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UB Radio Salon no. 906 Big City Orchestrae & The Fourth Sunday Players (dAs, pxe, @univactechdweeb, Austin Rich & Mike Dringenberg) on DFM RTV INT Sunday MAY 25, 2025 5-7pm US-PDT 0.00-2.00 GMT/UTC / 2.00-4.00 CEST LISTEN via stereo.dfm.nu/ more streams + chat, Discord
"The judicial coup must end." "Washington did not endure that brutal winter at Valley Forge so that, 250 years later, a cabal of unelected communist judges could force us to empty the worst criminals of the third world into our towns."
"That is not freedom, it is forced dispossession." Stephen Miller
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"Imagine platforms and media that wouldn't allow you to discuss your personal side effects from a pharmaceutical product and a government who mandated their use while shielding the manufacturer from liability. What a nightmare that would be."
Dr. Simon Goddek:
"They told the unvaccinated to get the shot because it worked.
Then told the vaccinated to get a booster because it didn't.
Then claimed the unvaccinated were endangering the vaccinated by not getting the shot that failed to protect the vaccinated.
The circus was never about health-it was always about depopulation and control."
The lies, the gaslighting, the constant pressure From politicians and government officials and even the police... All are guilty and all must face retribution for their crimes against humanity..."blood for blood"...
The Trump administration is realizing something I found out about a few years ago. Every time the Federal government awards a grant to a college to do research (or in the case of my school to teach some new technology), the administration takes a big slice of the grant for "overhead". This goes to the schools bloated administration to help grow the bureaucracy. It ends up paying for some new assistant Dean of academic paper-shuffling. This needs to STOP. Hopefully, Trump will end it.
a) companies like Verizon and then the cell phone insurance makes you put your credit card # into the a website or pay a.i. . b) How companies makes a person deal with a.i. that can take your voice and maybe use it for what they want to use it for... c) how companies are going to a.i instead of human people to answer the phone calls.... d) american companies can't handle words and the female phone support or answering people can't handle anything that is not a soft pussy voice and or words...
WHY IS AMERICA GETTING LAZIER AND LAZIER IN DOING WORK. MAYBE WE NEED TO NOT HIRE AMERICAN PEOPLE SINCE MOST COMPANIES ARE EXTREMELY AND ARE WAY OVER PAID AND CAN'T HANDLE HARD WORDS LIKE SWEAR WORDS...
Info: https://gr.afit.plSee other recordings of this orchestra https://www.youtube.com/playlist?list=PLR7kJugEJ7kui4ZNxQAX0Q4KZk4NSCs5b0:00 Intro0:31 Barber'...
"I think now, looking back, we did not fight the enemy; we fought ourselves. And the enemy was in us. The war is over for me now, but it will always be there, the rest of my days. As I'm sure Elias will be, fighting with Barnes for what Rhah called ...
"I think now, looking back, we did not fight the enemy; we fought ourselves. And the enemy was in us. The war is over for me now, but it will always be there...
possession of my soul. There are times since, I've felt like the child born of those two fathers. But, be that as it may, those of us who did make it have an obligation to build again, to teach to others what we know, and to try with what's left of our lives to find a goodness and a meaning to this life."
The Six Million Dollar Man (1974 1978) - The Six Million Dollar Man (1974 1978) When ace test-pilot Steve Austin's ship crashed, he was nearly dead. Deciding that "we have the .
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You can find the reading lists of each individual podcast episode on our websi…
… if all Russia and China are going to do is talk they could start talking about a one state solution. They could put some urgency into the situation. They could let Abbas and the Gulf family dicta…
In Copper We Trusted 🇺🇸My first experience with money must’ve been the neighborhood park. Not a piggy bank, not a passbook, and not even first grade. Just me, that curious glint catching the sun, and a warm summer day under the monkey bars. One lone penny, half-sunk in the grass and dirt like it had tried to escape the economy and almost made it. I was maybe five, still young enough to believe the world was fair, bubble gum was a food group, and sidewalk cracks were not to be stepped on if you loved your mother. I picked up the penny, brushed it off and examined it in awe. I had my very own money!
Back then, a lone penny had gravitas. You could march it right up to the corner store and make a proud choice from the bottom shelf treasure trove. Tootsie Rolls the size of your pinky, a wax bottle full of colored mystery juice, or those chalky little candy cigarettes that made us feel all grown up, until we actually tried a real one. You could buy a Bazooka Joe bubblegum, complete with a comic strip so corny it could make your grandpa snort coffee through his nose.
