I'm D.M.C., I can draw And now we got the knack, to attract Our rhyme's an aphrodisiac We'll reign on your brain and rock your knot When it comes to rock, give it all we got To be MCs, we got what it takes
Let the poppers pop and the breakers break We're cool, cool cats, it's like that That's the way it is, so stay the hell back We're causin' hard times, for sucker M 'Cause they don't make no songs like these Period!
Join us for Episode 31 of Absolute Storm! Tonight we talk about the 2025 BTC Conference and Trump Media's purchase of $2.5b in BTC. We also have news on Newscum, some comms from Grassley, and our usua
Die #verurteilte #AfD-Politikerin Marie-Therese Kaiser rief auf dem rechtsextremen Nachrichtenportal X dazu auf, dem „Held von Hamburg“ als Dank dafür, die deutsche Messerangreiferin zu stoppen, ein „Gutschein für einen kostenlosen Rückflug“ zu übergeben. Damit überholt die Realität die Satire. Vor wenigen Tagen hat erst das Satiremagazin Postillon getitelt, dass die AfD die Abschiebung fordern würde.
German troops have been permanently deployed for the first time since World War II. A brigade of 4,800 German soldiers is now positioned in Lithuania on
💕
Dgar
in reply to Dgar • • •Let’s get this one trending!!
☝️😊🤘
Dgar
in reply to Dgar • • •Well, we got it up to #11 trending, so that was a pretty good effort! 😊
An attempt was made. Nice try. 🧐😌
Askan 🇪🇺
in reply to Dgar • • •Haddagutfull
in reply to Dgar • • •Abra
in reply to Dgar • • •PixiePancake
in reply to Dgar • • •Matthew Vaughn
in reply to Dgar • • •Dgar great music!
I'm glad I checked it out because I found this gem:
youtu.be/wFDvpdZ7Z9k
Fantastic song. I love it!
It's 6:30 am here now. I might wake my kids up so we can rock out
It's Always Monday On The Moon
YouTubeHowlin’ Hobbit
in reply to Dgar • • •hedwyg
in reply to Dgar • • •What a lovely story! And a fun song, too.
One of my favorite things is to support local creators... with varying meanings of the word "local." 😀
Kee Hinckley
in reply to Dgar • • •We're in deep 💩 now
in reply to Dgar • • •Brother Soul
in reply to Dgar • • •but? Did she dig it though?
brother
CodieneC
in reply to Dgar • • •Blippy the Wonder Slug (MOVED)
in reply to Dgar • • •😜 One is all it takes; you can blame Tammy E, way back in the 6th and 7th grades, for my interest in poetry.
(I still remember (and love) every girl I've ever given my heart to. Love is an infinite resource; it can't run out. It vexes Pfeffernuss sometimes.)
Roo_44
in reply to Dgar • • •Thanks.
Your story doves tales into another one I read about band (think it was REM) . Not so much about writing for one person but still writing with someone else in mind can influence positively. They said live shows, even poorly attended ones, gave them real time feedback on how songs was working to improve them over time.
The Vinyl Ape 🦍
in reply to Dgar • • •I relate to this so much.
I’ve been an independent musician for 30+ years, and I have written many songs for one person numerous times.
I feel that because I’ve come across and known so many special people in my life, that:
A. They deserve to feel special
B. It’s important to me to let them know how inspirational and supportive they’ve been for me.
One of these songs, for a Russian bartender friend of mine, was included on this collection
sixcarcollision.bandcamp.com/t…
For Liana *, by Six Car Collision
Six Car Collision