If Aunt Alma had been by for her monthly visit, accompanied by the faint scent of Wind Song, and a roll of Lifesavers in her purse, I might be flush with a nickel or even a whole quarter. There was the real jackpot! You could ride that fortune clear up to the 2nd shelf where the Hershey Bars, Chick-O-Sticks, Rope Licorice, and Milky-Way's resided.
By first grade, pennies weren’t just cash, they were curriculum. You learned to count, add, and trade like a tiny little capitalist in Buster Brown's. All us kids learned our math with Mom at the kitchen table and a sack of real coin. We stacked pennies like bricks and laid out nickels like silver stepping stones. Then by sixth grade science, every kid had made a potato battery using a copper penny and a zinc slug. It was magic.
In high school, when cars came with half dozen ashtrays strategically placed around the interior, one of those ashtrays became your official emergency bank account. Every clink of coin into that little chrome tray could mean lunch money, Maybe jukebox change. Or just a gallon or two of gas to limp through the rest of the week. A paying of the piper for burning through your tank of gas cruising the gut with a hot date Friday night. At thirty-one cents a gallon, at least a tankful didn’t require an apology, or a co-signer.
Mr. Lincoln was hit hard, along with the rest of us, when inflation roared through the door wearing waffle stompers and bad intentions during the Carter years. By the time I staggered out of college with mathematics on the brain, Emerson in my heart, and lint in my pockets, our poor penny couldn’t buy a wad of gum without calling in a few friends. Even the gumball machines had turned their backs in favor of the nickel.
Still, retail wasn’t done with ol’ Abe. He found a second career helping stores psyop customers. Because .97 cents feels so much cheaper than 1.00, even though you know they’re just making change more annoying on purpose.
Then in 1982, the government did the penny dirty. Quietly swapped his copper guts for zinc. No letter, no retirement party, not even a free Jell-O cup. Just hollowed him out, dipped him in copper-wash, and kept his face. Now when you drop a post-’82 penny on the counter, it doesn’t ring...it plops. Like it’s embarrassed.
Our beloved penny has not let us down, it is we, who have let it down. We've allowed the whole damn system to deflate him into irrelevance. We let them shift the ground under our feet and didn’t say a word. You know, it wasn't that long ago, that a dollar was a day’s pay for a man with a strong back, and a penny had bite. Now it doesn't even cover the tax on a Snicker's Bar.
Goodbye, Mr. Lincoln. America loves you. You were our first real treasure. A symbol of good luck, of bubblegum fortunes, and the great American childhood hustle. You stood tall in our pockets. You taught us to count. You lit up science fairs, fueled our card games, Levelled out the legs of the coffee table, and made a generation of kids feel rich just finding you lying in the grass. You taught us the value of what’s small, the benefit of thrift and saving, and how to dream modest but mighty.
Now they’re taking you away. Not because you failed, but because we stopped paying attention. You didn't lose value. We lost our sense of what value is. The penny didn’t vanish. We just got too distracted to bend down and pick you up. Too quick to trade substance for swipe cards, phantom dollars, and prices that always round up. But some of us still remember. Some of us still hear that familiar copper ping echoing off the monkey bars, kitchen floor, ash trays, and that special jingle in a jeans pocket.
My first coin. You will be sorely missed. And truth be told, I’d rather find a real copper penny in the grass than trust a Cheshire cat-looking banker with an imaginary Bitcoin to sell me!
Have a great Memorial weekend and remember those who gave their last measure, so that we could live our lives in freedom.
The Euro-Med Human Rights Monitor has warned that Israel is working on forcing Palestinians in Gaza to gather in a narrowed area along the southern coast, setting the stage for their mass relocation from the territory under a plan previously announce…
Kale is rich in fiber, antioxidants, calcium and vitamins A, C, E and K. It may support digestion, immune health, build strong bones and protect against
As I sit back and let the soulful notes of the drug-addicted Whitney Houston's "I Will Always Love You" wash over me, I'm transported down memory lane to a time when life felt simpler and the world was full of possibilities. The 1990s were a magical era, filled with unforgettable moments and cherished friendships.
I can vividly recall those carefree days spent with friends, laughing and dancing to our favourite tunes, the air thick with nostalgia and the promise of youth. Each lyric resonates deeply, reminding me of the love stories and heartaches that shaped us.
Just like the memories stirred by that last video, this song brings back late-night conversations, the excitement of our first crushes, and the joy of simply being together. It truly was the time of our lives. So, let’s keep the threads of nostalgia alive and celebrate those moments and the music that defined our youth.
Do you remember who you danced with to the sounds of drug-addicted Whitney Houston's "I Will Always Love You"? When the song blared across the dance floor, did you manage to steal a kiss as you had hoped?
Whitney Houston's rendition of "I Will Always Love You":
"I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of Billboard Hot Country Songs: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack.
Whitney Houston recorded a soul-ballad arrangement of the song for the 1992 film The Bodyguard. Houston's version peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks. The single was certified Diamond by the RIAA, making Houston's first Diamond single, the third female artist who had both a Diamond single and a Diamond album, and becoming the best-selling single by a woman in the U.S. The song was a global success, topping the charts in almost all countries. With over 20 million copies sold it became the best-selling single of all time by a female solo artist. Houston won the Grammy Award for Record of the Year in 1994 for "I Will Always Love You".
"I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of Billboard Hot Country Songs: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack.
Whitney Houston recorded a soul-ballad arrangement of the song for the 1992 film The Bodyguard. Houston's version peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks. The single was certified Diamond by the RIAA, making Houston's first Diamond single, the third female artist who had both a Diamond single and a Diamond album, and becoming the best-selling single by a woman in the U.S. The song was a global success, topping the charts in almost all countries. With over 20 million copies sold it became the best-selling single of all time by a female solo artist. Houston won the Grammy Award for Record of the Year in 1994 for "I Will Always Love You".
Dolly Parton I Will Always Love You Live Perfomance 1974
Dolly Parton's "I Will Always Love You," originally released in 1974, is a heartfelt country ballad that showcases her exceptional songwriting and vocal talent. The song expresses deep love and gratitude, making it a timeless classic. Its emotional resonance has led to numerous covers, most notably Whitney Houston's rendition, which brought it to a new audience.
Lyrics: If I should stay I would only be in your way So I'll go, but I know I'll think of you each step of the way
And I will always love you I will always love you
Bittersweet memories That's all I'm taking with me Goodbye, please don't cry We both know that I'm not what you need
But I will always love you I will always love you
I hope life treats you kind And I hope that you have all That you ever dreamed of And I wish you joy and happiness But above all of this, I wish you love
And I will always love you I will always love you I will always love you
Written by: Dolly Parton Album: Jolene Released: #1974
"I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of Billboard Hot Country Songs: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack.
Whitney Houston recorded a soul-ballad arrangement of the song for the 1992 film The Bodyguard. Houston's version peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks. The single was certified Diamond by the RIAA, making Houston's first Diamond single, the third female artist who had both a Diamond single and a Diamond album, and becoming the best-selling single by a woman in the U.S. The song was a global success, topping the charts in almost all countries. With over 20 million copies sold it became the best-selling single of all time by a female solo artist. Houston won the Grammy Award for Record of the Year in 1994 for "I Will Always Love You".
Dolly Parton I Will Always Love You Live Perfomance 1974
Dolly Parton's "I Will Always Love You," originally released in 1974, is a heartfelt country ballad that showcases her exceptional songwriting and vocal talent. The song expresses deep love and gratitude, making it a timeless classic. Its emotional resonance has led to numerous covers, most notably Whitney Houston's rendition, which brought it to a new audience.
Lyrics: If I should stay I would only be in your way So I'll go, but I know I'll think of you each step of the way
And I will always love you I will always love you
Bittersweet memories That's all I'm taking with me Goodbye, please don't cry We both know that I'm not what you need
But I will always love you I will always love you
I hope life treats you kind And I hope that you have all That you ever dreamed of And I wish you joy and happiness But above all of this, I wish you love
And I will always love you I will always love you I will always love you
Written by: Dolly Parton Album: Jolene Released: #1974
"I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of Billboard Hot Country Songs: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack.
Whitney Houston recorded a soul-ballad arrangement of the song for the 1992 film The Bodyguard. Houston's version peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks. The single was certified Diamond by the RIAA, making Houston's first Diamond single, the third female artist who had both a Diamond single and a Diamond album, and becoming the best-selling single by a woman in the U.S. The song was a global success, topping the charts in almost all countries. With over 20 million copies sold it became the best-selling single of all time by a female solo artist. Houston won the Grammy Award for Record of the Year in 1994 for "I Will Always Love You".
"I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of Billboard Hot Country Songs: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack.
Whitney Houston recorded a soul-ballad arrangement of the song for the 1992 film The Bodyguard. Houston's version peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks. The single was certified Diamond by the RIAA, making Houston's first Diamond single, the third female artist who had both a Diamond single and a Diamond album, and becoming the best-selling single by a woman in the U.S. The song was a global success, topping the charts in almost all countries. With over 20 million copies sold it became the best-selling single of all time by a female solo artist. Houston won the Grammy Award for Record of the Year in 1994 for "I Will Always Love You".
As I sit back and let the soulful notes of the drug-addicted Whitney Houston's "I Will Always Love You" wash over me, I'm transported down memory lane to a time when life felt simpler and the world was full of possibilities. The 1990s were a magical era, filled with unforgettable moments and cherished friendships.
I can vividly recall those carefree days spent with friends, laughing and dancing to our favourite tunes, the air thick with nostalgia and the promise of youth. Each lyric resonates deeply, reminding me of the love stories and heartaches that shaped us.
Just like the memories stirred by that last video, this song brings back late-night conversations, the excitement of our first crushes, and the joy of simply being together. It truly was the time of our lives. So, let’s keep the threads of nostalgia alive and celebrate those moments and the music that defined our youth.
Do you remember who you danced with to the sounds of drug-addicted Whitney Houston's "I Will Always Love You"? When the song blared across the dance floor, did you manage to steal a kiss as you had hoped?
Whitney Houston's rendition of "I Will Always Love You":
"I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of Billboard Hot Country Songs: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack.
Whitney Houston recorded a soul-ballad arrangement of the song for the 1992 film The Bodyguard. Houston's version peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks. The single was certified Diamond by the RIAA, making Houston's first Diamond single, the third female artist who had both a Diamond single and a Diamond album, and becoming the best-selling single by a woman in the U.S. The song was a global success, topping the charts in almost all countries. With over 20 million copies sold it became the best-selling single of all time by a female solo artist. Houston won the Grammy Award for Record of the Year in 1994 for "I Will Always Love You".
By Pepe Escobar. Revisiting Iran in this era of geopolitical turmoil, relentless "maximum pressure," red lines on uranium enrichment, and threats of bombing could not be more urgent—or more instructive.
"Walk This Way" is a groundbreaking collaboration between hip-hop legends RUN DMC and rock icons Aerosmith, released in 1986. This iconic track blends rap and rock elements, featuring a catchy chorus and powerful guitar riffs that helped bridge the gap between the two genres. The official HD video showcases the dynamic energy of both bands, with memorable performances and a playful narrative that highlights the fusion of their musical styles. "Walk This Way" became a massive hit, revitalising Aerosmith's career and solidifying RUN DMC's place in music history as pioneers of rap-rock.
Lyric: Now there's a backseat lover, that's always undercover And I talked to my dad, he say He said, "Ya ain't seen nothin' 'til you're down on a muffin And there's sure to be a change in way"
I met a cheerleader, that's a big young breeder As far as I could reminisce And the best thing lovin' was a sister and a cousin And it started with a little kiss, like this
She start swingin' with the boys in school And her feet are flyin' up in the air Singin' hey diddle diddle with the kitty in the middle And you swingin' like you just don't care
So I took a big chance at the high school dance With a lady who was ready to play It wasn't me she was foolin' 'cause she knew what she was doin' When she told me how to walk this way, she told me to
Walk this way, talk this way Walk this way, talk this way She told me to Walk this way, talk this way Walk this way, talk this way Just give me a kiss Like this
School girl sleazy with a classy kinda sassy Little skirt hangin' way up her knee There were three young ladies in a school gym locker And I find there were lookin' at D
I was a high school loser, never made it with a lady 'Til the boys told me somethin' I miss That my next door neighbor had a daughter, had a favor And I gave it a little kiss, like this Break!
She start swingin' with the boys in the school With your feet flyin' up in the air Singin' hey diddle diddle with the kitty in the middle I was swingin' like I didn't care
So I took a big chance at the high school dance With the missy who was ready to play Wasn't me she was foolin', cause she knew what she was doin' When she told me how to walk this way, she told me to
Walk this way, talk this way Walk this way, talk this way She told me to Walk this way, talk this way Walk this way, talk this way Well, just give me some head Like this
Do you remember who you danced with to the sounds of #runDMC and #Aerosmith when these blasted over the dance floor Did you get away with a kiss as you hoped for?
OK, could you test with another one? Maybe the fresh from the oven U2 Sunday Bloody Sunday (Let it bake a minute or two more, still baking (Transcoding)
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kurt
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